The Vinyl Revival And The Shops That Made It Happen
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| Author | : Graham Jones |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018-09 |
| Genre | : Music trade |
| ISBN | : 9780992806217 |
"It explains why we have more than a hundred more record shops than we had in 2009, and how others have gained the reward from their hard work. Budget turntables, manufactures, supermarkets, chain stores, clothes shops, pressing plants and even the government are amongst the many who have benefited from their efforts. Graham Jones has spent 32 years travelling the UK selling to independent record shops and visited more record shops than any other human. This book guides you around the record shops of the UK who sell new vinyl. He has gathered some fascinating and funny anecdotes told him by our much-loved record shop staff so that when you visit you will feel like you already know the characters behind the counters. It is perfect for vinyl fans to keep with them on their travels around the country."--Amazon.com.
| Author | : Graham Jones |
| Publisher | : Omnibus Press |
| Total Pages | : 304 |
| Release | : 2010-07-23 |
| Genre | : Music |
| ISBN | : 085712417X |
Last Shop Standing: Whatever Happened To Record Shops? documents the sad disappearance of a cultural icon from our high streets. Once a thriving industry, the UK has gone from having over 2000 independent record shops in the 1980s to just 269 in 2009. Written by Graham Jones, who has worked in the distribution industry for over 25 years as a record company salesman, this book presents a snapshot of a business that is under threat of going the same way as the stamp shop, the coin shop and the candlestick maker. Jones’ speaks to 50 record shop owners to see why they have survived while nearly two thousand others have closed. These interviews form the basis of the book, which celebrates the rich social history in which the record shop is steeped. In 2012 Last Shop Standing was made into an award winning 50 minute film, featuring interviews with Johnny Marr, Norman Cook, Richard Hawley, Paul Weller and Billy Bragg, alongside many of the record shop owners featured in the book. Given a new tagline – ‘the rise, fall and rebirth of the independent record shop’, the film has been screened around the globe and was an official selection at the Chicago International Movies & Music Festival in 2013.
| Author | : Eilon Paz |
| Publisher | : Ten Speed Press |
| Total Pages | : 577 |
| Release | : 2015-09-15 |
| Genre | : Music |
| ISBN | : 1607748703 |
A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.
| Author | : Mike Evans |
| Publisher | : Simon and Schuster |
| Total Pages | : 256 |
| Release | : 2022-09-06 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1645178161 |
This history of the LP is a must-have for any music connoisseur! When vinyl LP records took over the music industry in the late 1950s, a new era began. No longer bound by the time constraints of the shellac 78s that had been in use since the 1910s, recording artists could now present an entire album—rather than a lone three-minute single—on a vinyl LP, giving listeners a completely new way to experience their music. In recent years, vinyl has found a second life as an art form, collected and appreciated by music connoisseurs across the world. Vinyl: The Art of Making Records examines the origins of the vinyl format and its evolution throughout the 20th century, and also provides an in-depth look at how vinyl LPs are manufactured and packaged—often with striking artwork that makes them beloved by music enthusiasts today. Also included are four removable art prints, each representing a sample of album covers from the 1960s, 1970s, 1980s, and 1990s.
| Author | : David Sax |
| Publisher | : PublicAffairs |
| Total Pages | : 306 |
| Release | : 2016-11-08 |
| Genre | : Business & Economics |
| ISBN | : 1610395727 |
One of Michiko Kakutani's (New York Times) top ten books of 2016 A funny thing happened on the way to the digital utopia. We've begun to fall back in love with the very analog goods and ideas the tech gurus insisted that we no longer needed. Businesses that once looked outdated, from film photography to brick-and-mortar retail, are now springing with new life. Notebooks, records, and stationery have become cool again. Behold the Revenge of Analog. David Sax has uncovered story after story of entrepreneurs, small business owners, and even big corporations who've found a market selling not apps or virtual solutions but real, tangible things. As e-books are supposedly remaking reading, independent bookstores have sprouted up across the country. As music allegedly migrates to the cloud, vinyl record sales have grown more than ten times over the past decade. Even the offices of tech giants like Google and Facebook increasingly rely on pen and paper to drive their brightest ideas. Sax's work reveals a deep truth about how humans shop, interact, and even think. Blending psychology and observant wit with first-rate reportage, Sax shows the limited appeal of the purely digital life-and the robust future of the real world outside it.
| Author | : Graham Jones |
| Publisher | : |
| Total Pages | : 110 |
| Release | : 2013 |
| Genre | : Anecdotes |
| ISBN | : 9780956121264 |
With over thirty years as a record company sales rep and still going strong, Graham Jones has visited more record shops in Britain than most people and certainly more than anyone will be able to in the future. Over the years he has collected a vast number of funny stories and anecdotes. He relates the best of them here, as told to him by those who have been (mostly) pleased and sometimes bemused to find themselves stationed behind the record shop counter. This hilarious new collection of 'I'll hum it have you got it?' and similar stories is an engrossing memorial to an increasingly bygone age. Features cartoons throughout the book by Kipper Williams. His cartoons have appeared in music publications including Melody Maker, Smash Hits and the Black Sabbath World Tour programme (1977).
