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| Author | : Natalie Koch |
| Publisher | : Cornell University Press |
| Total Pages | : 211 |
| Release | : 2018-06-15 |
| Genre | : History |
| ISBN | : 1501720929 |
"Develops a geographic approach to the politics of spectacle and its unspectacular Others through examining recent spectacular capital city development projects in seven authoritarian, resource-rich states of Central Asia, the Arabian Peninsula, and East Asia"--
| Author | : Jim Igoe |
| Publisher | : University of Arizona Press |
| Total Pages | : 177 |
| Release | : 2017-09-12 |
| Genre | : Business & Economics |
| ISBN | : 0816530440 |
"A thoughtful treatise on how popular representations of nature, through entertainment and tourism, shape how we imagine environmental problems and their solutions"--Provided by publisher.
| Author | : Guy Debord |
| Publisher | : Bread and Circuses Publishing |
| Total Pages | : 164 |
| Release | : 2012-10-01 |
| Genre | : Political Science |
| ISBN | : 1617508306 |
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
| Author | : Lisa Blackmore |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 264 |
| Release | : 2017-07-22 |
| Genre | : History |
| ISBN | : 0822982366 |
In cultural history, the 1950s in Venezuela are commonly celebrated as a golden age of modernity, realized by a booming oil economy, dazzling modernist architecture, and nationwide modernization projects. But this is only half the story. In this path-breaking study, Lisa Blackmore reframes the concept of modernity as a complex cultural formation in which modern aesthetics became deeply entangled with authoritarian politics. Drawing on extensive archival research and presenting a wealth of previously unpublished visual materials, Blackmore revisits the decade-long dictatorship to unearth the spectacles of progress that offset repression and censorship. Analyses of a wide range of case studies—from housing projects to agricultural colonies, urban monuments to official exhibitions, and carnival processions to consumerculture—reveal the manifold apparatuses that mythologized visionary leadership, advocated technocratic development, and presented military rule as the only route to progress. Offering a sharp corrective to depoliticized accounts of the period, Spectacular Modernity instead exposes how Venezuelans were promised a radically transformed landscape in exchange for their democratic freedoms.
| Author | : David Lasser |
| Publisher | : Burlington, Ont. : Apogee Books |
| Total Pages | : 0 |
| Release | : 2002 |
| Genre | : Astronautics |
| ISBN | : 9781896522920 |
David Lasser stands as one of the least-known but extraordinary pioneers of spaceflight. In 1930 he founded the American Interplanetary Society (AIAA) -- the same year he wrote this book -- the first book ever written in the English language to address the notion of spaceflight as a serious possibility. The book has not been in print since 1931 and yet it still stands up to scrutiny. The lucid style with which Lasser explains the basic concepts of rocketry make it a delight for anyone to read.
| Author | : Marco Briziarelli |
| Publisher | : University of Westminster Press |
| Total Pages | : 253 |
| Release | : 2017-12-17 |
| Genre | : Social Science |
| ISBN | : 1911534459 |
Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord’s original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book’s two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord’s concept is arguably more relevant than ever.
| Author | : Dominique Bauer |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-05-29 |
| Genre | : |
| ISBN | : 9789463720908 |
This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.
| Author | : Guy Debord |
| Publisher | : Unredacted Word |
| Total Pages | : 227 |
| Release | : 2021-04-01 |
| Genre | : Philosophy |
| ISBN | : 1736961829 |
Debord describes and critiques the way we live. The power in these ideas lies in their ability to question, identify, and name the common assumptions of the present. Developing the concept of The Spectacle, he describes the “gaze” of contemporary society. From its publication just before, and ultimately influencing the May 1968 revolt in Paris and Occupy Wall Street, this book continues to transform a wide range of progressive philosophical and political movements, most notably anti-capitalism, postmodernism, marxism, and anarchism. This new translation brings a concrete edge to the text, elaborating upon the original, and adding annotations. Bringing fifty years of prominent radical thinking back to the text, from Baudrillard to Odell to Zuboff—it’s clear that Debords’ book is more relevant in the era of social media, the attention economy, and the emergence of Surveillance Capitalism than ever before.
| Author | : Estella Antoaneta Ciobanu |
| Publisher | : Editura Lumen |
| Total Pages | : 402 |
| Release | : 2012 |
| Genre | : Art, Medieval |
| ISBN | : 9731663150 |
The volume The Spectacle of the Body in Late Medieval England represents a study on the human body representation in medieval England by approaching the concept of the spectacle as a space of manifestation. The author clarifies the ways of understanding the body as a physical and metaphorical reality, but also the medieval conceptualization of violence. On top of that, the author is making an investigation on the violent character of spectacles' representation in pursuit of picturing this subject more clearly and more relevant. The approach of the volume is dominantly Christian reviewing the representations of the body through outstanding figures of Christianity (crucifixion of Jesus Christ, body of Virgin Mary).
| Author | : Alessandra Buccheri |
| Publisher | : Routledge |
| Total Pages | : 216 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351540432 |
The studies in which history of art and theatre are considered together are few, and none to date investigate the evolution of the representation of clouds from the early Renaissance to the Baroque period. This book reconsiders the origin of Italian Renaissance and Baroque cloud compositions while including the theatrical tradition as one of their most important sources. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and relevant treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy?s visual culture. The book also offers new insights into Leonardo da Vinci?s theatrical works, Raphael?s Disputa, Vasari?s Lives, and Pietro da Cortona?s fresco paintings. The Spectacle of Clouds, 1439-1650 examines the different ways Heaven has been conceived, imagined and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy.
