The Syracusan Tyrant, Or, The Life of Agathocles
Author | : Richard Perrinchief |
Publisher | : |
Total Pages | : 316 |
Release | : 1661 |
Genre | : Great Britain |
ISBN | : |
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Author | : Richard Perrinchief |
Publisher | : |
Total Pages | : 316 |
Release | : 1661 |
Genre | : Great Britain |
ISBN | : |
Author | : Jeff Champion |
Publisher | : Casemate Publishers |
Total Pages | : 472 |
Release | : 2012-07-19 |
Genre | : History |
ISBN | : 184468296X |
This is the story of one of the most important classical cities, Syracuse, and its struggles (both internal and external) for freedom and survival. Situated at the heart of the Mediterranean, Syracuse was caught in the middle as Carthage, Pyrrhus of Epirus, Athens and then Rome battled to gain control of Sicily. The threat of expansionist enemies on all sides made for a tumultuous situation within the city, resulting in repeated coups that threw up a series of remarkable tyrants, such as Gelon, Timoleon and Dionysius. In this first volume Jeff Champion traces the course of Syracuse's wars under the tyrants from the Battle of Himera (480 BC) against the Carthaginians down to the death of Dionysius I (367 BC), whose reign proved to be the high tide of the city's power and influence. One of the highlights along the way is the city's heroic resistance to, and eventual decisive defeat of, the Athenian expeditionary force that besieged them for over two years (415-413 BC), an event with massive ramifications for the Greek world. This is the eventful life story of one of the forgotten major powers of the ancient Mediterranean world.
Author | : Dexter Hoyos |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2010-06-10 |
Genre | : History |
ISBN | : 1136968628 |
The Carthaginians reveals the complex culture, society and achievements of a famous, yet misunderstood, ancient people. Beginning as Phoenician settlers in North Africa, the Carthaginians then broadened their civilization with influences from neighbouring North African peoples, Egypt, and the Greek world. Their own cultural influence in turn spread across the Western Mediterranean as they imposed dominance over Sardinia, western Sicily, and finally southern Spain. As a stable republic Carthage earned respectful praise from Greek observers, notably Aristotle, and from many Romans – even Cato, otherwise notorious for insisting that ‘Carthage must be destroyed’. Carthage matched the great city-state of Syracuse in power and ambition, then clashed with Rome for mastery of the Mediterranean West. For a time, led by her greatest general Hannibal, she did become the leading power between the Atlantic and the Adriatic. It was chiefly after her destruction in 146 BC that Carthage came to be depicted by Greeks and Romans as an alien civilization, harsh, gloomy and bloodstained. Demonising the victim eased the embarrassment of Rome’s aggression; Virgil in his Aeneid was one of the few to offer a more sensitive vision. Exploring both written and archaeological evidence, The Carthaginians reveals a complex, multicultural and innovative people whose achievements left an indelible impact on their Roman conquerors and on history.
Author | : Francis Wrangham |
Publisher | : |
Total Pages | : 672 |
Release | : 1826 |
Genre | : Library catalogs |
ISBN | : |
Author | : Leslie Stephen |
Publisher | : |
Total Pages | : 1368 |
Release | : 1909 |
Genre | : Great Britain |
ISBN | : |
Author | : William Carew Hazlitt |
Publisher | : |
Total Pages | : 344 |
Release | : 1887 |
Genre | : English literature |
ISBN | : |
Author | : Susan Wiseman |
Publisher | : Cambridge University Press |
Total Pages | : 317 |
Release | : 1998-04-09 |
Genre | : Literary Criticism |
ISBN | : 0521472210 |
In 1642 an ordinance closed the theatres of England. Critics and historians have assumed that the edict was to be firm and inviolate. Susan Wiseman challenges this assumption and argues that the period 1640 to 1660 was not a gap in the production and performance of drama nor a blank space between 'Renaissance drama' and the 'Restoration stage'. Rather, throughout the period, writers focused instead on a range of dramas with political perspectives, from republican to royalist. This group included the short pamphlet dramas of the 1640s and the texts produced by the writers of the 1650s, such as William Davenant, Margaret Cavendish and James Shirley. In analysing the diverse forms of dramatic production of the 1640s and 1650s, Wiseman reveals the political and generic diversity produced by the changes in dramatic production, and offers insights into the theatre of the Civil War.