Excerpt from The Stories of the Kings of Norway Called the Round of the World, Vol. 4: Heimskringla At last, ten years after the publication of the third volume of the Heimskringla, and nine after the death of the originator of the Saga Library, the indexes to Snorri's work see the day. No one can regret the extent of this delay more keenly than I do myself, especially as I do not pretend to be personally free from all blame in the matter. In the main, however, it has been due to causes over which it was not in my power to exercise any control. The Saga Library was an idea conceived by William Morris, suggested to and taken up by the late Mr. Quaritch. The work on it was divided between Morris and myself in the following manner: Having read together the sagas contained in the first three volumes, Morris wrote out the translation and I collated his MS. with the original. For the last two volumes of the Heimskringla the process was reversed, I doing the translation, he the collation; the style, too, he emended throughout in accordance with his own ideal. Morris wrote pp. v-xii15 of the preface to vol. i; the rest of it was drawn up by me, as was also the preface to the second volume and submitted to Morris' revision. Indexes, notes, genealogical tables I took in hand, also the drawing of the maps which Morris had printed in his own way. As to the style of Morris little need be said except this that it is a strange misunderstanding to describe all terms in his translations which are not familiar to the reading public as 'pseudo-Middle-English.' About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.