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| Author | : Marilyn Nonken |
| Publisher | : Cambridge University Press |
| Total Pages | : 209 |
| Release | : 2014-03-13 |
| Genre | : Music |
| ISBN | : 1107018544 |
Marilyn Nonken finds precedent in the works of pianist-composers Liszt, Scriabin and Debussy for spectral attitudes towards the musical experience.
| Author | : Liam Cagney |
| Publisher | : Cambridge University Press |
| Total Pages | : 315 |
| Release | : 2023-11-30 |
| Genre | : Music |
| ISBN | : 1009399527 |
The first in-depth historical overview of how spectral music arose in France: the most influential European compositional movement of the past fifty years.
| Author | : Music Educators National Conference (U.S.) |
| Publisher | : Oxford University Press |
| Total Pages | : 1249 |
| Release | : 2002-04-18 |
| Genre | : Education |
| ISBN | : 0195138848 |
Featuring chapters by the world's foremost scholars in music education and cognition, this handbook is a convenient collection of current research on music teaching and learning. This comprehensive work includes sections on arts advocacy, music and medicine, teacher education, and studio instruction, among other subjects, making it an essential reference for music education programs. The original Handbook of Research on Music Teaching and Learning, published in 1992 with the sponsorship of the Music Educators National Conference (MENC), was hailed as "a welcome addition to the literature on music education because it serves to provide definition and unity to a broad and complex field" (Choice). This new companion volume, again with the sponsorship of MENC, explores the significant changes in music and arts education that have taken place in the last decade. Notably, several chapters now incorporate insights from other fields to shed light on multi-cultural music education, gender issues in music education, and non-musical outcomes of music education. Other chapters offer practical information on maintaining musicians' health, training music teachers, and evaluating music education programs. Philosophical issues, such as musical cognition, the philosophy of research theory, curriculum, and educating musically, are also explored in relationship to policy issues. In addition to surveying the literature, each chapter considers the significance of the research and provides suggestions for future study.Covering a broad range of topics and addressing the issues of music education at all age levels, from early childhood to motivation and self-regulation, this handbook is an invaluable resource for music teachers, researchers, and scholars.
| Author | : Polina Dimova |
| Publisher | : Penn State Press |
| Total Pages | : 315 |
| Release | : 2024-12-03 |
| Genre | : Art |
| ISBN | : 0271099577 |
Inspired by Richard Wagner’s idea of the total artwork, European modernist artists began to pursue multimedia projects that mixed colors, sounds, and shapes. Polina Dimova’s At the Crossroads of the Senses traces this new sensory experience of synaesthesia—the physiological or figurative blending of senses—as a modernist phenomenon from its scientific description in the late nineteenth century to its prevalence in the early twentieth. Structured around twenty theses on synaesthesia, this book explores the integral relationship between modernist art, science, and technology, tracing not only how modernist artists perceptually internalized and absorbed technology and its effects but also how they appropriated it to achieve their own aesthetic, metaphysical, and social goals. Through case studies of prominent multimodal artists—Oscar Wilde, Aubrey Beardsley, Richard Strauss, Aleksandr Scriabin, Wassily Kandinsky, František Kupka, Andrei Bely, and Rainer Maria Rilke—At the Crossroads of the Senses reveals the color-forms and color-sounds that, for these artists, laid the foundations of the world and served as the catalyst for the flourishing exchanges among the arts at the fin de siècle. Rooted in archival research in France, Germany, Russia, and the Czech Republic, At the Crossroads of the Senses taps overlooked scientific sources to offer a fresh perspective on European modernism. Sensory studies scholars, literary critics, and art and music historians alike will welcome its many contributions, not least among them a refreshing advocacy for a kind of sensuous reading practice.
| Author | : Richard Stevenson |
| Publisher | : SCB Distributors |
| Total Pages | : 908 |
| Release | : 2019-02-28 |
| Genre | : Music |
| ISBN | : 1909394637 |
Spectrum: Ambient/ Industrial/ Experimental Music Culture Magazine was one of the most well respected underground zines dealing with post-industrial music in the late 1990s to early 2000s, with a particular focus on the dark ambient, death industrial, heavy electronics, power electronics, neo-classical, martial industrial and neo-folk genres. This book reproduces all five issues of the rare, out of print Spectrum magazine, plus the unpublished issue No 6. It also includes much new material that puts the music scene and its culture into perspective. Featured interviews: Bad Sector / Black Lung / Brighter Death Now / Caul / Cold Spring / Crowd Control Activities / C17H19No3 / Death In June / Der Blutharsch / Desiderii Marginis / Deutsch Nepal / Dream Into Dust / Endvra / Folkstorm / Genocide Organ / Gruntsplatter / Hazard / House Of Low Culture / I-Burn / Ildfrost / Imminent Starvation / Inade / IRM / Iron Halo Device / Isomer / John Murphy / Kerovnian / Knifeladder / LAW / Malignant Records / Megaptera / Middle Pillar / Militia / MZ.412 / Navicon Torture Technologies / Nový Sv?t / Ordo Equilibrio / The Protagonist / Raison D’être / Sanctum / Schloss Tegal / Shining Vril / Shinjuku Thief / Skincage / Slaughter Productions / Spectre / StateArt / Stone Glass Steel / Stratvm Terror / Terra Sancta / Tertium Non Data / Toroidh / Tribe Of Circle / Warren Mead / Vox Barbara / Yen Pox.
| Author | : André Brown |
| Publisher | : Thomas Telford |
| Total Pages | : 196 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : 9780727727701 |
Like his great predecessors, whether Brunel or Brunelleschi, Peter Rice is able to step outside the confines of his professional training, transferring technical problems into practical solutions. His design combines order with delight, science with art. - Richard Rogers Known for his work on major projects such as the Centre Pompidou, Sydney Opera House and Lloyd's Building, Peter Rice received international acclaim as one of the great engineers of the 20th century. His collaborations with some of the leading architects of our time, including Renzo Piano, Richard Rogers, Frei Otto, I. M. Pei, Norman Foster and Bernard Tschumi, have created memorable landmark structures which are justifiably famous for their style and innovation. Rice believed that the role of engineering was to enable the most exciting pieces of architecture to be realised. His collaborators came to learn that if anyone could make their ideas work it would be Peter Rice. His adoption of a fresh approach for each project was calculated to produce the best possible building and was combined with a respect for the role of the architect. Over time, this method resulted in an inspirational body of innovative work. This
| Author | : Christopher Baugh |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 308 |
| Release | : 2014-01-07 |
| Genre | : Performing Arts |
| ISBN | : 1137109432 |
Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice. Chris Baugh explores how developments and changes in technology have been reflected in scenography throughout history. Taking into account the latest research, his new edition examines moving light technologies, the internet as a platform of performance, urban scenography and how scenography has developed as a collaborative practice.
| Author | : Schwann Publications |
| Publisher | : |
| Total Pages | : 664 |
| Release | : 1996-11 |
| Genre | : Music |
| ISBN | : 9781575980386 |
| Author | : Makis Solomos |
| Publisher | : Routledge |
| Total Pages | : 235 |
| Release | : 2019-10-28 |
| Genre | : Music |
| ISBN | : 0429575017 |
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
| Author | : Bill Shoemaker |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 237 |
| Release | : 2023 |
| Genre | : Avant-garde (Music) |
| ISBN | : 1538178788 |
"Radical Music in the United Kingdom during Brexit and the Pandemic examines the work of select composers, improvisers, and interpreters during the upheaval of Brexit and the COVID-19 pandemic and places them in contemporary and historical contexts"--
