Three Poems

Three Poems
Author: John Ashbery
Publisher: Open Road Media
Total Pages: 133
Release: 2014-09-09
Genre: Poetry
ISBN: 1480459178

A provocative, challenging masterpiece by John Ashbery that set a new standard for the modern prose poem “The pathos and liveliness of ordinary human communication is poetry to me,” John Ashbery has said of this controversial work, a collection of three long prose poems originally published in 1972, adding, “Three Poems tries to stay close to the way we talk and think without expecting what we say to be recorded or remembered.” The effect of these prose poems is at once deeply familiar and startlingly new, something like encountering a collage made of lines clipped from every page of a beloved book—or, as Ashbery has also said of this work, like flipping through television channels and hearing an unwritten, unscriptable story told through unexpected combinations of voices, settings, and scenes. In Three Poems, Ashbery reframes prose poetry as an experience that invites the reader in through an infinite multitude of doorways, and reveals a common language made uncommonly real.

On Modern Poetry

On Modern Poetry
Author: Guido Mazzoni
Publisher: Harvard University Press
Total Pages: 265
Release: 2022-04-19
Genre: Literary Criticism
ISBN: 0674276167

An incisive, unified account of modern poetry in the Western tradition, arguing that the emergence of the lyric as a dominant verse style is emblematic of the age of the individual. Between the end of the eighteenth century and the beginning of the twentieth, poetry in the West was transformed. The now-common idea that poetry mostly corresponds with the lyric in the modern sense—a genre in which a first-person speaker talks self-referentially—was foreign to ancient, medieval, and Renaissance poetics. Yet in a relatively short time, age-old habits gave way. Poets acquired unprecedented freedom to write obscurely about private experiences, break rules of meter and syntax, use new vocabulary, and entangle first-person speakers with their own real-life identities. Poetry thus became the most subjective genre of modern literature. On Modern Poetry reconstructs this metamorphosis, combining theoretical reflections with literary history and close readings of poets from Giacomo Leopardi to Louise Glück. Guido Mazzoni shows that the evolution of modern poetry involved significant changes in the way poetry was perceived, encouraged the construction of first-person poetic personas, and dramatically altered verse style. He interprets these developments as symptoms of profound historical and cultural shifts in the modern period: the crisis of tradition, the rise of individualism, the privileging of self-expression and its paradoxes. Mazzoni also reflects on the place of poetry in mass culture today, when its role has been largely assumed by popular music. The result is a rich history of literary modernity and a bold new account of poetry’s transformations across centuries and national traditions.

Thought and Poetry

Thought and Poetry
Author: John Koethe
Publisher:
Total Pages: 208
Release: 2022
Genre: Poetry
ISBN: 9781350262478

"Addressing objective and subjective views of the self and the world in philosophy and poetry, this collection brings together a chronology of John Koethe's thoughts on the connections between the two forms and makes a significant contribution to unsettling the oppositions that separate them. The essays traverse the philosophical conception of the self in modern poetry and locate connections between poets including William Wordsworth, Wallace Stevens, and John Ashberry alongside philosophers including Kant, Schopenhauer, and Wittgenstein. Koethe pays special attention to romantic poetry and notions of the sublime, which he maps onto subjective individual experience and the objective perspective on the natural world. Koethe further explores this theme in a new essay on romanticism and the sublime in relation to the mind-body problem. Using an associative and impressionistic style to write philosophically about poetry, Koethe defends his own approach that such writing cannot and should not aim for the rigor of philosophical argumentation."--

The Divine Enchantment

The Divine Enchantment
Author: John Gneisenau Neihardt
Publisher: U of Nebraska Press
Total Pages: 204
Release: 1989-01-01
Genre: Literary Criticism
ISBN: 9780803233195

The creative energy that would in time produce A Cycle of the West and Black Elk Speaks is apparent in his first book, The Divine Enchantment, published in 1990 when he was nineteen years old. It can be viewed as an early version of the philosophy of spiritual awareness that Neihardt articulated twenty-five years later in Poetic Values. They are reprinted together for the first time in this Landmark Edition. A narrative poem bursting with youthful enthusiasm, The Divine Enchantment reveals Neihardt not as an ordinary poet but as a visionary bard. Inspired by his reading of Eastern philosophy, it is a Hindu myth with Christian parallels. The virgin heroine, Devanaguy, fulfills prophecy in bearing Krishna, the incarnation of Vishnu, in spite of imprisonment by a jealous and fearful king. Neihardt?s vision of the union of spirit and matter, of reason and higher consciousness, introduces themes he was to expand on in his later writings. Poetic Values, a series of lectures published in 1925, speaks of the common need for self-enlightenment. Drawing on sources ranging from the Upanishads to psychology textbooks, Neihardt argues that poetry can provide a balanced philosophy to live by in bridging the gap between Western materialism and Eastern otherworldliness. Poetry links the objective with the subjective, the real with the imaginary, and for the reader of Poetic Values, as for the heroine of The Divine Enchantment, the highest self-enlightenment comes with self-forgetfulness. Blair Whitney writes that, in comparing these two works, ?one can see [Neihardt?s] strong, consistent development from a boy who loved words and had big dreams to a mature poet who found ways to realize his ideals and to communicate them to a large audience of readers.?

I Love Artists

I Love Artists
Author: Mei-mei Berssenbrugge
Publisher: Univ of California Press
Total Pages: 155
Release: 2006-04-10
Genre: Poetry
ISBN: 0520939107

Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux.