The Sound Of Painting
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Author | : Wassily Kandinsky |
Publisher | : Yale University Press |
Total Pages | : 153 |
Release | : 2019-09-13 |
Genre | : Art |
ISBN | : 0300238495 |
Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.
Author | : Peter Vergo |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2012-01-09 |
Genre | : Art |
ISBN | : 9780714863863 |
Composers and artists have always borrowed from each other. Peter Vergo, for the first time, offers an in-depth study of how and why, in the modernist era, music and painting became intertwined. Artist-composer relationships examined include Debussy's interest in Whistler, Tuner, and Monet, Franz Liszt's fascination with Raphael and Michelangelo, Kandinsky with Schoenberg and Paul Klee's influence from Polyphonic music. How artists attempted to translate musical rhythms, and structures into painting and how musicians developed visual themes, all within the backdrop to modernism, as time of huge change in freedoms, industry, expression, ideological frameworks, and artistic practice.
Author | : Stephen Walsh |
Publisher | : Vintage |
Total Pages | : 371 |
Release | : 2018-10-23 |
Genre | : Biography & Autobiography |
ISBN | : 1524731935 |
One of the most revered composers of the twentieth century, Claude Debussy (1862–1918) achieved the unheard of: he reinvented the language of music without alienating the majority of music lovers. Debussy drove French music into entirely new regions of beauty and excitement at a time when old traditions threatened to stifle it. Yet despite his profound influence on French culture, Debussy’s own life was complicated and often troubled by struggles over money, women, and ill health. Here, Stephen Walsh, acclaimed author of Stravinsky, chronicles both the composer himself and the unique moment in European history that bore him. Walsh’s engagingly original approach is to enrich a lively biography with analyses of Debussy’s music: from his first daring breaks with the rules as a Conservatoire student to his achievements as the greatest French composer of his time.
Author | : Andrea Davis Pinkney |
Publisher | : Turtleback Books |
Total Pages | : |
Release | : 2006-12-12 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781417728831 |
A brief recounting of the career of this jazz musician and composer who, along with his orchestra, created music that was beyond category.
Author | : Barb Rosenstock |
Publisher | : Knopf Books for Young Readers |
Total Pages | : 41 |
Release | : 2014-02-11 |
Genre | : Juvenile Nonfiction |
ISBN | : 0307978508 |
A Caldecott Honor Book Vasya Kandinsky was a proper little boy: he studied math and history, he practiced the piano, he sat up straight and was perfectly polite. And when his family sent him to art classes, they expected him to paint pretty houses and flowers—like a proper artist. But as Vasya opened his paint box and began mixing the reds, the yellows, the blues, he heard a strange sound—the swirling colors trilled like an orchestra tuning up for a symphony! And as he grew older, he continued to hear brilliant colors singing and see vibrant sounds dancing. But was Vasya brave enough to put aside his proper still lifes and portraits and paint . . . music? In this exuberant celebration of creativity, Barb Rosenstock and Mary GrandPré tell the fascinating story of Vasily Kandinsky, one of the very first painters of abstract art. Throughout his life, Kandinsky experienced colors as sounds, and sounds as colors—and bold, groundbreaking works burst forth from his noisy paint box. Backmatter includes four paintings by Kandinsky, an author’s note, sources, links to websites on synesthesia and abstract art.
Author | : Brandon LaBelle |
Publisher | : A&C Black |
Total Pages | : 344 |
Release | : 2006-01-01 |
Genre | : Music |
ISBN | : 9780826418449 |
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework
Author | : Richard Schmid |
Publisher | : |
Total Pages | : 193 |
Release | : 1998 |
Genre | : Painting |
ISBN | : 9780966211702 |
Author | : Leo G. Mazow |
Publisher | : Penn State Press |
Total Pages | : 218 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0271050837 |
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
Author | : Malachy Doyle |
Publisher | : |
Total Pages | : 29 |
Release | : 2012 |
Genre | : Children's stories |
ISBN | : 9781406319453 |
A heart warming read-aloud (shout-aloud!) comedy from Malachy Doyle, boldly illustrated by Ed Vere, about a very noisy family and a very quiet middle child... who just wants some PEACE!
Author | : Seth Kim-Cohen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 292 |
Release | : 2009-07-01 |
Genre | : Art |
ISBN | : 1441183078 |
An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. Artists discussed include: George Brecht John Cage Janet Cardiff Marcel Duchamp Bob Dylan Valie Export Luc Ferrari Jarrod Fowler Jacob Kirkegaard Alvin Lucier Robert Morris Muddy Waters John Oswald Marina Rosenfeld Pierre Schaeffer Stephen Vitiello La Monte Young