The Stuart Court In Rome
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Author | : Eveline Cruickshanks |
Publisher | : The History Press |
Total Pages | : 459 |
Release | : 2012-05-30 |
Genre | : History |
ISBN | : 0752486594 |
The regal courts of the English Stuart Kings, from James I (1603-1625) to the ill-fated James II (1685-1689), were magnificent affairs. In a country otherwise given to increasingly austere Puritan ways of living, the royal court shone with a brilliance usually associated with the courts of the Catholic kings of mainland Europe. They were centres of great culture, patronage, ceremony and politics. The real importance of the courts, though down-played for many years, is now beginning to be fully recognised and this first major study of the Stuart courts in England, Scotland and Ireland examines them in their full cultural and historical context. Scholars of international reputation and up and coming, younger scholars have been brought together to give us an insight into many aspects of the Stuart courts. This book includes essays on culture and patronage of the arts and social history. What was it really like at the court? What rules applied? How did the courtiers behave? Finally, the crucial interplay between court life and political life, and politics, is examined in detail. This book is a major contribution to a flourishing area of scholarship and will be required reading for anyone interested in seventeenth-century history, court studies or the arts in the early modern period.
Author | : Edward T. Corp |
Publisher | : Cambridge University Press |
Total Pages | : 429 |
Release | : 2011-08-18 |
Genre | : Biography & Autobiography |
ISBN | : 0521513278 |
This book reassesses the lives of the exiled Stuart Court in Italy which provided an important British presence in Rome.
Author | : Edward Corp |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : Electronic books |
ISBN | : 9781315198118 |
"Title first published in 2003. When the Stuarts left Britain after the 'Glorious Revolution' they established an important court in exile, first in France, then for most of the eighteenth century in Italy. Jacobites who could not hope to see their careers furthered at the Hanoverian court in London maintained their loyalty to James III, the 'King over the Water', and his son 'Bonnie Prince Charlie'. The Stuart Court in Rome describes the court as a centre of cultural patronage, particularly of music and painting, and considers whether it lived up to the idealized picture celebrated by Jacobites in Britain. The financial vicissitudes of James III and his entourage are uncovered, and the influence of Hanoverian agents such as Baron von Stosch. The book investigates links between the Stuarts and Freemasonry; presents new evidence for the Stuart descent; and recounts the dispersal and acquisition of Stuart portraits and other relics during the nineteenth and twentieth centuries."--Provided by publisher.
Author | : Edward T. Corp |
Publisher | : Cambridge University Press |
Total Pages | : 414 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780521584623 |
Author | : Edward Corp |
Publisher | : Routledge |
Total Pages | : |
Release | : 2018-03-31 |
Genre | : |
ISBN | : 9781138710603 |
Title first published in 2003. When the Stuarts left Britain after the 'Glorious Revolution' they established an important court in exile, first in France, then for most of the eighteenth century in Italy. Jacobites who could not hope to see their careers furthered at the Hanoverian court in London maintained their loyalty to James III, the 'King over the Water', and his son 'Bonnie Prince Charlie'. The Stuart Court in Rome describes the court as a centre of cultural patronage, particularly of music and painting, and considers whether it lived up to the idealized picture celebrated by Jacobites in Britain. The financial vicissitudes of James III and his entourage are uncovered, and the influence of Hanoverian agents such as Baron von Stosch. The book investigates links between the Stuarts and Freemasonry; presents new evidence for the Stuart descent; and recounts the dispersal and acquisition of Stuart portraits and other relics during the nineteenth and twentieth centuries.
Author | : Eveline Cruickshanks |
Publisher | : A&C Black |
Total Pages | : 192 |
Release | : 1995-01-01 |
Genre | : History |
ISBN | : 1852851198 |
Based on original research in a wide range of contemporary sources, this collection of original essays illuminates the early development of Jacobitism, placing the movement in a coherent historical context. The volume includes a substantial introduction by Edward Corp on the Stuart court and a major essay by Eveline Cruickshanks on the importance of Jacobitism in Britain and its links with the exiled court.
Author | : Robin Nicholson |
Publisher | : Bucknell University Press |
Total Pages | : 180 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780838754955 |
This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the Ballroom at Holyrood - probably still the most enduring and popular image of the Stuart prince - at the Royal Academy in 1892."--BOOK JACKET.
Author | : Gesa zur Nieden |
Publisher | : transcript Verlag |
Total Pages | : 429 |
Release | : 2016-10-31 |
Genre | : History |
ISBN | : 3839435048 |
During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.
Author | : Adriana Turpin |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 417 |
Release | : 2021-05-06 |
Genre | : Antiques & Collectibles |
ISBN | : 1501348884 |
Art Markets, Agents and Collectors brings together a wide variety of case studies, based on letters and detailed archival research, which nuance the history of the art market and the role of the collector within it. Using diaries, account books and other archival sources, the contributions to this volume show how agents set up networks and acquired works of art, often developing the taste and knowledge of the collectors for whom they were working. They are therefore seen as important actors in the market, having a specific role that separates them from auctioneers, dealers, museum curators or amateurs, while at the same time acknowledging and analyzing the dual positions that many held. Each chronological period is introduced by a contextual essay, written by a leading expert in the field, which sets out the art market in the period concerned and the ways in which agents functioned. This book is an invaluable tool for those needing a broader introduction to the intricate workings of the art market.
Author | : Robert I. Frost |
Publisher | : Springer Nature |
Total Pages | : 145 |
Release | : 2022-05-08 |
Genre | : History |
ISBN | : 303099936X |
This book is a study of an eighteenth-century portrait of a youth in Polish dress, owned by the National Portrait Gallery in London since 1922, but never publicly displayed. Two inscriptions claim that it is a portrait of Charles Edward Stuart, popularly known as ‘Bonnie Prince Charlie’. The Gallery has always doubted its authenticity and leading experts on Stuart portraiture have dismissed the identification. This study, by a historian of Poland-Lithuania, is the first detailed attempt to research the painting properly. Based on archival sources, it examines its provenance and the connections of its first known owner with the Kinlochmoidart MacDonalds, who fought for the Prince in the 1745 Jacobite Rebellion. It considers a considerable body of evidence to suggest that it is very possible that the portrait is indeed a genuine depiction of the Prince.