The Spectre of the Forest; Or, Annals of the Housatonic. A New-England Romance
Author | : Solomon SECONDSIGHT (pseud. [i.e. James MacHenry.]) |
Publisher | : |
Total Pages | : 248 |
Release | : 1824 |
Genre | : |
ISBN | : |
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Author | : Solomon SECONDSIGHT (pseud. [i.e. James MacHenry.]) |
Publisher | : |
Total Pages | : 248 |
Release | : 1824 |
Genre | : |
ISBN | : |
Author | : James M'Henry |
Publisher | : |
Total Pages | : 472 |
Release | : 1823 |
Genre | : American fiction |
ISBN | : |
Author | : James M'Henry |
Publisher | : |
Total Pages | : 258 |
Release | : 1823 |
Genre | : American fiction |
ISBN | : |
Author | : Christopher C. Apap |
Publisher | : University of New Hampshire Press |
Total Pages | : 298 |
Release | : 2016-03-10 |
Genre | : History |
ISBN | : 1611689260 |
The Genius of Place examines how, after the War of 1812, concerns about the scale of the nation resulted in a fundamental reorientation of American identity away from the Atlantic or global ties that held sway in the early republic and toward more localized forms of identification. Instead of addressing the sweep of the nation, American authors, artists, geographers, and politicians shifted from the larger reach of the globe to the more manageable scope of the local and sectional. Paradoxically, that local representation became the primary mode through which early Americans construed their emerging national identity. This newfound cultural obsession with locality impacted the literary consolidation and representation of key American imagined places - New England, the plantation, the West - in the decades between 1816 and 1836. Apap's examination of the intersections between local and national representations and exploration of the myths of space and place that shaped U.S. identity through the nineteenth century will appeal to a broad, interdisciplinary readership.
Author | : Peter Rawlings |
Publisher | : Routledge |
Total Pages | : 435 |
Release | : 2018-01-17 |
Genre | : Literary Criticism |
ISBN | : 1351223445 |
A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
Author | : Ina Bergmann |
Publisher | : Routledge |
Total Pages | : 266 |
Release | : 2020-12-29 |
Genre | : Literary Criticism |
ISBN | : 1000295621 |
The Nineteenth Century Revis(it)ed: The New Historical Fiction explores the renaissance of the American historical novel at the turn of the twenty-first century. The study examines the revision of nineteenth-century historical events in cultural products against the background of recent theoretical trends in American studies. It combines insights of literary studies with scholarship on popular culture. The focus of representation is the long nineteenth century – a period from the early republic to World War I – as a key epoch of the nation-building project of the United States. The study explores the constructedness of historical tradition and the cultural resonance of historical events within the discourse on the contemporary novel and the theory formation surrounding it. At the center of the discussion are the unprecedented literary output and critical as well as popular success of historical fiction in the USA since 1995. An additional postcolonial and transatlantic perspective is provided by the incorporation of texts by British and Australian authors and especially by the inclusion of insights from neo-Victorian studies. The book provides a critical comment on current and topical developments in American literature, culture, and historiography.
Author | : Ilya Zemtsov |
Publisher | : Transaction Publishers |
Total Pages | : 624 |
Release | : 1989-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9781412819459 |
Konstantin Ustinovich Chernenko. a figÂure wtm appeared to the outside worid as a commonplace Russian bureaucrat cut from the mold of a Gogol short story, was elevated in 1984 to the post of general secÂretary of the Communist party of the SoÂviet Union. Thus, a post held by such awesome, fearsome figures as Lenin and Stalin passed into the hands of someone perceived as a nondescript bureaucrat, deÂvoid of ideas or initiative, and crippled by old age and infirmity. A singular merit of this work is that it shows how far from the mark were these perceptions. This is the only full-length treatment of Chernenko. in contrast to the vast tomes written on his five predecessors as well as on the present incumbent, Mkrhail Gorbachev. The work delves into archival materials never before reported in either the East or West. The picture that emerges is not of some run-of-the-mill apÂparatchik, but of a figure who in the conÂtext of the Brezhnev era came forth with ideas that were revolutionary, at least in the sense of a realization of the deep malÂaise into which Soviet economy and soÂciety had fallen. Zemtsov's volume explains the paradox of a servile conservative member of th Politburo becoming an innovative, even courageous, leader during the thirteen fateful months he held Soviet power, ft is a tribute to this effort at reconstruction that what emerges is a rounded human being and not simply a political actor. This anaÂlytical study of the transformation of a peasant into a politician fills out a missing link without which the current impulse to reform in the U.S.S.R. is hard to underÂstand or appreciate
Author | : Oscar Wegelin |
Publisher | : |
Total Pages | : 52 |
Release | : 1913 |
Genre | : American fiction |
ISBN | : |
Author | : Lubbers |
Publisher | : BRILL |
Total Pages | : 328 |
Release | : 2023-10-09 |
Genre | : Art |
ISBN | : 9004649247 |
This volume examines the ways in which attempts to define and delimit American nationhood effected imaginative and documentary conceptualizations of the Native American population. Far-reaching in its scope, both in terms of the period covered - roughly the period from the Declaration of Independence to the closing of the frontier - and in terms of the variety and kinds of documents examined, this study calls attention to the cultural and generic restraints that prevented visual and literary artists, as well as statesmen and community leaders, from adopting any position toward Native Americans other than a prejudicial one.