Evaluation and Synthesis of Research Studies Related to Music Education

Evaluation and Synthesis of Research Studies Related to Music Education
Author: Erwin H. Schneider
Publisher:
Total Pages: 674
Release: 1965
Genre: Music
ISBN:

"Research data in the field of music education which had accumulated during the years 1930 through 1962 were brought together and evaluated. A compilation process produced 9,150 information items, considered to constitute all possible music education research data completed during the subject time period. Of these total items, 273 are abstracted and many others listed in the report. Research findings in the data were synthesized according to specific areas of function and methodology. Findings were analyzed for implications for current practice and needed research in the music education field."--Report resumes page

Anadarko

Anadarko
Author: N. Dale Talkington
Publisher: N. Dale Talkington
Total Pages: 1242
Release: 1999
Genre: Anadarko (Okla.)
ISBN:

Clippings from the Anadarko daily news concerning the Anadark High School class of 1951, their neighbors and contemporaries.

Growing Musicians

Growing Musicians
Author: Bridget Sweet
Publisher: Oxford University Press
Total Pages: 209
Release: 2015-12-23
Genre: Music
ISBN: 019937208X

Growing Musicians: Teaching Music in Middle School and Beyond focuses on teaching adolescents within the context of a music classroom, regardless of content area (orchestra, band, choir, or general music). It provides a look at the importance of music courses in the lives of adolescents as they navigate the path between being a child and an adult. As every music student is completely unique, there is no one-size-fits-all prescriptive way of working with this age group. Rather, music educators must approach adolescents with high musical standards and aspirations to learn and achieve within music; a willingness to honor the individuality of each adolescent musician; a sense of structure, but an ability to be flexible; a desire to foster and promote a safe classroom environment where students feel empowered to be themselves and speak openly about what they think and believe; an understanding that music classes are not only safe places where students learn how to become better musicians but also better people through musical experiences focused on humanity and empathy; and a dose of humor, or at least the ability to acknowledge that adolescents are extremely funny whether or not they realize it. In addition, this book encourages pre-service and practicing music educators to mindfully examine and better understand their own teaching practices.