Civil War Poetry

Civil War Poetry
Author: Paul Negri
Publisher: Courier Corporation
Total Pages: 131
Release: 2012-06-07
Genre: Poetry
ISBN: 0486112179

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.

America at War

America at War
Author: Lee Bennett Hopkins
Publisher: Simon and Schuster
Total Pages: 108
Release: 2008-03-04
Genre: Juvenile Nonfiction
ISBN: 1416918329

A collection of poems about America at war from the Revolution to the Iraq war.

Cold War Poetry

Cold War Poetry
Author: Edward Brunner
Publisher: University of Illinois Press
Total Pages: 330
Release: 2001
Genre: History
ISBN: 9780252072178

Mainstream American poetry of the 1950s has long been dismissed as deliberately indifferent to its cultural circumstances. In this penetrating study, Edward Brunner breaks the placid surface of the hollow decade to reveal a poetry sharply responsive to issues of its time. Cold War Poetry considers the fifties poem as part of a dual cultural project: as proof of the competency of the newly professionalized poet and as a user-friendly way of initiating a newly educated, upwardly mobile postwar audience into high culture. Brunner revisits Richard Wilbur, Randall Jarrell, and other acknowledged leaders of the period as well as neglected writers such as Rosalie Moore, V. R. Lang, Katherine Hoskins, Melvin B. Tolson, and Hyam Plutzik. He also examines the one-sided authority of the (male-dominated) book review process, the ostracizing of female and minority poets, poetic fads such as the ubiquitous sestina, and the power of the classroom anthology to establish criteria for reading. Attributing the gradual change in poetic style during the 1950s to the slow collapse of the authority of the state, Brunner shows how a secretive, anxious poetics developed in the shadow of a disabled government. He recontextualizes the much-maligned domestic verse of the 1950s, reading its shift toward the private sphere and the recurrent image of the child as a reflection of the powerlessness of the post-nuclear citizen. Through a close examination of poetry written about the Bomb, he delineates how poets registered their growing sense of cosmic disorder in coded language, resorting to subterfuge to continue their critique in the face of sanctions levied against those who questioned government policies. Brilliantly decoding the politics embedded in the poetry of an ostensibly apolitical time, Cold War Poetry provides a powerful rereading of a pivotal decade.

American War Poetry

American War Poetry
Author: Lorrie Goldensohn
Publisher: Columbia University Press
Total Pages: 460
Release: 2006
Genre: Literary Criticism
ISBN: 9780231133104

Arranged by war, the book begins with the Colonial period and proceeds through Whitman admiring Civil War soldiers crossing a river to end with Brian Turner, who published his first book in 2005, beckoning a bullet in contemporary Iraq.

War Poetry of the South

War Poetry of the South
Author: Various Authors
Publisher: Library of Alexandria
Total Pages: 882
Release:
Genre: Poetry
ISBN:

Several considerations have prompted the editor of this volume in the compilation of its pages. It constitutes a contribution to the national literature which is assumed to be not unworthy of it, and which is otherwise valuable as illustrating the degree of mental and art development which has been made, in a large section of the country, under circumstances greatly calculated to stimulate talent and provoke expression, through the higher utterances of passion and imagination. Though sectional in its character, and indicative of a temper and a feeling which were in conflict with nationality, yet, now that the States of the Union have been resolved into one nation, this collection is essentially as much the property of the whole as are the captured cannon which were employed against it during the progress of the late war. It belongs to the national literature, and will hereafter be regarded as constituting a proper part of it, just as legitimately to be recognized by the nation as are the rival ballads of the cavaliers and roundheads, by the English, in the great civil conflict of their country. The emotional literature of a people is as necessary to the philosophical historian as the mere details of events in the progress of a nation. This is essential to the reputation of the Southern people, as illustrating their feelings, sentiments, ideas, and opinions--the motives which influenced their actions, and the objects which they had in contemplation, and which seemed to them to justify the struggle in which they were engaged. It shows with what spirit the popular mind regarded the course of events, whether favorable or adverse; and, in this aspect, it is even of more importance to the writer of history than any mere chronicle of facts. The mere facts in a history do not always, or often, indicate the true animus, of the action. But, in poetry and song, the emotional nature is apt to declare itself without reserve--speaking out with a passion which disdains subterfuge, and through media of imagination and fancy, which are not only without reserve, but which are too coercive in their own nature, too arbitrary in their influence, to acknowledge any restraints upon that expression, which glows or weeps with emotions that gush freely and freshly from the heart. With this persuasion, we can also forgive the muse who, in her fervor, is sometimes forgetful of her art. And yet, it is believed that the numerous pieces of this volume will be found creditable to the genius and culture of the Southern people, and honorable, as in accordance with their convictions. They are derived from all the States of the late Southern Confederacy, and will be found truthfully to exhibit the sentiment and opinion prevailing more or less generally throughout the whole. The editor has had special advantages in making the compilation. Having a large correspondence in most of the Southern States, he has found no difficulty in procuring his material. Contributions have poured in upon him from all portions of the South; the original publications having been, in a large number of cases, subjected to the careful revision of the several authors. It is a matter of great regret with him that the limits of the present volume have not suffered him to do justice to, and find a place for, many of the pieces which fully deserve to be put on record. Some of the poems were quite too long for his purpose; a large number, delayed by the mails and other causes, were received too late for publication. Several collections, from Louisiana, North Carolina, and Texas, especially, are omitted for this reason. Many of these pieces are distinguished by fire, force, passion, and a free play of fancy. Briefly, his material would enable him to prepare another volume, similar to the present, which would not be unworthy of its companionship. He is authorized by his publisher to say that, in the event of the popular success of the present volume, he will cheerfully follow up its publication by a second, of like style, character, and dimensions.