The first collection of short stories are deeply personal in nature, all located in Mumbai- its folds and seams- which the writer has explored all his life. Familial bond or the lack of them, an intimate dekko at a media group's machinations, a close study of the Irani community which is fast vanishing in the metropolis, the underworld and the staggeringly bold new world of sexual relationships sparked by websites are just some of the narratives, with a twist in the tale. KHALID MOHAMED started as reviewer and co-editor, during his teenage years for close-up, a film society magazine. He reviewed television for The Economic Times basides contributing articles to The Illustrated Weekly of India and Femina. His writing has writing has also featured in India Today,The Indian Express, The Telegraph, the international film weekly Variety and in Sunday Observer, London. He was film critic for Mid-day, Senior Editor of DNA newspaper, and National Culture Editor and film critic for Hindustan Times. Currently, he is Consulting Editor to the Deccan Chronicle media group. He wrote the original stories and screenplays and also directed the films Fiza, Tehzeeb and Silsilaay . He debuted recently as a playwright and director of the stageplay Kennedy Bridge. His documentary The Last Irani Chai has been screened widely. His second documentary Smiles and Tears on Mumbai's street children is under post-production. Presently, he is writing his second stageplay and his first novel.