| Author | : Amanda Petrusich |
| Publisher | : Simon and Schuster |
| Total Pages | : 288 |
| Release | : 2014-07-08 |
| Genre | : Music |
| ISBN | : 1451667078 |
“A thoughtful, entertaining history of obsessed music collectors and their quest for rare early 78 rpm records” (Los Angeles Times), Do Not Sell at Any Price is a fascinating, complex story of preservation, loss, obsession, and art. Before MP3s, CDs, and cassette tapes, even before LPs or 45s, the world listened to music on fragile, 10-inch shellac discs that spun at 78 revolutions per minute. While vinyl has enjoyed a renaissance in recent years, rare and noteworthy 78rpm records are exponentially harder to come by. The most sought-after sides now command tens of thousands of dollars, when they’re found at all. Do Not Sell at Any Price is the untold story of a fixated coterie of record collectors working to ensure those songs aren’t lost forever. Music critic and author Amanda Petrusich considers the particular world of the 78—from its heyday to its near extinction—and examines how a cabal of competitive, quirky individuals have been frantically lining their shelves with some of the rarest records in the world. Besides the mania of collecting, Petrusich also explores the history of the lost backwoods blues artists from the 1920s and 30s whose work has barely survived and introduces the oddball fraternity of men—including Joe Bussard, Chris King, John Tefteller, and others—who are helping to save and digitize the blues, country, jazz, and gospel records that ultimately gave seed to the rock, pop, and hip-hop we hear today. From Thomas Edison to Jack White, Do Not Sell at Any Price is an untold, intriguing story of the evolution of the recording formats that have changed the ways we listen to (and create) music. “Whether you’re already a 78 aficionado, a casual record collector, a crate-digger, or just someone…who enjoys listening to music, you’re going to love this book” (Slate).
| Author | : Richard Carlin |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 485 |
| Release | : 2016-03-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496805712 |
Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Record Labels – Best History (2017) This biography tells the story of one of the most notorious figures in the history of popular music, Morris Levy (1927-1990). At age nineteen, he cofounded the nightclub Birdland in Hell's Kitchen, which became the home for a new musical style, bebop. Levy operated one of the first integrated clubs on Broadway and helped build the careers of Dizzy Gillespie and Bud Powell and most notably aided the reemergence of Count Basie. In 1957, he founded a record label, Roulette Records. Roulette featured many of the significant jazz artists who played Birdland but also scored top pop hits with acts like Buddy Knox, Frankie Lymon and the Teenagers, Joey Dee and the Starliters, and, in the mid-1960s, Tommy James. Stories abound of Levy threatening artists, songwriters, and producers, sometimes just for the sport, other times so he could continue to build his empire. Along the way, Levy attracted "investors" with ties to the Mafia, including Dominic Ciaffone (a.k.a. "Swats" Mulligan), Tommy Eboli, and the most notorious of them all, Vincent Gigante. Gigante allegedly owned large pieces of Levy's recording and retail businesses. Starting in the late 1950s, the FBI and IRS investigated Levy but could not make anything stick until the early 1980s, when Levy foolishly got involved in a deal to sell remaindered records to a small-time reseller, John LaMonte. With partners in the mob, Levy tried to force LaMonte to pay for four million remaindered records. When the FBI secretly wiretapped LaMonte in an unrelated investigation and agents learned about the deal, investigators successfully prosecuted Levy in the extortion scheme. Convicted in 1988, Levy did not live to serve prison time. Stricken with cancer, he died just as his last appeals were exhausted. However, even if he had lived, Levy's brand of storied high life was effectively bust. Corporate ownership of record labels doomed most independents in the business, ending the days when a savvy if ruthless hustler could blaze a path to the top.
| Author | : Steve Carr |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 2020 |
| Genre | : |
| ISBN | : 9781913663384 |
| Author | : Jerry Burgan |
| Publisher | : Scarecrow Press |
| Total Pages | : 271 |
| Release | : 2014-04-10 |
| Genre | : Music |
| ISBN | : 0810888629 |
The dawn of folk rock comes to life in Jerry Burgan’s unforgettable memoir of the pre-psychedelic 1960s and the summer that changed everything. As a naïve folksinger from Pomona, California, Burgan was thrust to the forefront of the counterculture and its aftermath. The Byrds, the Rolling Stones, the Mamas and Papas, Barry McGuire, Bo Diddley and many others make appearances in this 50th Anniversary reminiscence by the surviving cofounder of WE FIVE, the San Francisco electro-folk ensemble whose million-seller, "You Were On My Mind,” entered the world two months before Bob Dylan plugged in an electric guitar at the Newport Folk Festival. Vying with the Byrds to record the first folk-rock hit, Burgan and his lifelong friend Mike Stewart embarked on a road they thought well paved by the latter's older brother, Kingston Trio member John Stewart. Little did they realize that they would join the largest-ever American generation in an ecstatic, sometimes tortured, journey of invention and disillusion. Wounds to Bind bears witness to a lost and hopeful convergence in American history—that missing link between the folk and rock eras—when Bob Dylan and Sammy Davis Jr. were played on the same radio station in the same hour. A survivor of the human realignments, tragedies and triumphs that followed, Burgan tracks down the demons that drove the genius of We Five cofounder Mike Stewart and sheds light on the 40-year enigma of what became of the band’s reclusive lead singer, Beverly Bivens, a forerunner of Grace Slick, Linda Ronstadt, and Stevie Nicks.
