The Szymanowski Collection
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The Szymanowski collection
Author | : Karol Szymanowski |
Publisher | : |
Total Pages | : 76 |
Release | : 1997 |
Genre | : Piano music |
ISBN | : |
The Szymanowski Companion
Author | : Stephen Downes |
Publisher | : Routledge |
Total Pages | : 326 |
Release | : 2016-03-09 |
Genre | : Music |
ISBN | : 1317014448 |
The Polish composer Karol Szymanowski is one of the most fascinating musical figures of the early twentieth century. His works included four symphonies, two violin concertos, the operas Hagith and King Roger, the ballet-pantomime Harnasie, the oratorio Stabat Mater, as well as numerous piano, violin, vocal and choral compositions. The profile and popularity of Szymanowski's music outside Poland has never been higher and continues to grow. The Szymanowski Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, Paul Cadrin and Stephen Downes, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
The Szymanowski Companion
Author | : Stephen Downes |
Publisher | : Routledge |
Total Pages | : 382 |
Release | : 2016-03-09 |
Genre | : Music |
ISBN | : 131701443X |
The Polish composer Karol Szymanowski is one of the most fascinating musical figures of the early twentieth century. His works included four symphonies, two violin concertos, the operas Hagith and King Roger, the ballet-pantomime Harnasie, the oratorio Stabat Mater, as well as numerous piano, violin, vocal and choral compositions. The profile and popularity of Szymanowski's music outside Poland has never been higher and continues to grow. The Szymanowski Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, Paul Cadrin and Stephen Downes, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
The Szymanowski Companion
Author | : Paul Cadrin |
Publisher | : |
Total Pages | : 326 |
Release | : 2015-09-01 |
Genre | : Music |
ISBN | : 9781472455574 |
This Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
Karol Szymanowski
Author | : Alistair Wightman |
Publisher | : Routledge |
Total Pages | : 520 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351561375 |
The music of the Polish composer Karol Szymanowski (1882-1937) has enjoyed a resurgence of interest in recent years. Despite wide recognition in his own lifetime, Szymanowski‘s works were somewhat overlooked in the decades following his death. Outside Poland, changing fashions militated against acceptance of his achievement, and subsequent generations of Polish composers regarded his music as too reactionary to provide a basis on which to found a national musical identity. In this full-scale study of Karol Szymanowski‘s life and music, Alistair Wightman explores the composer‘s position as a constant outsider in his own country, yet agood European in the ways in which he responded positively to a diverse range of musical talents, in particular as Stravinsky, Strauss, Berg, Hindemith, Prokofiev and Ravel. The book throws light on Szymanowski‘s relationship to the Polish musical establishment, the reception of his works at home and abroad, his work as an educationalist, and the essentially European dimension of his art, drawing on letters, polemical writings, verse, theatrical sketches and the memoirs of family, friends and contemporaries. All of Szymanowski‘s significant works are discussed, illustrated with nearly 140 music examples. Evaluation is made of the close links existing between the composer‘s musical and literary works from the earliest stages of his career, as well as the various ideological strands that went together to form the unique, humanistic synthesis, characteristic of his mature work.
Karol Szymanowski
Author | : Alistair Wightman |
Publisher | : Routledge |
Total Pages | : 566 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351561367 |
The music of the Polish composer Karol Szymanowski (1882-1937) has enjoyed a resurgence of interest in recent years. Despite wide recognition in his own lifetime, Szymanowski?s works were somewhat overlooked in the decades following his death. Outside Poland, changing fashions militated against acceptance of his achievement, and subsequent generations of Polish composers regarded his music as too reactionary to provide a basis on which to found a national musical identity. In this full-scale study of Karol Szymanowski?s life and music, Alistair Wightman explores the composer?s position as a constant outsider in his own country, yet a ?good European? in the ways in which he responded positively to a diverse range of musical talents, in particular as Stravinsky, Strauss, Berg, Hindemith, Prokofiev and Ravel. The book throws light on Szymanowski?s relationship to the Polish musical establishment, the reception of his works at home and abroad, his work as an educationalist, and the essentially European dimension of his art, drawing on letters, polemical writings, verse, theatrical sketches and the memoirs of family, friends and contemporaries. All of Szymanowski?s significant works are discussed, illustrated with nearly 140 music examples. Evaluation is made of the close links existing between the composer?s musical and literary works from the earliest stages of his career, as well as the various ideological strands that went together to form the unique, humanistic synthesis, characteristic of his mature work.
Music in the 20th Century (3 Vol Set)
Author | : Dave DiMartino |
Publisher | : Routledge |
Total Pages | : 2298 |
Release | : 2016-04-15 |
Genre | : History |
ISBN | : 131746429X |
This is an examination of the crucial formative period of Chinese attitudes toward nuclear weapons, the immediate post-Hiroshima/Nagasaki period and the Korean War. It also provides an account of US actions and attitudes during this period and China's response.
Desire in Chromatic Harmony
Author | : Kenneth M. Smith |
Publisher | : Oxford University Press |
Total Pages | : 336 |
Release | : 2020-04-15 |
Genre | : Music |
ISBN | : 0190923431 |
How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.