The Village Enlightenment In America
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| Author | : Craig Hazen |
| Publisher | : University of Illinois Press |
| Total Pages | : 212 |
| Release | : 2000-01-05 |
| Genre | : Religion |
| ISBN | : 9780252068287 |
The Village Enlightenment in America focuses on three nineteenth-century spiritual activists who epitomized the marriage of science and religion fostered in antebellum, pre-Darwinian America by the American Enlightenment. A theologian, writer, and apologist for the nascent Mormon movement, as well as an amateur scientist, Orson Pratt wrote Key to the Universe, or a New Theory of Its Mechanism, to establish a scientific base for the Church of Jesus Christ of Latter-day Saints. Robert Hare, an inventor and ardent convert to spiritualism, used his scientific expertise to lend credence to the spiritualist movement. Phineas Parkhurst Quimby, generally considered the initiator of the American mind-cure movement, developed an overtly religious concept of science and used it to justify his system of theology. Pratt, Hare, and Quimby all employed a potent combination of popular science and Baconianism to legitimate their new religious ideas. Using the same terms--matter, ether, magnetic force--to account for the behavior of particles, planetary rotation, and the influence of the Holy Ghost, these agents of the Enlightenment constructed complex systems intended to demonstrate a fundamental harmony between the physical and the metaphysical. Through the lives and work of these three influential men, The Village Enlightenment in America opens a window to a time when science and religion, instead of seeming fundamentally at odds with each other, appeared entirely reconcilable.
| Author | : Jose R Torre |
| Publisher | : Taylor & Francis |
| Total Pages | : 406 |
| Release | : 2024-10-28 |
| Genre | : History |
| ISBN | : 1040246907 |
Aims to modify the periodization for the American Enlightenment. Americans did accept an early and moderate Enlightenment characterised by the work of Locke and Newton. This collection highlights the functional nature of the Enlightenment in America.
| Author | : Craig Hazen |
| Publisher | : University of Illinois Press |
| Total Pages | : 212 |
| Release | : 2000-01-05 |
| Genre | : Religion |
| ISBN | : 9780252068287 |
The Village Enlightenment in America focuses on three nineteenth-century spiritual activists who epitomized the marriage of science and religion fostered in antebellum, pre-Darwinian America by the American Enlightenment. A theologian, writer, and apologist for the nascent Mormon movement, as well as an amateur scientist, Orson Pratt wrote Key to the Universe, or a New Theory of Its Mechanism, to establish a scientific base for the Church of Jesus Christ of Latter-day Saints. Robert Hare, an inventor and ardent convert to spiritualism, used his scientific expertise to lend credence to the spiritualist movement. Phineas Parkhurst Quimby, generally considered the initiator of the American mind-cure movement, developed an overtly religious concept of science and used it to justify his system of theology. Pratt, Hare, and Quimby all employed a potent combination of popular science and Baconianism to legitimate their new religious ideas. Using the same terms--matter, ether, magnetic force--to account for the behavior of particles, planetary rotation, and the influence of the Holy Ghost, these agents of the Enlightenment constructed complex systems intended to demonstrate a fundamental harmony between the physical and the metaphysical. Through the lives and work of these three influential men, The Village Enlightenment in America opens a window to a time when science and religion, instead of seeming fundamentally at odds with each other, appeared entirely reconcilable.
| Author | : Jose R. Torre |
| Publisher | : Routledge |
| Total Pages | : 440 |
| Release | : 2008 |
| Genre | : Enlightenment |
| ISBN | : |
Aims to modify the periodization for the American Enlightenment. Americans did accept an early and moderate Enlightenment characterised by the work of Locke and Newton. This collection highlights the functional nature of the Enlightenment in America.
| Author | : Mark G. Spencer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1257 |
| Release | : 2015-01-01 |
| Genre | : History |
| ISBN | : 1474249841 |
| Author | : Mark G. Spencer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1257 |
| Release | : 2015-01-01 |
| Genre | : History |
| ISBN | : 0826479693 |
The first reference work on one of the key subjects in American history, filling an important gap in the literature, with over 500 original essays.
| Author | : Professor and Department Head of Art & Art History Elizabeth Milroy |
| Publisher | : Yale University Press |
| Total Pages | : 492 |
| Release | : 1998-01-01 |
| Genre | : Art |
| ISBN | : 9780300069983 |
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
| Author | : Steven Hahn |
| Publisher | : UNC Press Books |
| Total Pages | : 372 |
| Release | : 2018-06-15 |
| Genre | : History |
| ISBN | : 1469621460 |
This volume represents one of the first efforts to harvest the rapidly emerging scholarship in the field of American rural history. Building on the insights and methodologies that social historians have directed toward urban life, the contributors explore the past as it unfolded in the rural settings in which most Americans have lived during most of American history. The essays cover a broad range of topics: the character and consequences of manufacturing and consumerism in the antebellum countryside of the Northeast; the transition from slavery to freedom in Southern plantation and nonplantation regions; the dynamics of community-building and inheritance among Midwestern native and immigrant farmers; the panorama of rural labor systems in the Far West; and the experience of settled farming communities in periods of slowed economic growth. The central theme is the complex and often conflicting development of commercial and industrial capitalism in the American countryside. Together the essays place rural societies within the context of America's "Great Transformation."
| Author | : James R. Lewis |
| Publisher | : Oxford University Press |
| Total Pages | : 545 |
| Release | : 2016-04-12 |
| Genre | : Religion |
| ISBN | : 0190611529 |
The study of New Religious Movements (NRMs) is one of the fastest-growing areas of religious studies, and since the release of the first edition of The Oxford Handbook of New Religious Movements in 2003, the field has continued to expand and break new ground. In this all-new volume, James R. Lewis and Inga B. T?llefsen bring together established and rising scholars to address an expanded range of topics, covering traditional religious studies topics such as "scripture," "charisma," and "ritual," while also applying new theoretical approaches to NRM topics. Other chapters cover understudied topics in the field, such as the developmental patterns of NRMs and subcultural considerations in the study of NRMs. The first part of this book examines NRMs from a social-scientific perspective, particularly that of sociology. In the second section, the primary factors that have put the study of NRMs on the map, controversy and conflict, are considered. The third section investigates common themes within the field of NRMs, while the fourth examines the approaches that religious studies researchers have taken to NRMs. As NRM Studies has grown, subfields such as Esotericism, New Age Studies, and neo-Pagan Studies have grown as distinct and individual areas of study, and the final section of the book investigates these emergent fields.
| Author | : Adam Jortner |
| Publisher | : University of Virginia Press |
| Total Pages | : 318 |
| Release | : 2017-02-03 |
| Genre | : History |
| ISBN | : 0813939593 |
In the decades following the Revolution, the supernatural exploded across the American landscape—fabulous reports of healings, exorcisms, magic, and angels crossed the nation. Under First Amendment protections, new sects based on such miracles proliferated. At the same time, Enlightenment philosophers and American founders explicitly denied the possibility of supernatural events, dismissing them as deliberate falsehoods—and, therefore, efforts to suborn the state. Many feared that belief in the supernatural itself was a danger to democracy. In this way, miracles became a political problem and prompted violent responses in the religious communities of Prophetstown, Turtle Creek, and Nauvoo. In Blood from the Sky, Adam Jortner argues that the astonishing breadth and extent of American miracles and supernaturalism following independence derived from Enlightenment ideas about proof and sensory evidence, offering a chance at certain belief in an uncertain religious climate. Jortner breaks new ground in explaining the rise of radical religion in antebellum America, revisiting questions of disenchantment, modernity, and religious belief in a history of astounding events that—as early Americans would have said—needed to be seen to be believed.
