The Thesmophoriazusae Or Womens Festival
Download The Thesmophoriazusae Or Womens Festival full books in PDF, epub, and Kindle. Read online free The Thesmophoriazusae Or Womens Festival ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Aristophanes |
Publisher | : Simon and Schuster |
Total Pages | : 45 |
Release | : 2012-11-01 |
Genre | : Drama |
ISBN | : 1625580932 |
Thesmophoriazusae was performed in Athens in 411 BCE, most likely at the City Dionysia, and is among the most brilliant of Aristophanes' eleven surviving comedies. It is the story of the crucial moment in a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays and are holding a meeting at one of their secret festivals to set a penalty for his crimes. Thesmophoriazusae is a brilliantly inventive comedy, full of wild slapstick humour and devastating literary parody, and is a basic source for questions of gender and sexuality in late 5th-century Athens and for the popular reception of Euripidean tragedy.
Author | : Aristophanes |
Publisher | : Oxford University Press, USA |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Greek drama (Comedy) |
ISBN | : 9780192824097 |
This vibrant collection of verse translations of Aristophanes' works-featuring Clouds, Women at the Thesmophoria (or Thesmophoriazusae), and Frogs-combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. Including expansive introductions to each play, as well as detailed explanatory notes and an illuminating appendix, this volume presents freshinterpretations of three key works from one of the most original playwrights in the entire Western tradition.
Author | : Sue Blundell |
Publisher | : Harvard University Press |
Total Pages | : 260 |
Release | : 1995 |
Genre | : History |
ISBN | : 9780674954731 |
Largely excluded from any public role, the women of ancient Greece nonetheless appear in various guises in the art and writing of the period, and in legal documents. These representations, in Sue Blundell's analysis, reveal a great deal about women's day-to-day experience as well as their legal and economic position - and how they were regarded by men.
Author | : Ralph M. Rosen |
Publisher | : BRILL |
Total Pages | : 296 |
Release | : 2020-04-14 |
Genre | : Literary Criticism |
ISBN | : 9004424466 |
The essays in this volume explore the many aspects of the “political” in the plays of Greek comic dramatist Aristophanes (5th century BCE), posing a variety of questions and approaching them through diverse methodological lenses. They demonstrate that “politics” as reflected in Aristophanes’ plays remains a fertile, and even urgent, area of inquiry, as political developments in our own time distinctly color the ways in which we articulate questions about classical Athens. As this volume shows, the earlier scholarship on politics in (or “and”) Aristophanes, which tended to focus on determining Aristophanes’ “actual” political views, has by now given way to approaches far more sensitive to how comic literary texts work and more attentive to the complexities of Athenian political structures and social dynamics. All the studies in this volume grapple to varying degrees with such methodological tensions, and show, that the richer and more diverse our political readings of Aristophanes can become, the less stable and consistent, as befits a comic work, they appear to be.
Author | : Aristophanes |
Publisher | : |
Total Pages | : 64 |
Release | : 1916 |
Genre | : Lysistrata (Fictitious character) |
ISBN | : |
Author | : David Kawalko Roselli |
Publisher | : University of Texas Press |
Total Pages | : 303 |
Release | : 2011-06-01 |
Genre | : Performing Arts |
ISBN | : 0292744773 |
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Author | : Aristophanes |
Publisher | : |
Total Pages | : 284 |
Release | : 1904 |
Genre | : Greek drama (Comedy) |
ISBN | : |
Author | : Ashley Clements |
Publisher | : Cambridge University Press |
Total Pages | : 245 |
Release | : 2014-04-24 |
Genre | : Drama |
ISBN | : 1107040825 |
Examines the engagement of Aristophanes' Thesmophoriazusae with Parmenidean philosophy to issue a political critique of tragic deception and its effects.
Author | : Aristophanes |
Publisher | : Oxford University Press |
Total Pages | : 401 |
Release | : 2018-11-10 |
Genre | : History |
ISBN | : 0192695177 |
Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.
Author | : Aristophanes |
Publisher | : University of Oklahoma Press |
Total Pages | : 340 |
Release | : 2012-09-14 |
Genre | : Drama |
ISBN | : 0806185147 |
Most readers nowadays encounter the plays of Aristophanes in the classroom, not the theater. Yet the "father of comedy" wrote his plays for the stage, not as literary texts. Many English translations of the plays were written decades ago, and in their outdated language they fail to capture the dramatic liveliness of the original comedies. Now Michael Ewans offers new and lively translations of three of Aristophanes' finest plays: Lysistrata, The Women's Festival, and Frogs. While remaining faithful to the original Greek, these translations are accessible to a modern audience—and actable on stage. Here readers will discover—in all its uncensored glory—the often raw sexual and scatological language Aristophanes used in his fantastically inventive works. This edition also contains all that a reader needs to understand the plays within a broader context. In his comprehensive introduction, Ewans discusses political and social aspects of Aristophanic comedy, the conventions of Greek theater, and the challenges of translating ancient Greek into modern English. In his theatrical commentaries—a unique feature of this edition—Ewans draws on his own experience of directing the plays in a replica of the original theater. In scene-by-scene analysis, he provides insight into the major issues each play raises in performance. The volume concludes with two glossaries—one of proper names and the other of Greek terms—as well as a bibliography that includes the most recent scholarship on Aristophanic comedy.