The Swans Of Harlem
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| Author | : Karen Valby |
| Publisher | : Pantheon |
| Total Pages | : 313 |
| Release | : 2024-04-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 059331753X |
THE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now. “This is the kind of history I wish I learned as a child dreaming of the stage!” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy “Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!” —Tia Williams, author of A Love Song for Ricki Wilde At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world. Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.
| Author | : Karen Valby |
| Publisher | : Random House Large Print |
| Total Pages | : 481 |
| Release | : 2024-04-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 0593862740 |
The forgotten story of a pioneering group of five Black ballerinas whose legacy was erased from history—until now. At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as Karlya Shelton and Marcia Sells. These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world. Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long.
| Author | : Karen Valby |
| Publisher | : Bonnier Zaffre Ltd. |
| Total Pages | : 336 |
| Release | : 2024-04-30 |
| Genre | : History |
| ISBN | : 1786582511 |
For fans of Hidden Figures and The Immortal Life of Henrietta Lacks 'The kind of history I wish I learned as a child dreaming of the stage!' MISTY COPELAND 'Vibrant, propulsive and inspiring' TIA WILLIAMS Harlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the lives of so many of the male dancers. It's about racism and activism through art. And it's about the eternal glamour of ballet; these swans appeared at the grandest opera houses and theatres, dancing at the White House, and even for the Queen. Their fans included Mick Jagger and they performed alongside the likes of Michael Jackson and Josephine Baker. But most importantly it tells the universal story of female friendship, and in particular how these five young women formed a bond - while experimenting with different ways of dying ballet shoes and tights to match their skin tones - which still endures many decades later.
| Author | : Karen Valby |
| Publisher | : Random House |
| Total Pages | : 0 |
| Release | : 2025-01-14 |
| Genre | : Young Adult Nonfiction |
| ISBN | : 0593643569 |
A full accounting of five incredibly talented Black ballerinas from The Dance Theater of Harlem, founding members among them, that illuminates their hard-fought, historic, and overlooked contributions to the world of classical dance at a time when racism shut out Black dancers from major dance companies. It was true until only recently, their past achievements had been erased—that’s what happened to five Black ballerinas, members of the groundbreaking Dance Theater of Harlem. At the peak of the Civil Rights Movement, Lydia Abarca, who dance critics praised effusively, was the first Black prima ballerina of this major dance company, performing lead roles in the most iconic ballets. She was also the first Black ballerina to grace the cover of Dance magazine. Alongside fellow founding members Sheila Rohan and Gayle McKinney-Griffith, and first-generation dancers Karlya Shelton and Marcia Sells, these swans of Harlem shone a bright light on the depth of Black professional classical dancers. Their grit, determination, and exquisite artistry propelled them to dizzying heights, but over the decades, their trailblazing and triumphs were largely forgotten. Now these ballerinas and longtime friends are giving voice to their stories on and off stage—reclaiming a past so that it is finally recorded and acknowledged.
| Author | : Misty Copeland |
| Publisher | : Simon and Schuster |
| Total Pages | : 111 |
| Release | : 2021-11-02 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1534474250 |
From New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage. As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible. In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve. With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.
| Author | : Judy Tyrus |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-10-26 |
| Genre | : Performing Arts |
| ISBN | : 1496733606 |
2021 NAACP Image Award Nominee This definitive history is a celebration of the first African-American ballet company, from its 1960s origins in a Harlem basement, to the performances, community engagement, and education message of empowerment through the arts for all which the Company continues to carry forward today. Illustrated with hundreds of never before seen photos from the founding during the Civil Rights Movement by Arthur Mitchell and Karel Shook through to today, this visual history tells the story that fueled Dance Theatre of Harlem’s growth into one of the most influential and revolutionary American ballet companies of the last five decades. With exclusive backstage stories from its legendary dancers and staff, and unprecedented access to its archives, Dance Theatre of Harlem is a striking chronicle of the company's amazing history, its fascinating daily workings, and the visionaries who made its legacy. Here you’ll discover how the company’s founders—African-American maestro Arthur Mitchell of George Balanchine’s New York City Ballet, and Nordic-American Karel Shook of The Dutch National Ballet--created timeless works that challenged Eurocentric mainstream ballet head-on—and used new techniques to examine ongoing issues of power, beauty, myth, and the ever-changing definition of art itself. Gaining prominence in the 1970s and 80s with a succession of triumphs—including its spectacular season at the Metropolitan Opera House—the company also gained fans and supporters that included Nelson Mandela, Stevie Wonder, Cicely Tyson, Misty Copeland, Jessye Norman, and six American presidents. Dance Theatre of Harlem details this momentous era as well as the company's difficult years, its impressive recovery as it partnered with new media's most brilliant creators—and, in the wake of its 50th anniversary, amid a global pandemic, its evolution into a worldwide virtual performance space. Alive with stunning photographs, including many from the legendary Marbeth, this incomparable book is a must-have for any lover of dance, art, culture, or history.
