The Soul Of A Black Poet Two Black Kings Soul
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| Author | : Khanye Tsebo |
| Publisher | : Lulu.com |
| Total Pages | : 208 |
| Release | : 2019-03-11 |
| Genre | : Poetry |
| ISBN | : 0359497217 |
This is a collection of my poems I've written throughout the years, I've been writing since I was 11 in the 6th grade dealing with depression, puppy love, fake love, and true love, dealing with what it means to be a Black Poet. Dealing with what it means to be a Black King in a society that tells you that you have no history. Then having to relearn everything from the true beginning.
| Author | : Gayle Wald |
| Publisher | : Duke University Press |
| Total Pages | : 277 |
| Release | : 2015-04-25 |
| Genre | : Performing Arts |
| ISBN | : 082237580X |
Soul! was where Stevie Wonder and Earth, Wind & Fire got funky, where Toni Morrison read from her debut novel, where James Baldwin and Nikki Giovanni discussed gender and power, and where Amiri Baraka and Stokely Carmichael enjoyed a sympathetic forum for their radical politics. Broadcast on public television between 1968 and 1973, Soul!, helmed by pioneering producer and frequent host Ellis Haizlip, connected an array of black performers and public figures with a black viewing audience. In It's Been Beautiful, Gayle Wald tells the story of Soul!, casting this influential but overlooked program as a bold and innovative use of television to represent and critically explore black identity, culture, and feeling during a transitional period in the black freedom struggle.
| Author | : William Edward Burghardt Du Bois |
| Publisher | : |
| Total Pages | : 1458 |
| Release | : 1921 |
| Genre | : African Americans |
| ISBN | : |
| Author | : George Southcombe |
| Publisher | : Taylor & Francis |
| Total Pages | : 430 |
| Release | : 2024-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 1040237428 |
The multi-faceted nature of dissenting verse is demonstrated, from the sonnets of the Quaker Martin Mason to the self-consciously 'witty' acrostic used to commemorate the Fifth Monarchist Vavasor Powell's death, to the Quaker schismatic John Perrot's 'A sea of the seed's sufferings'.
| Author | : John Bartlett |
| Publisher | : |
| Total Pages | : 1934 |
| Release | : 1894 |
| Genre | : |
| ISBN | : |
| Author | : Robert Chambers |
| Publisher | : |
| Total Pages | : 764 |
| Release | : 1847 |
| Genre | : Authors, English |
| ISBN | : |
| Author | : Samuel Orchart Beeton |
| Publisher | : |
| Total Pages | : 786 |
| Release | : 1873 |
| Genre | : American poetry |
| ISBN | : |
| Author | : John Bartlett |
| Publisher | : |
| Total Pages | : 1930 |
| Release | : 1889 |
| Genre | : |
| ISBN | : |
| Author | : Alejandro Nava (Author on hip hop) |
| Publisher | : Univ of California Press |
| Total Pages | : 290 |
| Release | : 2017-09-05 |
| Genre | : Music |
| ISBN | : 0520293533 |
In Search of Soul explores the meaning of “soul” in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the “soul” revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
| Author | : Maurice O. Wallace |
| Publisher | : