The Unsexd Females
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| Author | : Richard Polwhele |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 78 |
| Release | : 2018-06-21 |
| Genre | : |
| ISBN | : 9781721116300 |
The unsex'd females by Richard Polwhele Richard Polwhele's ancestors long held the manor of Treworgan, 4 3/4 miles south-east of Truro in Cornwall, which family bore as arms: Sable, a saltire engrailed ermine. He was born at Truro, Cornwall, and met literary luminaries Catharine Macaulay and Hannah More at an early age. He was educated at Truro Grammar School, where he precociously published The Fate of Llewellyn. He went on to Christ Church, Oxford, continuing to write poetry, but left without taking a degree. In 1782 he was ordained a curate, married Loveday Warren, and moved to a curacy at Kenton, Devon. On his wife's death in 1793, Polwhele was left with three children. Later that year he married Mary Tyrrell, briefly taking up a curacy at Exmouth before being appointed to the small living of Manaccan in Cornwall in 1794. From 1806, when he took up a curacy at Kenwyn, Truro, he was non-resident at Manaccan: Polwhele angered Manaccan parishioners with his efforts to restore the church and vicarage. He maintained epistolary exchanges with Samuel Badcock, Macaulay, William Cowper, Erasmus Darwin, and Anna Seward. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
| Author | : Richard POLWHELE |
| Publisher | : |
| Total Pages | : 98 |
| Release | : 1810 |
| Genre | : |
| ISBN | : |
| Author | : Richard Polwhele |
| Publisher | : Library of Alexandria |
| Total Pages | : 18 |
| Release | : |
| Genre | : Fiction |
| ISBN | : 1465500251 |
| Author | : Eleanor Rose Ty |
| Publisher | : University of Toronto Press |
| Total Pages | : 212 |
| Release | : 1993-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780802077745 |
Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith
| Author | : Richard Polwhele |
| Publisher | : Dissertations-G |
| Total Pages | : 152 |
| Release | : 1974 |
| Genre | : Political Science |
| ISBN | : |
| Author | : William Stafford |
| Publisher | : Manchester University Press |
| Total Pages | : 250 |
| Release | : 2024-06-04 |
| Genre | : Social Science |
| ISBN | : 1526184109 |
This fascinating book examines what sixteen radical and conservative, famous and notorious British women wrote about their sex in the 1790s. It offers the most comprehensive survey of what they thought about their fellow women with regard to love, sexual desire and marriage; their domestic roles and their engagement in the ‘public’ sphere; and issues of gender and female abilities including sensibility and genius. How contemporary reviewers divided women writers into ‘unsex’d’ and ‘proper’ is investigated, as is the issue of whether they attempted to exclude women from certain kinds of writing. The book reveals the depth of female complaint but contends that women did not passively submit. Conservative and radicals alike sought to extend their sphere of activity, to reform men, challenge gender stereotypes and propose that a woman should be a self for herself and her God rather than for her husband.
| Author | : Sam George |
| Publisher | : Manchester University Press |
| Total Pages | : 272 |
| Release | : 2017-10-03 |
| Genre | : Literary Criticism |
| ISBN | : 1526130173 |
In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women’s engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women’s writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women’s writing — the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women’s writing, or the relationship between literature and science.
| Author | : S. Edmonds |
| Publisher | : CreateSpace |
| Total Pages | : 412 |
| Release | : 2012-07-05 |
| Genre | : |
| ISBN | : 9781478187028 |
Published in 1864, this is the story of S. Emma E. Edmunds and the adventures that she experienced as spy, nurse, scout and even disguising herself as Contraband.
| Author | : Eileen M. Hunt |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 720 |
| Release | : 2023-10-19 |
| Genre | : Philosophy |
| ISBN | : 1350378739 |
One of The Tablet's Books of the Year 2021 Portraits of Wollstonecraft collects and introduces 102 texts and artifacts that document Mary Wollstonecraft's public reception in art, literature, philosophy and feminist politics. Each portrait is a milestone in her depiction in culture. From William Blake's 1803 poem 'Mary' to Maggi Hambling's contentious sculpture in 2020, these sources validate the monumental place Wollstonecraft holds in not just one but many canons. The color images in Part I: Public Sightings trace her earliest reception in portraiture, from 1785 to 1804, with detailed analysis paired with each of the illustrations. Arranged chronologically, these landmark images are followed by the reviews of Wollstonecraft's books that appeared during her lifetime in Jamaica, Madrid, Amsterdam and London. Part II: Global Afterlives, examines her multifarious posthumous reception and features diary entries, excerpts from English-language biographies, letters, articles and introductions to her books. From Olive Schreiner's introduction to the Rights of Women composed in Cape Town in 1889 to the translator's preface to the first Czech edition of A Vindication of the Rights of Woman in 1904, they showcase an impressive sweep of cross-cultural perspectives on her life and writings. The sources in Part III: Making an International Icon chart the depth and breadth of her legacies on a global scale. Feminists, philosophers, and social scientists-from Ruth Benedict to Virginia Sapiro to Amartya Sen-have written and spoken with conviction about the emotional power of looking into the eyes of the author of the Rights of Woman. This section includes major thinkers from across the 19th and 20th centuries who responded to Wollstonecraft's theories on virtue, love, gender, education, and rights: Mary Shelley, Emma Goldman, Virginia Woolf, Simone de Beauvoir, Betty Friedan, Susan Moller Okin, Barbara Johnson and Martha Nussbaum. We see how Wollstonecraft gained traction in feminist politics, both as a philosopher and as a transcultural icon of the cause, beginning with English suffragist Millicent Fawcett's centennial edition of the Rights of Woman in 1891 and extending through feminist art in The Paris Review during the age of #MeToo. Assembling responses from Ireland, Continental Europe, North and South America and across the former colonies of the British Empire, this one-of-a-kind collection tells a compelling story of Wollstonecraft's watershed contributions to human rights debates throughout the modern and contemporary world.
| Author | : Dafydd Moore |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2020-12-27 |
| Genre | : Literary Criticism |
| ISBN | : 1000287564 |
Richard Polwhele was a writer of rare energies. Today known only for The Unsex’d Females and its attack on radical women writers, Polwhele was a historian, translator, memoirist, and poet. As an indigent Cornish gentleman clergyman and JP, his extensive written output encompassed sermons, open letters, and even headstone verse. This book recovers the lost Polwhele, locating him within an archipelagic understanding of the vitality and complexity inherent in the loyalist tradition with British Romantic culture via a range of previously unexamined texts and manuscript sources. Torn between a desire for sociability and an appetite (and capacity) for a good argument, Polwhele’s outspoken contributions across a range of disciplines testify to the variety and dynamism of what has previously been considered provincial and reactionary. This book locates Polwhele’s work within key preoccupations of the age: the social, economic, and political valences of literary sociability in the age of print; the meaning of loyalism in an age of revolution; the meaning of place and belonging; enthusiasm, religious or otherwise; and the self-fashioning of the provincial man of letters. In doing so it argues for a broader definition of Romanticism than the one that has typed Polwhele as an unpalatable embarrassment and the anachronistic voice of provincial High Tory reaction. This volume will be of interest to those working in the field of late eighteenth and early nineteenth-century British Literature, with a particular focus on politics and on the nature of literary production and identity across the non-metropolitan areas of the British Isles.
