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| Author | : David Jay Bercuson |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 196 |
| Release | : 1994 |
| Genre | : History |
| ISBN | : 9780773512719 |
The Valour and the Horror Revisited brings together source documents, original essays, and commentaries to provide an analysis of the specific accusations and of larger questions concerning responsible journalism.
| Author | : Timothy Balzer |
| Publisher | : UBC Press |
| Total Pages | : 272 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0774818999 |
In wartime, capturing the hearts and minds of the citizenry is arguably as important as victory on the battlefield. The Information Front explores the Canadian military’s use of public relations units to manage news during the Second World War. These specialized units were responsible for providing sufficient and positive news coverage to Canadians at home. This fascinating study traces the transformation of an emergent PR organization into an efficient publicity machine. It also scrutinizes news coverage and PR activities during major Canadian operations at Dieppe, Sicily, and Normandy to reveal how the military used censorship and propaganda to rally support for the war effort.
| Author | : S. P. MacKenzie |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 319 |
| Release | : 2019-08-08 |
| Genre | : History |
| ISBN | : 1350024864 |
Since the Second World War, depictions of Royal Air Force operations in film and television drama have become so numerous that they make up a genre worthy of scholarly attention. In this illuminating study, S. P. MacKenzie explores the different ways in which the men of RAF Bomber Command have been represented in dramatic form on the big and small screen from the war years to the present day. Bomber Boys on Screen is the first in-depth study of how and why the screen-drama image of those who flew, those who directed them, and those who provided support for RAF bomber operations has changed over time, sometimes in contested circumstances. Until now dramas that focus on Bomber Command have tended to be mentioned only in passing or studied in isolation, despite the prevalence of surveys of both the British war film genre and of aviation cinema. In Bomber Boys on Screen MacKenzie examines the development, presentation, and reception of significant dramas on a decade-by-decade basis. Titles from the beginning of the war (The Lion Has Wings, 1939) to the start of new century (Bomber's Moon, 2014) are situated in the context of technical possibilities and limitations, evolving social and cultural norms in the United Kingdom and elsewhere, and the development of moral and utilitarian controversies surrounding the wartime bomber offensive directed against Nazi Germany. While the focus is on feature films and television plays, reference is also made to documentaries, memorials, veterans' organizations, book titles, war comics, and other representations of the war fought by Bomber Command.
| Author | : Kirsty Robertson |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 411 |
| Release | : 2019-06-07 |
| Genre | : Art |
| ISBN | : 0773558292 |
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. Tear Gas Epiphanies traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life. The sheer number of protest actions Robertson uncovers is compelling. Ambitious and wide-ranging, Tear Gas Epiphanies provides a thorough and conscientious survey of key points of intersection between museums and protest – a valuable resource for university students and scholars, as well as arts professionals working at and with museums.
| Author | : Ian McKay |
| Publisher | : Between the Lines |
| Total Pages | : 517 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 1926662776 |
Explores the ominous campaign to change a nation's definition of itself
| Author | : Monica MacDonald |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : |
| Release | : 2019-06-15 |
| Genre | : History |
| ISBN | : 0773558098 |
Since 1952, CBC television has played a unique role as the primary mass media purveyor of Canadian history. Yet until now, there have been no comprehensive accounts of Canadian history on television. Monica MacDonald takes us behind the scenes of the major documentaries and docudramas broadcast on the CBC, including in Explorations (1956–64) and the series Images of Canada (1972–76), The National Dream (1974), The Valour and the Horror (1992), and Canada: A People's History (2000–02). Drawing on a wide range of sources, MacDonald explores how producers struggled to represent the Canadian past under a range of external and internal pressures. Despite dramatic shifts in the writing of history over this period, she determines that television themes and interpretations largely remained the same. The greater change was in the production and presentation, particularly in the role of professional historians, as journalists emerged not only as the new producers of Canadian history on CBC television, but also as the new content authorities. A critique of public history through the lens of political economy, Recasting History reveals the conflicts, compromises, and controversies that have shaped the CBC version of the Canadian past.
| Author | : Jerome de Groot |
| Publisher | : Routledge |
| Total Pages | : 380 |
| Release | : 2009-01-13 |
| Genre | : History |
| ISBN | : 1134148925 |
Non-academic history – ‘public history’ – is a complex, dynamic entity which impacts on the popular understanding of the past at all levels. In Consuming History, Jerome de Groot examines how society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation. This book analyzes a wide range of cultural entities – from computer games to daytime television, from blockbuster fictional narratives such as Da Vinci Code to DNA genealogical tools – to analyze how history works in contemporary popular culture. Jerome de Groot probes how museums have responded to the heritage debate and the way in which new technologies have brought about a shift in access to history, from online game playing to internet genealogy. He discusses the often conflicted relationship between ‘public’ and academic history, and raises important questions about the theory and practice of history as a discipline. Whilst mainly focussing on the UK, the book also compares the experiences of the USA, France and Germany. Consuming History is an important and engaging analysis of the social consumption of history and offers an essential path through the debates for readers interested in history, cultural studies and the media.
| Author | : Timothy Wilford |
| Publisher | : UBC Press |
| Total Pages | : 314 |
| Release | : 2011-09-12 |
| Genre | : History |
| ISBN | : 0774821248 |
In December 1941, Japan attacked multiple targets in the Far East and the Pacific, including Canadian battalions stationed in Hong Kong. The disaster suggested that the Allies were totally unprepared for war. This book dispels that assumption by offering the first in-depth account of Canadian intelligence gathering and strategic planning on the eve of the Pacific War. Canadians worked closely with their US and Allied counterparts to develop a picture of Japan’s intentions and a strategic plan to meet challenges in the Pacific. Although Canada wanted to avoid conflict with Japan until US participation was assured, policy makers anticipated action in the Pacific and made preparations for defence, which included the internment of Japanese Canadians. By highlighting Canada’s role as a Pacific power, Timothy Wilford sheds new light on events that led to the crisis in the Far East, as well as to the creation of the Grand Alliance.
| Author | : Allan Douglas English |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 262 |
| Release | : 1996-07-20 |
| Genre | : History |
| ISBN | : 0773565957 |
English describes the development of a uniquely Canadian selection system that attempted to match the aptitudes of aircrew candidates to the duties they would perform and the evolution of the RCAF's training program from a haphazard system with enormous attrition to one that became the model for many modern systems. He traces the development of aviation psychology and the treatment of psychological casualties of air combat. English pays particular attention to the LMF controversy and the RCAF's response as well as the effect of morale and leadership on the psychological well-being of, and casualty rates among, Royal Air Force and RCAF bomber squadrons. In exploring the human dimension of air warfare, an issue that has been widely overlooked in military literature, English demonstrates that personnel considerations have at least as much influence on the effectiveness of air forces as material and technological factors.
| Author | : Michael Dolski |
| Publisher | : University of North Texas Press |
| Total Pages | : 321 |
| Release | : 2014-03-15 |
| Genre | : History |
| ISBN | : 1574415484 |
Over the past sixty-five years, the Allied invasion of Northwestern France in June 1944, known as D-Day, has come to stand as something more than a major battle. The assault itself formed a vital component of Allied victory in the Second World War. D-Day developed into a sign and symbol; as a word it carries with it a series of ideas and associations that have come to symbolize different things to different people and nations. As such, the commemorative activities linked to the battle offer a window for viewing the various belligerents in their postwar years. This book examines the commonalities and differences in national collective memories of D-Day. Chapters cover the main forces on the day of battle, including the United States, Great Britain, Canada, France and Germany. In addition, a chapter on Russian memory of the invasion explores other views of the battle. The overall thrust of the book shows that memories of the past vary over time, link to present-day needs, and also still have a clear national and cultural specificity. These memories arise in a multitude of locations such as film, books, monuments, anniversary celebrations, and news media representations.
