The Musical Traditions of Northern Ireland and Its Diaspora

The Musical Traditions of Northern Ireland and Its Diaspora
Author: David Cooper
Publisher: Ashgate Publishing, Ltd.
Total Pages: 208
Release: 2010
Genre: Music
ISBN: 9781409419204

Northern Ireland remains a divided community in which traditional culture is widely understood as a marker of religious affiliation and ethnic identity. David Cooper provides an analysis of the characteristics of traditional music performed in Northern Ireland, as well as an ethnographic and ethnomusicological study of a group of traditional musicians from County Antrim. In particular, he offers a consideration of the cultural dynamics of Northern Ireland with respect to traditional music.

The Oxford History of the Irish Book, Volume IV

The Oxford History of the Irish Book, Volume IV
Author: James H. Murphy
Publisher: Oxford University Press
Total Pages: 754
Release: 2011-09
Genre: Business & Economics
ISBN: 0198187319

Volume IV: The Irish Book in English 1800-1891 details the story of the book in Ireland during the nineteenth century, when Ireland was integrated into the United Kingdom. The chapters in this volume explore book production and distribution and the differing of ways in which publishing existed in Dublin, Belfast, and the provinces.

Thomas Moore and Romantic Inspiration

Thomas Moore and Romantic Inspiration
Author: Sarah McCleave
Publisher: Routledge
Total Pages: 381
Release: 2017-08-18
Genre: Literary Criticism
ISBN: 1351984152

Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.