The Theory Of The Theatre
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Author | : Marvin A. Carlson |
Publisher | : Ithaca : Cornell University Press |
Total Pages | : 544 |
Release | : 1984 |
Genre | : Literary Criticism |
ISBN | : |
**** Expanded edition of the work originally published by Cornell U. Press in 1984 and endorsed by BCL3. Annotation copyright by Book News, Inc., Portland, OR
Author | : Mark Fortier |
Publisher | : Routledge |
Total Pages | : 273 |
Release | : 2005-07-08 |
Genre | : Drama |
ISBN | : 1134523645 |
This is a new and enlarged edition of Mark Fortier's very successful and widely used essential text for students. Theory/Theatre provides a unique and engaging introduction to literary theory as it relates to theatre and performance. Fortier lucidly examines current theoretical approaches, from semiotics, poststructuralism, through cultural materialism, postcolonial studies and feminist theory. This new edition includes: * More detailed explanation of key ideas * New 'Putting it into practice' sections at the end of each chapter so you can approach performances from specific theoretical perspectives * Annotated further reading section and glossary. Theory/Theatre is still the only study of its kind and is invaluable reading for beginning students and scholars of performance studies.
Author | : Daniel Gerould |
Publisher | : Rowman & Littlefield |
Total Pages | : 523 |
Release | : 2003-11-01 |
Genre | : Literary Criticism |
ISBN | : 1476848807 |
From Aristotle's Poetics to Vaclav Havel, the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work, Theatre/Theory/Theatre, collects history's most influential Eastern and Western dramatic theorists – poets, playwrights, directors and philosophers – whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written.
Author | : Glenn A. Odom |
Publisher | : Routledge |
Total Pages | : 474 |
Release | : 2017-06-26 |
Genre | : Performing Arts |
ISBN | : 131758628X |
World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections: Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and globalization. Cultural and literary theory, which is organised by region, presenting a range of theatrical theories in their historical and cultural context. Practical exercises, which provides a brief series of suggestions for physical exploration of these theoretical concepts. World Theories of Theatre presents fresh, vital ways of thinking about the theatre, highlighting the extraordinary diversity of approaches available to scholars and students of theatre studies. This volume includes theoretical excerpts from: Zeami Motokiyo Bharata Muni Wole Soyinka Femi Osofisan Uptal Dutt Saadallah Wannous Enrique Buenaventura Derek Walcott Werewere Liking Maryrose Casey Augusto Boal Tadashi Suzuki Jiao Juyin Oriza Hirata Gao Xingjian Roma Potiki Poile Sengupta
Author | : Megan Alrutz |
Publisher | : Bloomsbury Publishing |
Total Pages | : 262 |
Release | : 2011-11-29 |
Genre | : Performing Arts |
ISBN | : 1350316555 |
Through a collection of original essays and case studies, this innovative book explores theory as an accessible, although complex, tool for theatre practitioners and students. These chapters invite readers to (re)imagine theory as a site of possibility or framework that can shape theatre making, emerge from practice, and foster new ways of seeing, creating, and reflecting. Focusing on the productive tensions and issues that surround creative practice and intellectual processes, the contributing authors present central concepts and questions that frame the role of theory in the theatre. Ultimately, this diverse and exciting collection offers inspiring ideas, raises new questions, and introduces ways to build theoretically-minded, dynamic production work.
Author | : Eric Bentley |
Publisher | : Hal Leonard Corporation |
Total Pages | : 500 |
Release | : 1997 |
Genre | : Performing Arts |
ISBN | : 9781557832795 |
(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Author | : Siddhartha Biswas |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 115 |
Release | : 2017-08-21 |
Genre | : Performing Arts |
ISBN | : 1527502600 |
Over the last few centuries, the world as we know it has seen remarkable change and the arts – including theatre – have faced new challenges. Theatre is now no longer a simple point of entertainment laced with instruction or dissent, but is perceived as a more collaborative idea that looks at ever-changing paradigms. All over the world, theatre now is a dynamic process that simultaneously retains tradition and delves into extreme experimentations. This book represents a starting point for a much-needed critical interrogation. It looks at the constant features of European theatre and brings in some Indian elements, positing both in their respective locations, as well as looking at the symbiosis that has been functioning for some time.
Author | : John Bell |
Publisher | : Scarecrow Press |
Total Pages | : 132 |
Release | : 2008-08-25 |
Genre | : Music |
ISBN | : 0810859017 |
"Music Theory for Musical Theatre is designed to demystify music theory and analysis and make it more accessible to musical theatre students. It aims to equip them with a basic skill set to apply directly to the art form. John Bell and Steven R. Chicurel explore how musical theatre composers use basic principles of music theory to illuminate characters and tell stories, helping students understand the form, structure, and dramatic power of musical theatre repertoire."--BOOK JACKET.
Author | : Christopher B. Balme |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2008-09-18 |
Genre | : Drama |
ISBN | : 9780521856225 |
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
Author | : Daniel Gerould |
Publisher | : Hal Leonard Corporation |
Total Pages | : 500 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9781557835277 |
(Applause Books). Available for the First Time in Paperback! From Aristotle's Poetics to Vaclav Havel, the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work, Theatre/Theory/Theatre , collects history's most influential Eastern and Western dramatic theorists poets, playwrights, directors and philosophers whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written.