The Visual Culture of Holland in the Seventeenth and Eighteenth Centuries and Its European Reception
| Author | : Jacek Jaźwierski |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9788380611498 |
The Visual Culture Of Holland In The Seventeenth And Eighteenth Centuries And Its European Reception
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The Sublime in the Visual Culture of the Seventeenth-Century Dutch Republic
| Author | : Stijn Bussels |
| Publisher | : Taylor & Francis |
| Total Pages | : 256 |
| Release | : 2023-11-21 |
| Genre | : Art |
| ISBN | : 1003803490 |
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.
Art in History/History in Art
| Author | : David Freedberg |
| Publisher | : Getty Publications |
| Total Pages | : 458 |
| Release | : 1996-07-11 |
| Genre | : Art |
| ISBN | : 0892362014 |
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World
| Author | : Samuel van Hoogstraten |
| Publisher | : Getty Publications |
| Total Pages | : 426 |
| Release | : 2021-01-19 |
| Genre | : Art |
| ISBN | : 1606066676 |
A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.
Confronting the Golden Age
| Author | : Junko Aono |
| Publisher | : Amsterdam University Press |
| Total Pages | : 235 |
| Release | : 2015-03-21 |
| Genre | : History |
| ISBN | : 9048519845 |
Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the "age of decline"? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age. In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time. Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.
A Moral Compass
| Author | : Arthur K. Wheelock |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 144 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : |
Painting in the Netherlands during the seventeenth and eighteenth centuries offers a compelling visual record of the tastes and values of a prosperous society mindful of its obligation to personal and public standards. This richly illustrated volume examines twenty-six paintings by master artists from this Golden Age of Dutch art and features essays by leading scholars who explore the various interpretations of these works within the context of their culture. "A Moral Compass," published in conjunction with an exhibition organized by the Grand Rapids Art Museum, includes individual descriptive entries on each work and artist by Henry Luttikhuizen, guest curator, an introduction by Peter Sutton and essays by Arthur Wheelock, Jr., Lawrence Goedde, and Mariet Westermann. These distinguished curators and art historians provide their insights on the artistic achievement of the Netherlands during an extraordinary period of maritime dominance, material affluence, and moral purpose.
Art and the Culture of Love in Seventeenth-Century Holland
| Author | : H. Rodney Nevitt Jr. |
| Publisher | : Cambridge University Press |
| Total Pages | : 320 |
| Release | : 2003-01-09 |
| Genre | : Art |
| ISBN | : 9780521643290 |
A series of interconnected essays on love and courtship as themes in Dutch art, this study examines pictorial subjects and artists that have never been considered together: paintings and prints of "garden parties" by David Vinckboons and Esaias van de Velde, merry companies by Willem Buytewech, paintings of courting couples observing peasant festivities by Jan Miense Molenaer, two portraits by Frans Hals and two important landscape etchings by Rembrandt. Nevitt places these works in the context of the culture of love at the time, which manifested itself in the social practices of courtship and a variety of amatory texts.
A Cultural History of Plants in the Seventeenth and Eighteenth Centuries
| Author | : Jennifer Milam |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2023-12-14 |
| Genre | : History |
| ISBN | : 1350259330 |
A Cultural History of Plants in the Seventeenth and Eighteenth Centuries covers the period from 1650 to 1800,a time of global exploration and the discovery of new species of plants and their potential uses. Trade routes were established which brought Europeans into direct contact with the plants and people of Asia, Oceania, Africa and the Americas. Foreign and exotic plants become objects of cultivation, collection, and display, whilst the applications of plants became central not only to naturalists, landowners, and gardeners but also to philosophers, artists, merchants, scientists, and rulers. As the Enlightenment took hold, the natural world became something to be grasped through reasoned understanding. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Jennifer Milam is Pro Vice-Chancellor and Professor of Art History, University of Newcastle, Australia. Volume 4 in the Cultural History of Plants set. General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
Dutch Seventeenth-century Genre Painting
| Author | : Wayne E. Franits |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Genre painting, Dutch |
| ISBN | : 9780300143362 |
The appealing genre paintings of great seventeenth-century Dutch artists--Vermeer, Steen, de Hooch, Dou, and others--have long enjoyed tremendous popularity. this comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600's and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections, and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in political, cultural, and economic context. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs, and a surprisingly restricted number of themes over the course of several generations.--Amazon.com.
Art & Visual Culture 1600-1850: Academy to Avant-Garde
| Author | : Emma Barker |
| Publisher | : Tate Enterprises Ltd |
| Total Pages | : 684 |
| Release | : 2013-09-05 |
| Genre | : Art |
| ISBN | : 1849761094 |
An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist
