The Victorian Vampire
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| Author | : Nick James |
| Publisher | : |
| Total Pages | : 251 |
| Release | : 2019-11-30 |
| Genre | : |
| ISBN | : 9781713487821 |
Living in Victorian London is difficult at the best of times. So, instead of following in his father's footsteps, Albert decides on adventure. However, fate has other plans. One drunken night on his way home, he responds to the blood-curdling scream of a woman. He rushes her attacker and in the ensuing fight, he is bitten. Alberts world is changed forever. With that one savage bite, he is turned into a monster that people had believed was just a creation of an authors mind. That night Albert becomes a Vampire. Days turn into months, then years to decades as he struggles with the loss of his soul and humanity. He thought he was alone but as his friends and loved ones pass into memory, his own kind begin to make their presence known.
| Author | : Justin Achilli |
| Publisher | : White Wolf Publishing |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Fantasy fiction |
| ISBN | : 9781588462299 |
| Author | : Michael Sims |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 473 |
| Release | : 2010-07-01 |
| Genre | : Fiction |
| ISBN | : 0802778984 |
Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the nineteenth century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era-from England, America, France, Germany, Transylvania, and even Japan-into a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel. Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination. Readers of Dracula's Guest may also enjoy Michael Sims' most recent collection, The Dead Witness: A Connossieur's Collection of Victorian Detective Stories.
| Author | : Philippe Boulle |
| Publisher | : World of Darkness |
| Total Pages | : 0 |
| Release | : 2003 |
| Genre | : Vampires |
| ISBN | : 9781588468581 |
Regina Blake and Victoria Ash return to London to find its night society in chaos. Mithras, the city's ancient and powerful Kindred prince has come unhinged and hungers for the blood of his own kind. The Tremere of England move to depose the mad prince and his aids and take power for themselves. Can one woman restore order before the streets run red with blood? Does she even want to?
| Author | : Bram Stoker |
| Publisher | : Random House Books for Young Readers |
| Total Pages | : 97 |
| Release | : 1982-04-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 0394848284 |
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
| Author | : Ardel Haefele-Thomas |
| Publisher | : University of Wales Press |
| Total Pages | : 210 |
| Release | : 2012-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 0708324665 |
Queer Others in Victorian Gothic: Transgressing Monstrosity explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race. From mid-century authors like Wilkie Collins and Elizabeth Gaskell to fin-de-siecle writers such as J. Sheridan Le Fanu, Florence Marryat and Vernon Lee, this study examines the ways that these Victorian writers utilized gothic horror as a proverbial 'safe space' in which to grapple with taboo social and cultural issues. This work simultaneously explores our current assumptions about a Victorian culture that was monolithic in its disdain for those who were 'other'.
| Author | : Richard Sugg |
| Publisher | : Taylor & Francis |
| Total Pages | : 682 |
| Release | : 2012-04-27 |
| Genre | : History |
| ISBN | : 113657736X |
Mummies, Cannibals and Vampires charts in vivid detail the largely forgotten history of European corpse medicine, when kings, ladies, gentlemen, priests and scientists prescribed, swallowed or wore human blood, flesh, bone, fat, brains and skin against epilepsy, bruising, wounds, sores, plague, cancer, gout and depression. One thing we are rarely taught at school is this: James I refused corpse medicine; Charles II made his own corpse medicine; and Charles I was made into corpse medicine. Ranging from the execution scaffolds of Germany and Scandinavia, through the courts and laboratories of Italy, France and Britain, to the battlefields of Holland and Ireland, and on to the tribal man-eating of the Americas, Mummies, Cannibals and Vampires argues that the real cannibals were in fact the Europeans. Medicinal cannibalism utilised the formidable weight of European science, publishing, trade networks and educated theory. For many, it was also an emphatically Christian phenomenon. And, whilst corpse medicine has sometimes been presented as a medieval therapy, it was at its height during the social and scientific revolutions of early-modern Britain. It survived well into the eighteenth century, and amongst the poor it lingered stubbornly on into the time of Queen Victoria. This innovative book brings to life a little known and often disturbing part of human history.
| Author | : Delilah S. Dawson |
| Publisher | : Simon and Schuster |
| Total Pages | : 420 |
| Release | : 2012-03-27 |
| Genre | : Fiction |
| ISBN | : 1451657889 |
Dawson's darkly tempting debut drops her unsuspecting heroine into a strange faraway land for a romantic adventure that's part paranormal, part steampunk . . . and completely irresistible. Original.
| Author | : Robert Mighall |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 344 |
| Release | : 2003 |
| Genre | : English fiction |
| ISBN | : 9780199262182 |
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing--from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de siècle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victorian period, and provides historical explanations for its development from late eighteenth century, through the 'Urban Gothic' fictions of the mid-Victorian period, the 'Suburban Gothic' of the Sensation vogue, through to the somatic horrors of Stevenson, Machen, Stoker, and Doyle at the century's close. Mighall challenges the psychological approach to Gothic fiction which currently prevails, demonstrating the importance of geographical, historical, and discursive factors that have been largely neglected by critics, and employing a variety of original sources to demonstrate the contexts of Gothic fiction and explain its development in the Victorian period.
| Author | : Stephen Jones |
| Publisher | : Simon and Schuster |
| Total Pages | : 825 |
| Release | : 2017-10-10 |
| Genre | : Fiction |
| ISBN | : 1510723846 |
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
