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| Author | : Miller Puckette |
| Publisher | : World Scientific |
| Total Pages | : 346 |
| Release | : 2007 |
| Genre | : Music |
| ISBN | : 9812700773 |
Develops both the theory and the practice of synthesizing musical sounds using computers. This work contains chapters that starts with a theoretical description of one technique or problem area and ends with a series of working examples, covering a range of applications. It is also suitable for computer music researchers.
| Author | : Curtis Roads |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 513 |
| Release | : 2015 |
| Genre | : Music |
| ISBN | : 0195373243 |
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.
| Author | : Miller Puckette |
| Publisher | : World Scientific Publishing Company |
| Total Pages | : 346 |
| Release | : 2007-05-23 |
| Genre | : Music |
| ISBN | : 9813106859 |
This is the first book to develop both the theory and the practice of synthesizing musical sounds using computers. Each chapter starts with a theoretical description of one technique or problem area and ends with a series of working examples (over 100 in all), covering a wide range of applications. A unifying approach is taken throughout; chapter two, for example, treats both sampling and wavetable synthesis as special cases of one underlying technique. Although the theory is presented quantitatively, the mathematics used goes no further than trigonometry and complex numbers. The examples and supported software — along with a machine-readable version of the text — are available on the web and maintained by a large online community.The Theory and Techniques of Electronic Music is valuable both as a textbook and as professional reading for electronic musicians and computer music researchers.
| Author | : Blake Stevens |
| Publisher | : Routledge |
| Total Pages | : 229 |
| Release | : 2021-08-16 |
| Genre | : Music |
| ISBN | : 1000417271 |
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.
| Author | : Kirsten Hermes |
| Publisher | : CRC Press |
| Total Pages | : 347 |
| Release | : 2021-12-28 |
| Genre | : Music |
| ISBN | : 1000470261 |
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
| Author | : Alessandro Cipriani |
| Publisher | : |
| Total Pages | : |
| Release | : 2013 |
| Genre | : Computer composition |
| ISBN | : 9788890548451 |
| Author | : Dennis DeSantis |
| Publisher | : |
| Total Pages | : 341 |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9783981716504 |
| Author | : Nicolas Collins |
| Publisher | : Taylor & Francis |
| Total Pages | : 340 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0415996090 |
No further information has been provided for this title.
| Author | : Olga Goriunova |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 297 |
| Release | : 2016-05-19 |
| Genre | : Social Science |
| ISBN | : 1501318284 |
Fun and Software offers the untold story of fun as constitutive of the culture and aesthetics of computing. Fun in computing is a mode of thinking, making and experiencing. It invokes and convolutes the question of rationalism and logical reason, addresses the sensibilities and experience of computation and attests to its creative drives. By exploring topics as diverse as the pleasure and pain of the programmer, geek wit, affects of play and coding as a bodily pursuit of the unique in recursive structures, Fun and Software helps construct a different point of entry to the understanding of software as culture. Fun is a form of production that touches on the foundations of formal logic and precise notation as well as rhetoric, exhibiting connections between computing and paradox, politics and aesthetics. From the formation of the discipline of programming as an outgrowth of pure mathematics to its manifestation in contemporary and contradictory forms such as gaming, data analysis and art, fun is a powerful force that continues to shape our life with software as it becomes the key mechanism of contemporary society. Including chapters from leading scholars, programmers and artists, Fun and Software makes a major contribution to the field of software studies and opens the topic of software to some of the most pressing concerns in contemporary theory.
