The Twenty Ninth Poem Vol 2
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Author | : Daddy Dave |
Publisher | : iUniverse |
Total Pages | : 331 |
Release | : 2014-04 |
Genre | : Fiction |
ISBN | : 1491728302 |
In The Twenty-Ninth Poem: Vol. 2, author Daddy Dave dedicates a variety of poems, stories, and observations to his daughter in honor of her twenty-ninth birthday. As with his first volume, which was dedicated to his son, this collection offers additional unique observations about life. Written in free-verse, non-rhyming style, many of the entries reflect the mystic union between father and daughter: and then a moment later I blew a little harder and a little harder until finally I exhaled through my nose hard enough onto that little finger of yours that I made a slight honking sound, and you giggled. That was the seed of the magic, and within seconds the concept clicked with you, and you ran down the hallway showing off your newly acquired talent to your mother. ?from ?How to Blow Your Nose? No two children are exactly alike, and so this second volume differs from the first in that it includes some short stories, many written by the author's daughter when she was in the fourth grade and included here with minor modifications. Children and families are precious, and Daddy Dave encourages every parent to write down their own versions of unique stories so that they can be remembered, considered, and passed down to future generations.
Author | : Cristanne Miller |
Publisher | : Oxford University Press |
Total Pages | : 657 |
Release | : 2022-04-14 |
Genre | : Literary Criticism |
ISBN | : 0198833938 |
"Includes new historical research that provides the most thorough nineteenth-century contextualization of Dickinson in relation to religion, race, gender, sexuality, age, class, ecology, and place, and historically grounded contexts for thinking about publication, media, education, and reading practices. Features original interpretations of Dickinson's compositional practices, reception, and influence including chapters on translations of Dickinson's work into visual arts, musical composition, international cultural practices, popular culture, and other languages. Considers Dickinson's composition and circulation of poems, her environmental ecology, her responses to the Civil War, and her relation to publishing and media." --
Author | : Timothy Billings |
Publisher | : Fordham Univ Press |
Total Pages | : 199 |
Release | : 2024-12-03 |
Genre | : Poetry |
ISBN | : 1531508375 |
A primer for those with no previous knowledge of Chinese, this book introduces readers to the fundamentals of classical Chinese poetry through twenty-nine ways of understanding a single poem. “Seeing Off a Friend,” by the great Tang poet Li Bai (701–762) has long been praised for its vividness, subtlety, and poignancy. Anthologizing twenty-nine translations of the poem, Timothy Billings not only introduces the poem’s richness and depth but also the nuanced art of translating Chinese poetry into European languages. A famous exemplar of “seeing off poetry,” which was common in an empire whose literati were continually on the move, Li’s poem has continued to fascinate readers far removed from its moment of composition, from the Victorians, to Ezra Pound, to contemporary translators from around the world. In talking us through these linguistic crossings, Billings unpacks the intricacies of the lüshi or "regulated verse poem," a form as pivotal to Chinese literature as the sonnet is to European tradition. This book promises to transform its readers, step-by-step, into adept interpreters of one of the most significant verse forms in Chinese literary history. Billings’s engaging teaching style, backed by a lightly worn but deep scholarly engagement with Chinese poetry, makes this work an indispensable guide for anyone interested in poetry, translation, or the cultural heritage of China.
Author | : William Langland |
Publisher | : |
Total Pages | : 854 |
Release | : 1866 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1636 |
Release | : 1873 |
Genre | : American literature |
ISBN | : |
With alphabetical indexes of firms and trade specialties.
Author | : Alexander Brome |
Publisher | : University of Toronto Press |
Total Pages | : 668 |
Release | : 1982-12-15 |
Genre | : Poetry |
ISBN | : 1442650907 |
An edited collection of poems by Alexander Brome in which Roman Dubinski has restored him to view.
Author | : |
Publisher | : |
Total Pages | : 376 |
Release | : 1835 |
Genre | : |
ISBN | : |
Author | : Laura Suzanne Lieber |
Publisher | : Penn State Press |
Total Pages | : 251 |
Release | : 2022-01-20 |
Genre | : Literary Collections |
ISBN | : 1646021916 |
This book introduces the evocative but largely unknown tradition of Samaritan religious poetry from late antiquity to a new audience. These verses provide a unique window into the Samaritan religious world during a formative period. Prepared by Laura Suzanne Lieber, this anthology presents annotated English translations of fifty-five Classical Samaritan poems. Lieber introduces each piece, placing it in context with Samaritan religious tradition, the geopolitical turmoil of Palestine in the fourth century CE, and the literary, liturgical, and performative conventions of the Eastern and Western Roman Empires, shared by Jews, Christians, and polytheists. These hymns, composed by three generations of poets—the priest Amram Dara; his son, Marqah; and Marqah’s son, Ninna, the last poet to write in Samaritan Aramaic in the period prior to the Muslim conquest—for recitation during the Samaritan Sabbath and festival liturgies remain a core element of Samaritan religious ritual to the present day. Shedding important new light on the Samaritans’ history and on the complicated connections between early Judaism, Christianity, the Samaritan community, and nascent Islam, this volume makes an important contribution to the reception of the history of the Hebrew Bible. It will appeal to a wide audience of students and scholars of the Hebrew Bible, the New Testament, early Judaism and early Christianity, and other religions of late antiquity.
Author | : A. R. Ammons |
Publisher | : W. W. Norton & Company |
Total Pages | : 1373 |
Release | : 2017-12-19 |
Genre | : Poetry |
ISBN | : 0393254909 |
An essential volume from “a master maker” (Richard Howard). “If you will sit with me in the light // of speech, I will sit with you. . . .” Readers who accept that invitation will find themselves in extraordinary company. The Complete Poems of A. R. Ammons, Volume II presents the second half of Archie Randolph Ammons’s long career, including the complete texts of his two book-length poems from that period: Garbage, for which he won his second National Book Award, and Glare, which drew special praise from the Academy of American Poets as it bestowed on him its highest honor, the Wallace Stevens Award. In addition, two appendices offer over one hundred and twenty previously uncollected poems dating from the 1950s to the late 1990s. Among this volume’s many highlights are celebrations of the natural world (such as “Hermit Lark” and “Lofty Calling”), poems of remembrance (as in “Chinaberry” and “Keeping Track”), prayers (“Singling & Doubling Together” and “Autonomy”), and compelling meditations on loss and mortality (such as “Easter Morning” and “In View of the Fact”). As in Volume I, the variety of scale is remarkable, ranging from the massiveness of Glare to the haiku-like brevity of “Pebble’s Story.” The text of each poem has been established after careful consideration of Ammons’s manuscripts and other prepublication materials. Endnotes detail the poems’ composition and publication histories, and also helpfully annotate references made within the poems. Celebrated poetry critic Helen Vendler’s introduction both humanizes Ammons and traces the growth of his outsized stature as a major poet, “unquestionably among the best-loved poets of our time” (David Lehman).
Author | : N. R. Havely |
Publisher | : |
Total Pages | : 374 |
Release | : 2014 |
Genre | : Literary Criticism |
ISBN | : 0199212449 |
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.