A History of Italian Theatre

A History of Italian Theatre
Author: Joseph Farrell
Publisher: Cambridge University Press
Total Pages: 376
Release: 2006-11-16
Genre: Drama
ISBN: 0521802652

A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.

Border-Crossing and Comedy at the Théâtre Italien, 1716–1723

Border-Crossing and Comedy at the Théâtre Italien, 1716–1723
Author: Matthew J. McMahan
Publisher: Springer Nature
Total Pages: 264
Release: 2021-03-30
Genre: Performing Arts
ISBN: 3030700712

How do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.

The Theater of Narration

The Theater of Narration
Author: Juliet Guzzetta
Publisher:
Total Pages: 264
Release: 2021-08-15
Genre:
ISBN: 9780810143869

This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.

The Italian Comedy

The Italian Comedy
Author: Pierre Louis Duchartre
Publisher: Courier Corporation
Total Pages: 385
Release: 2012-11-16
Genre: Performing Arts
ISBN: 0486138526

Illustrated history of the beginnings, growth and influence of the commedia dell’ arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.

Mussolini's Theatre

Mussolini's Theatre
Author: Patricia Gaborik
Publisher: Cambridge University Press
Total Pages: 327
Release: 2021-05-06
Genre: Drama
ISBN: 1108830595

A vividly written portrait of Benito Mussolini, whose passion for the theatre profoundly shaped his ideology and actions as head of fascist Italy This consistently illuminating book transforms our understanding of fascism as a whole, and will have strong appeal to readers in both theatre studies and modern Italian history.

Italian Women's Theatre, 1930-1960

Italian Women's Theatre, 1930-1960
Author: Daniela Cavallaro
Publisher: Intellect Books
Total Pages: 0
Release: 2011
Genre: Feminist drama
ISBN: 9781841505558

"Between 1930 and 1960, popular female dramatists Paola Riccora, Anna Bonacci, Clotilde Masci and Gici Ganzini Granata set the stage for a new generation of Italian women playwrights and the development of feminist theatre. Now largely forgotten, the lives and works of these dramatists are reintroduced into the scholarly conversation in Italian women's theatre, 1930-1960. Following a general introduction, the book presents a selection of dramatic works, rounded out by commentary, performance histories, critical analyses, and biographical information."--Page 4 of cover.

Theatre of the English and Italian Renaissance

Theatre of the English and Italian Renaissance
Author: J.R. Mulryne
Publisher: Springer
Total Pages: 275
Release: 1991-11-25
Genre: Performing Arts
ISBN: 1349217360

Theatre of the English and Italian Renaissance studies interrelationships between English and Italian Theatre of the Renaissance period, including texts, performance and performance spaces, and cultural parallels and contrasts. Connections are traced between Italian writers including Aretino, Castiglione and Zorenzo Valla and such English playwrights as Shakespeare, Lyly and Ben Jonson. The impact of Italian popular tradition on Shakespeare's comedies is analysed, together with Jonson's theatrical recreation of Venice, and Italian sources for the court masques of Jonson, Daniel and Campion.

The Italian-American Immigrant Theatre of New York City

The Italian-American Immigrant Theatre of New York City
Author: Emelise Aleandri
Publisher: Arcadia Publishing
Total Pages: 134
Release: 1999
Genre: Performing Arts
ISBN: 9780738500973

Italian-American theatre sprang to life in New York City shortly after waves of Italian immigrants poured into this country in the 1870's. The mass migration brought both the performers and the audiences necessary for theatrical entertainment. Hungry for recognition, support, and social exchange, the men and women from Italy formed amateur theatrical clubs as one way of satisfying emotional needs. By 1900, the community had produced the major forces that created the Italian-American theatre of the ensuing decades. In The Italian-American Immigrant Theatre of New York City, author Emelise Aleandri regenerates the excitement of the stage through striking photographs, programs, and other memorabilia generously loaned by families of the theatre community. She follows the fortunes of the earliest nineteenth-century companies and introduces those that arose in the twentieth-century. Within these pages are scenes of comedy, tragedy, vaudeville, and radio, featuring stars such as Mimi Cecchini, Guglielmo Ricciardi, Concetta Arcamone, Antonio Maiori, Rita Berti, Farfariello, and Olga Barbato.

Commedia dell'Arte in Context

Commedia dell'Arte in Context
Author: Christopher B. Balme
Publisher: Cambridge University Press
Total Pages: 709
Release: 2018-04-05
Genre: Drama
ISBN: 1108670571

The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.