| Author | : Karen Valby |
| Publisher | : Random House |
| Total Pages | : 258 |
| Release | : 2010-06-01 |
| Genre | : Social Science |
| ISBN | : 1588369684 |
BONUS: This edition contains a new Afterword and a reading group guide. Utopia, Texas: It’s either the best place on earth, or it’s no place at all. In the twenty-first century, it’s difficult to imagine any element of American life that remains untouched by popular culture, let alone an entire community existing outside the empire of pop. But Karen Valby discovered the tiny town of Utopia tucked away in the Texas Hill Country. There are no movie theaters for sixty miles in any direction, no book or music stores. But cable television and the Internet have recently thrown wide the doors of Utopia. Valby follows the lives of four Utopians—Ralph, the retired owner of the general store; Kathy, the waitress who waits in terror for three of her boys to return from war; Colter, the son of a cowboy with the soul of a hipster; and Kelli, an aspiring rock star and one of the only black people in town—as they reckon, on an intensely human scale, with war and race, class and culture, and the way time’s passage can change the ground beneath our feet. Utopia is the kind of place we still think of as the “real America,” a place of cowboys and farmers and high-school sweethearts who stay together till they die. But its dramatic stories show us what happens when the old tensions of small-town life confront a new reality: that no town, no matter how small and isolated, can escape the liberating and disruptive forces of the larger world. Welcome to Utopia is a moving elegy for a proud American way of life and a celebration of our relentless impulse toward rebirth.
| Author | : Gary Phillips |
| Publisher | : Polis Books |
| Total Pages | : 265 |
| Release | : 2020-11-17 |
| Genre | : Fiction |
| ISBN | : 1951709241 |
MATTHEW HENSON AND THE ICE TEMPLE OF HARLEM is the first in a new exciting retro rollicking adventure series from 2021 Munsey Award-nominee Gary Phillips. This re-imagined pulp novel follows the Doc Savage-style adventures of the first black man to reach the North Pole —Matthew Henson. The tail end of the Roaring 20s. Harlem. Hired by controversial spiritual leader Daddy Paradise to retrieve his adult daughter who has been kidnapped, adventurer Matthew Henson does just that. Then he must safeguard the two until the firebrand can deliver a momentous speech at a mass rally. Henson must employ all his survival skills to fulfill his task—skills that kept him whole in forbidden jungles, across Asia, and in sub-zero ice storms when he first reached the North Pole. Henson’s charge brings him face-to-face with such illustrious characters as gangster Dutch Schultz, who's looking to muscle out numbers racket boss Queenie St. Clair, and famed inventor Nikola Tesla who is using his electrical acumen to surveil plutocrats. Henson’s pal Bessie Coleman, America’s first black aviatrix lends a hand as well. With a death ray zeroing in on him, he races against the clock to save lives, and keep a mysterious and powerful meteor fragment he brought back from the Arctic years ago out of the hands of monied evil-doers. Set against the intellectual, artistic and political firmament that was the Harlem Renaissance, THE ICE TEMPLE OF HARLEM re-imagines explorer Matthew Henson in the style of Doc Savage and Indiana Jones. The one the Inuit adopted as their own and considered the best example of those from the distant South.
| Author | : Glory Edim |
| Publisher | : Liveright Publishing |
| Total Pages | : 211 |
| Release | : 2021-10-26 |
| Genre | : Fiction |
| ISBN | : 1631497707 |
An NPR Best Book of the Year Proudly introducing the Well-Read Black Girl Library Series, On Girlhood is a lovingly curated anthology celebrating short fiction from such luminaries as Rita Dove, Alice Walker, Toni Morrison, and more. Featuring stories by: Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston. “When you look over your own library, who do you see?” asks Well-Read Black Girl founder Glory Edim in this lovingly curated anthology. Bringing together an array of “unforgettable, and resonant coming-of-age stories” (Nicole Dennis-Benn), Edim continues her life’s work to brighten and enrich American reading lives through the work of both canonical and contemporary Black authors—from Jamaica Kincaid and Toni Morrison to Dana Johnson and Alexia Arthurs. Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—On Girlhood features fierce young protagonists who contend with trials that shape who they are and what they will become. At times heartbreaking and hilarious, the stories within push past flat stereotypes and powerfully convey the beauty of Black girlhood, resulting in an indispensable compendium for every home library. “A compelling anthology that . . . results in a literary master class.” —Keishel Williams, Washington Post “A beautiful and comforting patchwork quilt of stories from our literary contemporaries and foremothers.” —Ibi Zoboi, New York Times best-selling coauthor of Punching the Air
| Author | : Edward Sorel |
| Publisher | : Knopf |
| Total Pages | : 273 |
| Release | : 2021-11-23 |
| Genre | : Art |
| ISBN | : 0525521070 |
The fabulous life and times of one of our wittiest, most endearing and enduring caricaturists—in his own words and inimitable art. Sorel has given us "some of the best pictorial satire of our time ... [his] pen can slash as well as any sword” (The Washington Post). Alongside more than 172 of his drawings, cartoons, and caricatures—and in prose as spirited and wickedly pointed as his artwork—Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York’s famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York’s art and literary circles. As the “young lefty” becomes an “old lefty,” Sorel charts the highlights of his remarkable life, by both telling us and showing us how in magazines and newspapers, books, murals, cartoons, and comic strips, he steadily lampooned—and celebrated—American cultural and political life. He sets his story in the parallel trajectory of American presidents, from FDR’s time to the present day—with the candor and depth of insight that could come only from someone who lived through it all. In Profusely Illustrated, Sorel reveals the kaleidoscopic ways in which the personal and political collide in art—a collision that is simultaneously brilliant in concept and uproarious and beautiful in its representation.
