The Theatrical Professoriate
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Author | : Emily Roxworthy |
Publisher | : Routledge |
Total Pages | : 281 |
Release | : 2019-12-06 |
Genre | : Education |
ISBN | : 100076060X |
This book argues that today’s professoriate has become increasingly theatrical, largely as a result of neoliberal policies in higher education, but also in response to an anti-intellectual scrutiny that has become pervasive throughout the Western world. The Theatrical Professoriate: Contemporary Higher Education and Its Academic Dramas examines how the Western professoriate increasingly finds itself enacting command performances that utilize scripting, characterization, surrogation, and spectacle—the hallmarks of theatricality—toward neoliberal ends. Roxworthy explores how the theatrical nature of today’s professoriate and the resultant glut of performances about academia on stage and screen have contributed to a highly ambivalent public fascination with academia. She further documents the "theatrical turn" witnessed in American higher education, as academic institutions use performance to intervene in the diversity issues and disciplinary disparities fueled by neoliberalism. By analyzing academic dramas and their audience reception alongside theoretical approaches, the author reveals how contemporary academia drives the professoriate to perform in what seem like increasingly artificial ways. Ideal for practitioners and students of education, ethnic, and science studies, The Theatrical Professoriate deftly intervenes in Performance Studies’ still-unsettled debates over the differential impact of live versus mediated performances.
Author | : |
Publisher | : |
Total Pages | : 760 |
Release | : 1886 |
Genre | : Actors |
ISBN | : |
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Author | : A. Fliotsos |
Publisher | : Springer |
Total Pages | : 258 |
Release | : 2009-09-28 |
Genre | : Education |
ISBN | : 0230100864 |
Through thirteen essays, Teaching Theatre Today addresses the changing nature of educational theory, curricula, and teaching methods in theatre programs of colleges and universities of the United States and Great Britain.
Author | : Gregory S. Poole |
Publisher | : BRILL |
Total Pages | : 202 |
Release | : 2010-01-01 |
Genre | : Education |
ISBN | : 9460911668 |
This book describes the resulting cultural debates and competing discourses that surround the key concepts in the work-life of Japanese professors.
Author | : John Best |
Publisher | : Rutgers University Press |
Total Pages | : 270 |
Release | : 2017-03-17 |
Genre | : Education |
ISBN | : 0813585945 |
A Professor at the End of Time tells one professor’s story in the context of the rapid reconfiguration of higher education going on now, and analyzes what the job included before the supernova of technological innovation, the general influx of less-well-prepared students, and the diminution of state and federal support wrought wholesale changes on the profession.
Author | : Peter Zazzali |
Publisher | : Routledge |
Total Pages | : 351 |
Release | : 2016-03-31 |
Genre | : Performing Arts |
ISBN | : 1317428358 |
There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that the curricula of these courses represent an ethos that is as outdated as it is limited, given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, movement, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: How has the League of Professional Theatre Training Programs shaped actor training in the US? How have training programmes and the acting profession developed in relation to one another? What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development.
Author | : Isaac Goldberg |
Publisher | : |
Total Pages | : 318 |
Release | : 1926 |
Genre | : Drama |
ISBN | : |
Author | : John Riddoch Poynter |
Publisher | : Melbourne University Publish |
Total Pages | : 570 |
Release | : 1996-01-01 |
Genre | : Education |
ISBN | : 9780522845846 |
A highly readable history of the University of Melbourne that examines its growth from a small provincial institution, educating the elite of a relatively narrow society, to a major teaching and research institution - changes of a magnitude which could never have been envisaged in 1935 when the story begins.
Author | : Elizabeth T. Craft |
Publisher | : Oxford University Press |
Total Pages | : 317 |
Release | : 2024 |
Genre | : Biography & Autobiography |
ISBN | : 0197550401 |
"Composer, lyricist, playwright, performer, director, theater owner, and star actor George M. Cohan (1878-1942) definitively shaped the burgeoning genre of musical comedy and the institution of Broadway in the early twentieth century. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy" and is memorialized with a statue in Times Square. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. His songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. This book, the first on Cohan in fifty years and the first scholarly study on the subject, is not a biography but rather situates Cohan as a central figure of his day, placing his multifaceted contributions within overlapping historical and cultural contextual webs to examine his wide-ranging cultural impact. Chapters interweave discussion of his songs and shows with explorations of the roles he played in public life-entertainer, Broadway magnate, Irish American, celebrity, and, above all, emblem of patriotism. This approach offers not only a fuller understanding of his shows and career but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States"--
Author | : Robert D. Anderson |
Publisher | : Edinburgh University Press |
Total Pages | : 225 |
Release | : 2019-06-01 |
Genre | : History |
ISBN | : 1474463932 |
From a small city college in the sixteenth century the University of Edinburgh grew to be one of the world's greatest centres of scholarship, research and learning. Its history is told here by three of its leading historians with wit, verve and style. Copiously illustrated in colour and black and white, this is a book for everyone concerned with the university or the city of Edinburgh to read and enjoy. The authors consider the impacts of Reformation, Union with England, Enlightenment, and scientific and industrial revolutions. They show the university rising to the challenge of competition from Europe, describe the great periods of expansion in the nineteenth and twentieth centuries, and chart the university's building from Old College to George Square. They explore its tense relationship with the city, explore the histories of student outrage and unrest, recall the days when blasphemy could be punished by death, and reveal that the university's department of anatomy once supported a thriving trade in body-snatching. Upheaval and crisis, triumph and achievement succeed each other by turns in a story that is entertaining, intriguing and surprising - and always interesting.