The Seminole Baptist Churches of Oklahoma

The Seminole Baptist Churches of Oklahoma
Author: Jack Maurice Schultz
Publisher: University of Oklahoma Press
Total Pages: 284
Release: 1999
Genre: Religion
ISBN: 9780806131177

Observers often assume that American Indians identifying themselves as Christian have assimilated into the larger Anglo world. The Oklahoma Seminole Baptists have actively adapted non-native structures to accommodate their community needs. They gather several times weekly in steepled churches for prayers, hymn singing, and sermons based on biblical texts. But they conduct services primarily in the Mvskoke language and practice Native customs, such as fasting in the woods and constructing grave houses to shelter the spirit as it returns to visit the body. Schultz traces the history of the Seminoles to the present day. He then discusses Seminole Baptist beliefs and practices, leadership roles, and the church's organizational structure, illustrating his observations with a detailed account of the social life of a single congregation.

Worlds the Shawnees Made

Worlds the Shawnees Made
Author: Stephen Warren
Publisher: UNC Press Books
Total Pages: 322
Release: 2014
Genre: History
ISBN: 1469611732

Worlds the Shawnees Made: Migration and Violence in Early America

"That's What They Used to Say"

Author: Donald L. Fixico
Publisher: University of Oklahoma Press
Total Pages: 273
Release: 2017-10-12
Genre: Biography & Autobiography
ISBN: 0806159286

As a child growing up in rural Oklahoma, Donald Fixico often heard “hvmakimata”—“that’s what they used to say”—a phrase Mvskokes and Seminoles use to end stories. In his latest work, Fixico, who is Shawnee, Sac and Fox, Mvskoke (as “Muskogee” is spelled in the Mvskoke language), and Seminole, invites readers into his own oral tradition to learn how storytelling, legends and prophecies, and oral histories and creation myths knit together to explain the Indian world. Interweaving the storytelling and traditions of his ancestors, Fixico conveys the richness and importance of oral culture in Native communities and demonstrates the power of the spoken word to bring past and present together, creating a shared reality both immediate and historical for Native peoples. Fixico’s stories conjure war heroes and ghosts, inspire fear and laughter, explain the past, and foresee the future—and through them he skillfully connects personal, familial, tribal, and Native history. Oral tradition, Fixico affirms, at once reflects and creates the unique internal reality of each Native community. Stories possess spiritual energy, and by summoning this energy, storytellers bring their communities together. Sharing these stories, and the larger story of where they come from and how they work, “That’s What They Used to Say” offers readers rare insight into the oral traditions at the very heart of Native cultures, in all of their rich and infinitely complex permutations.

Folk Music, Traditional Music, Ethnomusicology

Folk Music, Traditional Music, Ethnomusicology
Author: Anna Hoefnagels
Publisher: Cambridge Scholars Publishing
Total Pages: 285
Release: 2021-02-19
Genre: Music
ISBN: 1527566382

Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present features the proceedings of the Fiftieth Annual Conference of the Canadian Society for Traditional Music / La Société Canadienne pour les Traditions Musicales (formerly the Canadian Folk Music Society / La Société canadienne de musique folklorique) that took place in November, 2006 in Ottawa at Carleton University and the Canadian Museum of Civilization. This publication showcases the diversity of music research currently being conducted by folk and traditional music specialists, ethnomusicologists, and practicing musicians in Canada. The papers are organized in five sections according to common themes in contemporary research in ethnomusicology and folk music studies, and each section is preceded by a short introduction which highlights the section’s theme(s) as well as the individual papers. Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present confirms the rich history of the Canadian Society for Traditional Music, a history that comprises enormous changes in scholarly research, musical practice, emergent technologies, changes in doing fieldwork, and shifting identity boundaries over the past fifty years. This volume is intended as a contribution to published literature on ethnomusicological and folklore research in Canada, creating a new resource of historical, contemporary, and scholarly relevance that will appeal to academics and music enthusiasts alike. "Canadian ethnomusicologists' expertise in the realm of First Nations musics, and Anglo, Celtic and French folksong repertories is already well established. This volume shows us the breadth of cultural territory with which 21st-century Canadian scholars of music and scholars of Canadian musics are now engaged, as well as their theoretical and methodological sophistication. " —Kati Szego, School of Music, Memorial University

Yuchi Folklore

Yuchi Folklore
Author: Jason Baird Jackson
Publisher: University of Oklahoma Press
Total Pages: 308
Release: 2013-09-09
Genre: History
ISBN: 0806150955

In countless ways, the Yuchi (Euchee) people are unique among their fellow Oklahomans and Native peoples of North America. Inheritors of a language unrelated to any other, the Yuchi preserve a strong cultural identity. In part because they have not yet won federal recognition as a tribe, the Yuchi are largely unknown among their non-Native neighbors and often misunderstood in scholarship. Jason Baird Jackson’s Yuchi Folklore, the result of twenty years of collaboration with Yuchi people and one of just a handful of works considering their experience, brings Yuchi cultural expression to light. Yuchi Folklore examines expressive genres and customs that have long been of special interest to Yuchi people themselves. Beginning with an overview of Yuchi history and ethnography, the book explores four categories of cultural expression: verbal or spoken art, material culture, cultural performance, and worldview. In describing oratory, food, architecture, and dance, Jackson visits and revisits the themes of cultural persistence and social interaction, initially between Yuchi and other peoples east of the Mississippi and now in northeastern Oklahoma. The Yuchi exist in a complex, shifting relationship with the federally recognized Muscogee (Creek) Nation, with which they were removed to Indian Territory in the 1830s. Jackson shows how Yuchi cultural forms, values, customs, and practices constantly combine as Yuchi people adapt to new circumstances and everyday life. To be Yuchi today is, for example, to successfully negotiate a world where commercial rap and country music coexist with Native-language hymns and doctoring songs. While centered on Yuchi community life, this volume of essays also illustrates the discipline of folklore studies and offers perspectives for advancing a broader understanding of Woodlands peoples across the breadth of the American South and East.

The Oxford Handbook of Dance and Ethnicity

The Oxford Handbook of Dance and Ethnicity
Author: Anthony Shay
Publisher: Oxford University Press
Total Pages:
Release: 2016-04-20
Genre: Performing Arts
ISBN: 0190493933

Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.

Wilma Mankiller

Wilma Mankiller
Author: Tamrala Swafford Bliss
Publisher: Bloomsbury Publishing USA
Total Pages: 211
Release: 2023-02-14
Genre: Biography & Autobiography
ISBN:

An excellent resource for students of Native American women's history, Wilma Mankiller provides an overview of contemporary federal Indian policy and explores how Mankiller negotiated the relationship between the Cherokee Nation and the United States in the late 20th century. Wilma Mankiller's work for the Cherokee Nation helped to create a flourishing economy, an increased sense of pride, and a renewed sense of community for the residents of the nation over the twenty years that followed. This is the first biography of Wilma Mankiller written for an adult audience. Incorporating aspects of federal Indian policy and Cherokee History, chapters explore Mankiller's involvement at the Indian Center, her interactions with other Indian activists, and her participation in the occupation of Alcatraz Island in 1969 and the Pit River tribes struggle in the early 1970s. Also covered is Cherokee history from the 1830s concerning the Trail of Tears and its impact on Cherokee identity. Chronological organization allows readers to discover Mankiller's growth and development from a student activist in San Francisco to a Principal Chief of the Cherokee Nation in rural northeastern Oklahoma. The book explores the themes of land, education, community, identity, treaty rights and sovereignty, and traditional tribal knowledge.