The Victoria And Albert Museum Department Of Ceramics
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Author | : Stacey Pierson |
Publisher | : Victoria & Albert Museum |
Total Pages | : 152 |
Release | : 2009-09 |
Genre | : Art |
ISBN | : |
"Chinese ceramics are among the most widely admired and collected in the world. From elegant Song celadons to decorative Ming vases and colorful Qing famille rose, ceramics produced in China have influenced taste and daily life globally. This new design history draws on the V&A’s comprehensive collection to look at the production, consumption, aesthetics, and transfer of Chinese ceramics. Stunning new photography illustrates more than 200 pieces, including previously unpublished objects. It also explores ceramics made in the twentieth and twenty-first centuries, from Republic period porcelain to propaganda ware and studio pottery, a first for any survey history of the subject."--Publisher's description.
Author | : Oliver Watson |
Publisher | : |
Total Pages | : 512 |
Release | : 2006-01 |
Genre | : Religion |
ISBN | : 9780500976340 |
In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.
Author | : Francesco Xanto Avelli |
Publisher | : Paul Holberton Publishing |
Total Pages | : 220 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
"Francesco Xanto Avelli da Rovigo (c. 1486-c.1542) painted some of the most beautiful and fascinating ceramics produced in Renaissance Italy, often drawing on classical mythology for his subjects. He was also a poet, and commented on the tempestuous events of his time--including the infamous Sack of Rome in 1527--both in verse and allegorically in the imagery of the dishes and plates he decorated. This book is a comprehensive study of Xanto as a remarkable painter of Italian Renaissance tin-glazed earthenware (maiolica) decorated with narrative subjects (istoriato), a poet and a loyal follower of the condottiere Francesco Maria I della Rovere, Duke of Urbino. It contains a full transcription of his sonnets with a parallel English translation. A list of maiolica by or attributable to Xanto is another first. Through his ceramics, beautiful and interesting in themselves, and here superbly reproduced, it provides an enlightening cross-section of the dawn of the early modern era"--Provided by publisher.
Author | : R. J. C. Hildyard |
Publisher | : University of Pennsylvania Press |
Total Pages | : 160 |
Release | : 1999 |
Genre | : Antiques & Collectibles |
ISBN | : 9780812235050 |
The history of ceramics is extraordinarily diverse, ranging from crude clay utensils to highly decorative pieces of immense beauty and craftsmanship. This lively book traces the story of European ceramics from the end of the Middle Ages to the present day.
Author | : Anna M. F. Jackson |
Publisher | : |
Total Pages | : 240 |
Release | : 2009 |
Genre | : Art, Indic |
ISBN | : 9781851776474 |
The word 'maharaja' - literally 'great king' - conjures up a vision of splendour and magnificence. This book examines the real and perceived worlds of the maharaja from the early eighteenth century to 1947, when the Indian Princes ceded their territories into the modern states of India and Pakistan.
Author | : Christine Guth Kanda |
Publisher | : BRILL |
Total Pages | : 219 |
Release | : 2020-03-17 |
Genre | : Religion |
ISBN | : 1684172551 |
Originating from the Shinto tradtion, shinzō (wooden statues of kami gods) are among the finest wooden sculptures in Japan. This comprehensive examination of the stylistic and iconographic evolution of shinzō from the ninth through the fourteenth centuries is the first of its kind. A major contribution to a neglected facet of Japanese art and religion, one of historical importance. Professor Kanda gives primary attention to one lineage of forms, the deity Hachiman, which throws light on the entire phenomenon of the role of figural imagery in Shinto.
Author | : Victoria and Albert Museum (London) |
Publisher | : |
Total Pages | : 32 |
Release | : 1952 |
Genre | : |
ISBN | : |
Author | : Victoria and Albert Museum |
Publisher | : La Borie |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Art |
ISBN | : |
Persia and China is the first catalogue raisonne to explore the collection of Blue and White Persian ceramics of the Safavid dynasty in the Victoria and Albert Museum, London. It is a study of over 500 pieces of glazed ceramics mainly from the 17th and 18th centuries, all photographed in black and white by the author. Most of the collection was acquired over a century ago in Persia where Major Richard Murdoch Smith RE, the enterprising director of the Indo European Telegraph Line, recognized the possibility of creating the first ever comprehensive Persian Collection for the Museum then known as the South Kensington Museum. This group of ceramics is part of a very large collection of Persian artefacts gathered during his years of service in Persia from 1865 to 1885. Murdoch Smith had grasped the importance of the geographical position of Persia on the sea route between Western Europe and Far Eastern Asia, and he understood how the historical background together with trading by the East India Companies, influenced the production of Persian ceramics. By taking all these factors into account, the diversity of the designs and shapes of these Persian ceramics caught between European and
Author | : Laura Breen |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2019-08-22 |
Genre | : Design |
ISBN | : 1350047864 |
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Author | : Victoria and Albert Museum |
Publisher | : |
Total Pages | : 370 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Surrealism, one of the influential movements of the 20th century, had a profound impact on all forms of culture. Containing over 350 illustrations, this book examines its impact in the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world.