Chamber Music
Author | : John H. Baron |
Publisher | : Psychology Press |
Total Pages | : 680 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780415937368 |
Download The Trio Sonata Outside Italy full books in PDF, epub, and Kindle. Read online free The Trio Sonata Outside Italy ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : John H. Baron |
Publisher | : Psychology Press |
Total Pages | : 680 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780415937368 |
Author | : Erich Schenk |
Publisher | : Cologne : Volk ; Toronto : sole distributor for Canada, Leeds Music |
Total Pages | : 94 |
Release | : 1970 |
Genre | : Trio sonata |
ISBN | : |
Author | : Peter Allsop |
Publisher | : |
Total Pages | : 360 |
Release | : 1992 |
Genre | : Music |
ISBN | : |
This is the first in-depth study of Italian instrumental ensemble music during the seventeenth century based on the great majority of surviving primary sources. The book provides comprehensive coverage of every major composer of Italian "trio" sonatas until Corelli, and is intended as a standard work of reference. It also attempts to undermine the mythology surrounding the development of the free sonata acquired from successive generations of historians. The musical development is placed within a broad historical perspective examining such factors as performance and function.
Author | : Lelio Colista |
Publisher | : A-R Editions, Inc. |
Total Pages | : 239 |
Release | : 2021-09-28 |
Genre | : Music |
ISBN | : 1987206282 |
Lelio Colista (1629–80) is considered the foremost composer of Italian trio sonatas in Rome before Corelli. In the Papal City, where he lived for most of his life, he was an acclaimed lutenist, composer, and teacher. He was part of a closely-knit professional milieu including the most appreciated instrumentalists of his generation, such as Alessandro Stradella, Carlo Ambrogio Lonati, and Carlo Mannelli. However, Colista’s trio sonatas were not published during his lifetime. No autograph has survived, and the many manuscript sources are today scattered throughout various European libraries. Their wide dissemination bears witness to the significant circulation of Colista’s trio sonatas in the last decades of the seventeenth century, particularly in England. This volume presents a critical edition of the complete output of Colista’s trio sonatas, and offers for the first time a full reassessment of the entire manuscript transmission, including all the known sources and concordances, as well as incomplete and doubtful works.
Author | : Stanley Sadie |
Publisher | : Oxford University Press |
Total Pages | : 684 |
Release | : 2006-01-19 |
Genre | : Music |
ISBN | : 9780198165293 |
In the 250th anniversary of Mozart's birth, few people would question his rating as the most popular of all classical composers. Yet there exists no substantial, up-to-date English-language study of the man and his works. Aiming to fill this gap, Sadie draws substantially on family correspondence, and discusses individual works in sequence, relating them to the events and relationships of his life. Much new material connected with Mozart has come to light in recent years and understanding of the context for Mozart's music has broadened immensely. Sadie's biography digests and interprets this corpus of new information.
Author | : Thomas Schmidt-Beste |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2011-03-10 |
Genre | : Music |
ISBN | : 1107310547 |
What is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.