The Vision Of The Cross And Other Poems
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Author | : Malcolm Guite |
Publisher | : Canterbury Press |
Total Pages | : 176 |
Release | : 2015-08-31 |
Genre | : Religion |
ISBN | : 1848258003 |
For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. A scholar of poetry as well as a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Advent. Among the classic writers he includes are: George Herbert, John Donne, Milton, Tennyson,and Christina Rossetti,as well as contemporary poets like Scott Cairns, Luci Shaw, and Grevel Lindop. He also includes a selection of his own highly praised work.
Author | : Malcolm Guite |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 272 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9781409449362 |
Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly. Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do Theology'. Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.
Author | : Malcolm Guite |
Publisher | : Canterbury Press |
Total Pages | : 102 |
Release | : 2013-02-21 |
Genre | : Religion |
ISBN | : 1848255152 |
Poetry has always been a central element of Christian spirituality and is increasingly used in worship, in pastoral services and guided meditation. Here, Cambridge poet, priest and singer-songwriter Malcolm Guite transforms 70 lectionary readings into inspiring poems for use in regular worship, seasonal services, meditative reading or on retreat.
Author | : |
Publisher | : |
Total Pages | : 646 |
Release | : 1861 |
Genre | : Theology |
ISBN | : |
Author | : William Lonsdale Watkinson |
Publisher | : |
Total Pages | : 642 |
Release | : 1861 |
Genre | : |
ISBN | : |
Author | : Najwan Darwish |
Publisher | : New York Review of Books |
Total Pages | : 145 |
Release | : 2021-02-23 |
Genre | : Poetry |
ISBN | : 1681375532 |
A much-anticipated follow-up to Nothing More to Lose, this is only the second poetry collection translated into English from a vital voice of Arabic literature. “We drag histories behind us,” the Palestinian poet Najwan Darwish writes in Exhausted on the Cross, “here / where there’s neither land / nor sky.” In pared-down lines, brilliantly translated from the Arabic by Kareem James Abu-Zeid, Darwish records what Raúl Zurita describes as “something immemorial, almost unspeakable”—a poetry driven by a “moral imperative” to be a “colossal record of violence and, at the same time, the no less colossal record of compassion.” Darwish’s poems cross histories, cultures, and geographies, taking us from the grime of modern-day Shatila and the opulence of medieval Baghdad to the gardens of Samarkand and the open-air prison of present-day Gaza. We join the Persian poet Hafez in the conquered city of Shiraz and converse with the Prophet Mohammad in Medina. Poem after poem evokes the humor in the face of despair, the hope in the face of nightmare.
Author | : Gilbert Keith Chesterton |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 172 |
Release | : 1900 |
Genre | : Fiction |
ISBN | : |
The Wild Knight and other poems by G. K. Chesterton. Over 50 of Chesterton's poems, plus the poem and play "The Wild Knight." Gilbert Keith Chesterton (29 May 1874 - 14 June 1936) better known as G.K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist. Chesterton is often referred to as the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected."[6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Cardinal Newman, and John Ruskin.
Author | : David Lindsay |
Publisher | : |
Total Pages | : 410 |
Release | : 1865 |
Genre | : English poetry |
ISBN | : |
Author | : Malcolm Guite |
Publisher | : Canterbury Press |
Total Pages | : 208 |
Release | : 2014-12-09 |
Genre | : Religion |
ISBN | : 1848256809 |
For every day from Shrove Tuesday to Easter Day, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive reflections on it. A scholar of poetry and a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Lent.
Author | : John Updike |
Publisher | : Knopf |
Total Pages | : 95 |
Release | : 2012-04-25 |
Genre | : Poetry |
ISBN | : 0307961966 |
This second collection of John Updike's poetry is equally divided between poems that, in their verbal jugglery and humorous bias, seem to qualify as “light” and poems that, one way or other, cross the problematic border into the general realm of poetry. The distinction cannot be clear-cut. The poet is consistently concerned with Man’s cosmic embarrassment, and the same vision illuminates the creatures of “The High Hearts” and “Seagulls.” Science and religion, so frequently and variously invoked, frame a single paradox, the paradox of the mundane; and each poem, whether inspired by an antic headline or a suburban landscape, rejoices in the elusive surface of created things. When The Carpentered Hen, John Updike’s first collection of verse, was published, Phyllis McGinley wrote: “I have been happily reading Mr. Updike in The New Yorker for some time and am happy, now, to own him collected. When he first appeared in that magazine, I was so elated to see a new name in light verse that I felt like crying with the Ancient Mariner ‘A Sail, A Sail!’ His is what poetry of this sort exactly out to be—playful but elegant, sharp-eyed, witty.” In the Saturday Review, David McCord wrote: “Furthermore, he is a graceful border-crosser (light verse to poem) as Auden has been; as Betjeman and McGinley frequently are.”