The Spectacle Of Empire
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Author | : Christopher A. Frilingos |
Publisher | : University of Pennsylvania Press |
Total Pages | : 194 |
Release | : 2004-10-06 |
Genre | : Religion |
ISBN | : 0812238222 |
The author reads the Book of Revelation as a text firmly situated in the world of imperial Roman Asia Minor, where it was written. He argues that Revelation is a Christian version of that world, complete with its own gladiatorial combats and other public spectacles.
Author | : Jan Morris |
Publisher | : London ; Boston : Faber and Faber |
Total Pages | : 264 |
Release | : 1982 |
Genre | : History |
ISBN | : |
Author | : Chris Hedges |
Publisher | : Knopf Canada |
Total Pages | : 242 |
Release | : 2009-07-28 |
Genre | : Social Science |
ISBN | : 0307398587 |
Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.
Author | : Marc Lescarbot |
Publisher | : Boston : Printed by the Riverside Press for Houghton Mifflin |
Total Pages | : 88 |
Release | : 1927 |
Genre | : Canada |
ISBN | : |
Author | : Elisa deCourcy |
Publisher | : Routledge |
Total Pages | : 174 |
Release | : 2020-11-23 |
Genre | : Art |
ISBN | : 1000209873 |
James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.
Author | : Katherine M. D. Dunbabin |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Art and society |
ISBN | : 9780801456886 |
Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events.Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.
Author | : Marc Lescarbot |
Publisher | : |
Total Pages | : 124 |
Release | : 2006 |
Genre | : Drama |
ISBN | : |
Arguably the first North American play, this edition includes the original French script, an extensive historical, critical introduction and more.
Author | : Guy Debord |
Publisher | : Bread and Circuses Publishing |
Total Pages | : 154 |
Release | : 2012-10-01 |
Genre | : Political Science |
ISBN | : 1617508306 |
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author | : Rachel Cowgill |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 332 |
Release | : 2006 |
Genre | : Music |
ISBN | : 9780754652083 |
This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The volume benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture.
Author | : Chanon Ross |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 162 |
Release | : 2014-11-18 |
Genre | : Religion |
ISBN | : 1630876690 |
Spectacles designed to capture our attention surround us. Marketing, movies, shopping malls, concerts, and virtual realities capture our imaginations and cultivate our desires. We live in a "society of the spectacle." However, is the power and prevalence of spectacle unique to the modern era? In the pages of Gifts Glittering and Poisoned, early Christian voices echo across the centuries to show that the society of the spectacle is not new. Our era resembles a time when the spectacular entertainments of ancient Rome had a profound effect on every aspect of social life. By drawing on the rich theology and witness of early Christianity, Gifts Glittering and Poisoned asks what it means for us to live in a new era of empire and spectacle. Through Augustine's description of the demonic, it shows how consumerism constructs a sophisticated symbolic order, a "society of the spectacle," that corrupts our deepest longings for God.