The Theater Beneath The Sand
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| Author | : Toby Wilkinson |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 528 |
| Release | : 2020-10-20 |
| Genre | : History |
| ISBN | : 1324006900 |
A thrilling history of the West’s scramble for the riches of ancient Egypt by the foremost Egyptologist of our time. From the decipherment of hieroglyphics in 1822 to the discovery of Tutankhamun’s tomb by Howard Carter and Lord Carnarvon a hundred years later, the uncovering of Egypt’s ancient past took place in an atmosphere of grand adventure and international rivalry. In A World Beneath the Sands, acclaimed Egyptologist Toby Wilkinson chronicles the ruthless race between the British, French, Germans, and Americans to lay claim to its mysteries and treasures. He tells riveting stories of the men and women whose obsession with Egypt’s ancient civilization helped to enrich and transform our understanding of the Nile Valley and its people, and left a lasting impression on Egypt, too. Travelers and treasure-hunters, ethnographers and archaeologists: whatever their motives, whatever their methods, a century of adventure and scholarship revealed a lost world, buried for centuries beneath the sands.
| Author | : Martin Windrow |
| Publisher | : Weidenfeld & Nicolson |
| Total Pages | : 995 |
| Release | : 2010-04-29 |
| Genre | : History |
| ISBN | : 0297858416 |
The gripping true story of the French Foreign Legion in the Sahara. Ever since the 1920s the popular legend of the French Foreign Legion has been formed by P.C. Wren's novel BEAU GESTE - a world of remote forts, warrior tribes, and desperate men of all nationalities enlisting under pseudonyms to fight and die under the desert sun. As with all clichés, the reality is far richer and more surprising than this. In this book Martin Windrow describes desert battles and famous last stands in gripping detail - but he also shows exactly what the Foreign Legion were doing in North Africa in the first place. He explains how French colonial methods there actually had their roots in the jungles of Vietnam, and how the political pressures that kept the empire expanding can be traced to battles on the streets of Paris itself. His description of the Berber tribesmen of Morocco also reveals some disturbing modern parallels: the formidable guerrillas of the 1920s were inspired by an Islamic fundamentalist who was adept at using the world's media to further his cause. Martin Windrow's previous book THE LAST VALLEY received fabulous reviews across the English-speaking world. This unique book, which is the first to examine the 'golden age' of the Foreign Legion has followed suit.
| Author | : Simon Breden |
| Publisher | : Taylor & Francis |
| Total Pages | : 157 |
| Release | : 2024-08-26 |
| Genre | : Performing Arts |
| ISBN | : 1040106757 |
Lauded as one of the most important poets and playwrights of the twentieth century, Federico García Lorca was also an accomplished theatre director with a clear process and philosophy of how drama should be staged. Directing both his own work and that of others, Lorca was also closely involved in the rehearsals for productions of many of his plays, and from his own writings and those of his collaborators, a determined agenda to stimulate audiences and renovate theatre can be seen. This is the first book in English to fully consider Lorca as a director and his rehearsal methodology. The book combines: - A biographical account of Lorca’s work as a director and rehearsal leader, revealing his techniques and methods of approach texts; - An exploration of his key writings on and around theatre, drawing on his talks, play introductions, and some of the dramatic works themselves; - The first translation into English of his fragment Dragón; - A detailed discussion of Lorca’s key productions, Lope de Vega’s Fuente Ovejuna (1933) for La Barraca, and his own Yerma (1934). - Specific focus on the practical applications that we can draw from Lorca’s methods, both from what survives of his own work and from the accounts of his close collaborators. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
| Author | : David F. Richter |
| Publisher | : Bucknell University Press |
| Total Pages | : 313 |
| Release | : 2014-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1611485762 |
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
| Author | : C. Christopher Soufas |
| Publisher | : CUA Press |
| Total Pages | : 296 |
| Release | : 2007-02 |
| Genre | : Literary Criticism |
| ISBN | : 081321467X |
The Subject in Question presents the first systematic study of "Spanish modernism" in an attempt to end Spain's literary isolation from the mainstream of early contemporary European literature.
| Author | : Federico García Lorca |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 306 |
| Release | : 1999 |
| Genre | : Drama |
| ISBN | : 9780192839381 |
In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garc ́ia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance.
| Author | : Daniel Fischlin |
| Publisher | : Routledge |
| Total Pages | : 327 |
| Release | : 2014-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 1134692021 |
Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to
| Author | : John Willis |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 282 |
| Release | : 2000-03-01 |
| Genre | : Performing Arts |
| ISBN | : 9781557832504 |
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
| Author | : Gwynne Edwards |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 283 |
| Release | : 2009-06-17 |
| Genre | : Art |
| ISBN | : 0857731173 |
Lorca, Bunuel and Dali were, in their respective fields of poetry and theatre, cinema, and painting, three of the most imaginative creative artists of the twentieth century; their impact was felt far beyond the boundaries of their native Spain. But if individually they have been examined by many, their connected lives have rarely been considered. It is these, the ties that bind them, that constitute the subject of this illuminating book. They were born within six years of each other and, as Gwynne Edwards reveals, their childhood circumstances were very similar. Each was affected by a narrow-minded society and an intolerant religious background which equated sex with sin and led all three to experience sexual problems of different kinds: Lorca the guilt and anguish associated with his homosexuality; Bunuel feelings of sexual inhibition; and, Dali virtual impotence. Having met during the 1920s at the Residencia de Estudiantes in Madrid, they developed intense personal relationships and channelled their respective obsessions into the cultural forms then prevalent in Europe, in particular Surrealism. Rooted in emotional turmoil, their work - from Lorca's dramatic characters in search of sexual fulfilment, to Bunuel's frustrated men and women, and Dali's potent images of shame and guilt - is highly autobiographical. Their left-wing outrage directed at bourgeois values and the Catholic Church was strongly felt, and in the case of Lorca in particular, was sharpened by the catastrophic Civil War of 1936-9, during the first months of which he was murdered by Franco's fascists. The war hastened Bunuel's departure to France and Mexico and Dali's to New York. Edwards describes how, for the rest of his life, Bunuel clung to his left-wing ideals and made outstanding films, while the increasingly eccentric and money-obsessed Dali embraced Fascism and the Catholic Church, and saw his art go into rapid decline.
| Author | : |
| Publisher | : Lulu.com |
| Total Pages | : 394 |
| Release | : 2009-06-01 |
| Genre | : Fiction |
| ISBN | : 0578002213 |
LORCA: SIX MAJOR PLAYS gathers Federico Garcia Lorca's most well-known plays in English-language translations by US Latina dramatist Caridad Svich. This new collected edition (previously available only as single set volumes) includes preface by scholars James Leverett and Amy Rogoway. A welcome addition to the translation repertoire of Federico Garcia Lorca's works.
