The Stampographer
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Author | : Vincent Sardon |
Publisher | : |
Total Pages | : 108 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9781938221163 |
The Stampographer traverses the fantastic, anarchic imagination of Parisian artist Vincent Sardon (born 1970), whose dark, combative sense of humor is infused with Dadaist subversion and Pataphysical play. Using rubber stamps he designs and manufactures himself, Sardon commandeers a medium often associated with petty and idiotic displays of bureaucratic power, then uses those stamps not to assert authority, but to refuse it. He scours the Parisian landscape as well as the world at large, skewering the power-hungry and the pretentious, reveling in the vulgar and profane. In The Stampographer, there are insults in multiple languages, sadomasochistic Christmas ornaments, and a miniature Kamasutra with an auto-erotic Jesus. Sardon also wields the stamp as satirical device, deconstructing Warhol portraits into primary colors, turning ink blots into Pollock paint drips, and clarifying just what Yves Klein did with women's bodies. Yet Sardon's razor-sharp wit is tinged with the irony of his exquisite sense of beauty. The stamps are rarely static--they have an animating magic, whether boxers are punching faces out of place or dragonflies seemingly hover over the page. Sardon's work is provocative in its subject matter as well as in its process and dissemination: he not only stands defiantly outside the art world's modes of commerce but his artworks (the rubber stamps themselves) are actually the means with which anyone can make a work of their own. The Stampographer introduces English-speaking readers to one of the most unusual and original voices in contemporary French culture.
Author | : |
Publisher | : Laurence King Publishing |
Total Pages | : 0 |
Release | : 2016-10-11 |
Genre | : Crafts & Hobbies |
ISBN | : 9781780678658 |
This beautiful book provides a complete guide to printing with rubber stamps. Beginning with a foreword by the artist Rob Ryan and a short history of rubber stamping, it then explains the technical basics: how to cut your stamp, mask prints, make your own printing pads, clean your stamps (making more artwork as you do so!) and what equipment to use. At the heart of the book are forty inventive projects that will inspire readers to create their own rubber stamp art. These include making typefaces and repeat patterns, mail art, creating stickers and labels, printing on t-shirts, making portraits, and translucent and 3D prints. Also covered are other printing approaches such as roller printing, and printing with clay and plaster. This highly accessible book will appeal to creatives and crafters of all ages.
Author | : Martina Mondadori Sartogo |
Publisher | : Vendome Press |
Total Pages | : 0 |
Release | : 2018-10-02 |
Genre | : Design |
ISBN | : 9780865653580 |
Cabana Anthology, drawn from the sought-after, sumptuous biannual Cabana magazine, celebrates the most luxurious personal statements in interior design, lifestyle, architecture, and all related luxuries. Founded in 2014 by Martina Mondadori Sartogo, Cabana Anthology features the very best photography, interviews, profiles, and features from the publication's first five formative years and offers an extraordinary mix of topics, interiors, objects, and visual essays from contributors ranging from Justine Picardie, Patrick Kinmonth, and Christian Louboutin to Lauren Santo Domingo and Gianluca Longo, photographed by the likes of Miguel Flores-Vianna and Tim Beddow. With astonishing production values not seen since the legendary Flair magazine of the 1950s, this new book--which will be a true collector's item--is a must-have for regular subscribers, as well as art and design aficionados who missed out the first time around. Due to the unique cloth binding of this book, covers may vary slightly from the example shown here, and will be shipped to customers at random.
Author | : |
Publisher | : |
Total Pages | : 224 |
Release | : 2021-11-16 |
Genre | : Art |
ISBN | : 9781938221293 |
A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth dates and blood types, diary entries, letters from and photographs of lovers and family. She eavesdrops on arguments and love-making. She retrieves a pair of shoes from the wastebasket and takes two chocolates from a neglected box of sweets, while leaving behind stashes of money, pills and jewelry. Her thievery is the eye of the camera, observing the details that were not meant for her, or us, to see. The Hotel now manifests as a book for the first time in English (it was previously included in the book Double Game). Collaborating with the artist on a new design that features enhanced and larger photographs, and pays specific attention to the beauty of the book as an object, Siglio is releasing its third book authored by Calle, after The Address Book (2012) and Suite Vénitienne (2015). Sophie Calle (born 1953) is an internationally renowned artist whose controversial works often fuse conceptual art and Oulipo-like constraints, investigatory methods and the plundering of autobiography. The Whitechapel Gallery in London organized a retrospective in 2009, and her work has been shown at the Museum of Modern Art and the Whitney Museum of American Art, New York; the Carnegie Museum of Art, Pittsburgh; the Museum of Fine Arts, Boston; the Hayward Gallery and Serpentine, London; and the Museum of Contemporary Art, Chicago, among others. She lives and works in Paris.
Author | : |
Publisher | : |
Total Pages | : 606 |
Release | : 1974 |
Genre | : Veterinary medicine |
ISBN | : |
Author | : Mirtha Dermisache |
Publisher | : |
Total Pages | : 128 |
Release | : 2018-03-27 |
Genre | : Art |
ISBN | : 9781938221170 |
Argentinian artist Mirtha Dermisache (1940-2012) wrote dozens of books, hundreds of letters and postcards, and countless texts. Not a single one was legible, yet, in their promixity to language, they all resonate with a mysterious potential for meaning. Using ink on paper, Dermisache invented an array of graphic languages, each with their own unique lexical and syntactic structures. Some resemble a child's scrawl; others feel like nets or knots or transcriptions of seismic waves. Praised by Roland Barthes in the early '70s for the "extreme intelligence of the theoretical problems related to writing that [her] work entails," Dermisache's graphisms suggest both an abstract "essence of writing" and a concrete democratization of written forms. Selected Writings, the first collection of Dermisache's works to be published in the US, collects two complete books and a selection of texts from the early 1970s, a rich and prolific period for the artist.
Author | : Robert Gluck |
Publisher | : New York Review of Books |
Total Pages | : 193 |
Release | : 2020-03-10 |
Genre | : Fiction |
ISBN | : 1681374315 |
Lust, religious zeal, and heartache come together in this provocative novel about two infatuations, one between a man and his young lover in the late 20th century and another between a 15th-century woman and Jesus Christ. First published in 1994, Robert Glück’s Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century. The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel. Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."
Author | : Joe Brainard |
Publisher | : |
Total Pages | : 152 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery
Author | : |
Publisher | : |
Total Pages | : 268 |
Release | : 2022-02-15 |
Genre | : Art |
ISBN | : 9781938221316 |
A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance--a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Editor Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation--her "bringing to life"--writes Rudick, "is an apt summation of the overlap of Saint Phalle's life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930-2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs ("shooting paintings") and Nanas and her celebrated large-scale projects--including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany--Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter's legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).
Author | : Mairead Case |
Publisher | : featherproof books |
Total Pages | : 197 |
Release | : 2020-12-15 |
Genre | : Fiction |
ISBN | : 194388823X |
Tiny is a poetic retelling of Sophocles' Antigone. Instead of having two brothers who kill each other in a civil war, Tiny has one who kills himself after coming home from a far-away war. Our heroine mourns her brother, forever, but—with best friend Izzy, boyfriend Hank, and a collective dance night held in an old artificial limb store—she escapes freezing herself in grief, too.