The Thieves Opera
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Author | : Lucy Moore |
Publisher | : Mariner Books |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Crime |
ISBN | : 9780156006408 |
Georgian London was a city of extraordinary contrast: its elegance and refinement thrived amid appalling filth and foul smells, decadence and depravity. Crime was everywhere, from pickpockets and prostitutes to murderous highwaymen, as London bulged with riches from its overseas colonies. The Thieves' Opera is the story of the city, and of its two greatest criminals, Jonathan Wild and Jack Sheppard. Wild, whose excesses led to his being known as "Thief-taker General," dominated London's criminal world. And Sheppard spent his time drinking, gambling, housebreaking, and whoring. When Sheppard refused to bow to Wild's authority, Wild had him arrested. But Sheppard's extraordinary ability to escape from prison-repeatedly-made him a celebrated folk hero. Eventually the rivalry spiraled to a dramatic climax involving the entire city. An eminently readable blend of popular history and scholarship, this book is a fascinating window into a world that confounds the modern imagination.
Author | : Lucy Moore |
Publisher | : Houghton Mifflin |
Total Pages | : 328 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : |
The mesmerizing story of two notorious criminals in 18th-century London--Jonathan Wild and Jack Sheppard--"The Thieves' Opera" is an eminently readable work of popular history that blends meticulous scholarship with the best of the storyteller's art. Engravings.
Author | : Aaron Skirboll |
Publisher | : Rowman & Littlefield |
Total Pages | : 325 |
Release | : 2014-09-02 |
Genre | : History |
ISBN | : 1493014234 |
After the Glorious Revolution, a not so glorious age of lawlessness befell England. Crime ran rampant, and highwaymen, thieves, and prostitutes ruled the land. Execution by hanging often punished the smallest infractions, and rip-roaring stories of fearless criminals proliferated, giving birth to a new medium: the newspaper. In 1724, housebreaker Jack Sheppard—a “pocket Hercules,” his small frame packed with muscle—finally met the hangman. Street singers sang ballads about the Cockney burglar because no prison could hold him. Each more astonishing than the last, his final jailbreak took him through six successive locked rooms, after which he shimmied down two blankets from the prison roof to the street below. Just before Sheppard swung, he gave an account of his life to a writer in the crowd. Daniel Defoe stood in the shadow of the day’s literati—Swift, Pope, Gay—and had done hard time himself for sedition and bankruptcy. He saw how prison corrupted the poor. They came out thieves, but he came out a journalist. Six months later, the author of Robinson Crusoe and Moll Flanders covered another death at the hanging tree. Jonathan Wild looked every bit the brute—body covered in scars from dagger, sword, and gun, bald head patched with silver plates from a fractured skull—and he had all but invented the double-cross. He cultivated young thieves, profited from their work, then turned them in for his reward—and their execution. But one man refused to play his game. Sheppard didn’t take orders from this self-proclaimed “thief-taker general,” nor would he hawk his loot through Wild’s fences. The two-faced bounty hunter took it personally and helped bring the young burglar’s life to an end. But when Wild’s charade came to light, he quickly became the most despised man in the land. When he was hanged for his own crimes, the mob wasn’t rooting for Wild as it had for Sheppard. Instead, they hurled stones, rotten food, and even dead animals at him. Defoe once again got the scoop, and tabloid journalism as we know it had begun.
Author | : Giorgio Bagnoli |
Publisher | : Simon and Schuster |
Total Pages | : 408 |
Release | : 1993 |
Genre | : Opera |
ISBN | : 0671870424 |
Covering a broad range of styles, this comprehensive volume includes entries for more than 450 operas that have been performed over the last four centuries. Organized from A to Z for easy reference, it's a complete guide that's certain to inform and entertain any opera buff. 500 photos.
Author | : Richard Kislan |
Publisher | : Hal Leonard Corporation |
Total Pages | : 324 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9781557832177 |
(Applause Books). This revised and expanded edition of Kislan's acclaimed study of America's musical theater includes a new section on "Recent Musical Theater: Issues and Problems." "The ancient union of drama and song, known as musical theater, comes in many forms vaudeville, burlesque, comic opera, minstrels, etc. The author reviews these and other highlights of American musicals ... with a fascinating background on the elements that contribute to the success of a Showboat ." King Features * "Worth study by anyone who still thinks that the musical is a collection of songs." The Stage
Author | : Margaret Ross Griffel |
Publisher | : Scarecrow Press |
Total Pages | : 1015 |
Release | : 2012-12-21 |
Genre | : Music |
ISBN | : 0810883252 |
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author | : Alexander Jablokov |
Publisher | : Macmillan |
Total Pages | : 384 |
Release | : 2010-01-05 |
Genre | : Fiction |
ISBN | : 1429972238 |
Brain Thief is a fun, literate speculative fiction adventure, sort of New England cyberpunk noir, set a year or ten from now, somewhere between the Berkshires and Boston, and includes, at no extra charge, a 30-foot-tall fiberglass cowgirl. Bernal Haydon-Rumi, executive assistant to a funder of eccentric projects, drops by his boss's house on the way home from a business trip. By the next morning, he's been knocked out, his wealthy socialite boss Muriel has stolen a car and vanished, and the AI designed for planetary exploration that she's been funding turns out to be odder than it should be. In figuring out what's going on, Bernal has to deal with an anti-AI activist toting a handmade electronic arsenal, a local serial killer, a drug dealer with a business problem, a cryonic therapist stalked by past mistakes—and someone who specifically wants Bernal dead. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author | : |
Publisher | : |
Total Pages | : 446 |
Release | : 1916 |
Genre | : Music |
ISBN | : |
Author | : Frederick Herman Martens |
Publisher | : |
Total Pages | : 508 |
Release | : 1926 |
Genre | : Ballet |
ISBN | : |
Author | : Albert Hamann |
Publisher | : |
Total Pages | : 226 |
Release | : 1911 |
Genre | : |
ISBN | : |