History Goes to the Movies

History Goes to the Movies
Author: Marnie Hughes-Warrington
Publisher:
Total Pages: 218
Release: 2007
Genre: Performing Arts
ISBN: 9780415328272

Can films be used as historical evidence? Do historical films make good or bad history? Are documentaries more useful to historians than historical drama? Written from an international perspective, this book offers a lucid introduction to the ways films are made and used, cumulating with the exploration of the fundamental question, what is history and what is it for? Incorporating film analysis, advertisements, merchandise and internet forums; and ranging from late-nineteenth century short films to twenty-first century DVD 'special editions', this survey evaluates the varied ways in which filmmakers, promoters, viewers and scholars understand film as history. From Saving Private Ryan to Picnic at Hanging Rock to Pocahontas, History Goes to the Movies considers that history is not simply to be found in films, but in the perceptions and arguments of those who make and view them. This helpful introductory text blends historical and methodological issues with real examples to create a systematic guide to issues involved in using historical film in the study of history. History Goes to the Movies is a much-needed overview of an increasingly popular subject.

Art History for Filmmakers

Art History for Filmmakers
Author: Gillian McIver
Publisher: Bloomsbury Publishing
Total Pages: 647
Release: 2017-03-23
Genre: Art
ISBN: 1474246206

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

History on Film/film on History

History on Film/film on History
Author: Robert A. Rosenstone
Publisher: Pearson Education
Total Pages: 210
Release: 2006
Genre: Performing Arts
ISBN: 9780582505841

Fictional films tell true historical stories... Film and History is a compelling and unique overview of the cinema and its relationship with history, ranging from the ancient world to the modern day. This is the first book of its kind to offer such a broad historical and theoretical portrayal of the rapidly-growing sub field of history and film. Rosenstone introduces the varieties, types and traditions of historical films made worldwide and sets this against the changing ways in which historians and other public critics debate the portrayal of history in modern film.

Women of Power in Anglo-Saxon England

Women of Power in Anglo-Saxon England
Author: Annie Whitehead
Publisher: Pen and Sword History
Total Pages: 275
Release: 2020-05-30
Genre: History
ISBN: 1526748126

The little-known lives of women who ruled, schemed, and made peace and war, between the seventh and eleventh centuries: “Meticulously researched.” —Catherine Hanley, author of Matilda: Empress, Queen, Warrior Many Anglo-Saxon kings are familiar. Æthelred the Unready is one—but less is written about his wife, who was consort of two kings and championed one of her sons over the others, or about his mother, who was an anointed queen and powerful regent, but was also accused of witchcraft and regicide. A royal abbess educated five bishops and was instrumental in deciding the date of Easter; another took on the might of Canterbury and Rome and was accused by the monks of fratricide. Royal mothers wielded power: Eadgifu, wife of Edward the Elder, maintained a position of authority during the reigns of both her sons. Æthelflaed, Lady of the Mercians, was a queen in all but name, while few have heard of Queen Seaxburh, who ruled Wessex, or Queen Cynethryth, who issued her own coinage. She, too, was accused of murder, and was also, like many of the royal women, literate and highly educated. Ranging from seventh-century Northumbria to eleventh-century Wessex and making extensive use of primary sources, Women of Power in Anglo-Saxon England examines the lives of individual women in a way that has often been done for the Anglo-Saxon men but not for their wives, sisters, mothers, and daughters.

History Goes to the Movies

History Goes to the Movies
Author: Joseph H. Roquemore
Publisher: Main Street Books
Total Pages: 374
Release: 1999
Genre: Performing Arts
ISBN: 9780385496780

Describes the accuracy, historical context, plot, and entertainment value of over three hundred significant films

Screening Reality

Screening Reality
Author: Jon Wilkman
Publisher: Bloomsbury Publishing USA
Total Pages: 521
Release: 2020-02-18
Genre: History
ISBN: 1635571057

“A towering achievement, and a volume I know I'll be consulting on a regular basis.”-Leonard Maltin "Authoritative, accessible, and elegantly written, Screening Reality is the history of American documentary film we have been waiting for." --Kenneth Turan, Los Angeles Times film critic From Edison to IMAX, Ken Burns to virtual environments, the first comprehensive history of American documentary film and the remarkable men and women who changed the way we view the world. Amidst claims of a new “post-truth” era, documentary filmmaking has experienced a golden age. Today, more documentaries are made and widely viewed than ever before, illuminating our increasingly fraught relationship with what's true in politics and culture. For most of our history, Americans have depended on motion pictures to bring the realities of the world into view. And yet the richly complex, ever-evolving relationship between nonfiction movies and American history is virtually unexplored. Screening Reality is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans. In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.

Slaves on Screen

Slaves on Screen
Author: Natalie Zemon Davis
Publisher: Vintage Canada
Total Pages: 193
Release: 2011-03-04
Genre: Performing Arts
ISBN: 0307368858

People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir. This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.

Inside the Historical Film

Inside the Historical Film
Author: Bruno Ramirez
Publisher: McGill-Queen's Press - MQUP
Total Pages: 313
Release: 2014-09-30
Genre: Performing Arts
ISBN: 0773596488

From cinema's beginnings filmmakers have turned to the past for their stories, so much so that in many ways our historical culture is shaped more in the movie theatre than in the classroom. Inside the Historical Film argues how and why film can enrich our understanding of the past. Bruno Ramirez discusses a wide range of films, from various historical and national contexts, pointing to the role that film-crafts play in translating historical events into cinematic language. He takes the reader through the process of conception, research, design, and production of several films that he researched and co-wrote, explaining the decisions that were made to best convey historical knowledge. The practice-based quality at the core of Ramirez's analysis is further enhanced by conversations with world-renowned film directors, including Denys Arcand, Constantin Costa-Gavras, Deepa Mehta, Renzo Rossellini, Paolo and Vittorio Taviani, and Margarethe von Trotta. Grounded in an appreciation for the interpretative value of making films and cinema's ability to reach large public audiences at personal and emotional levels, Inside the Historical Film seeks to understand historical films as both creative works and multi-layered representations of the past.

On the History of Film Style

On the History of Film Style
Author: David Bordwell
Publisher: Harvard University Press
Total Pages: 338
Release: 1997
Genre: History
ISBN: 9780674634299

Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.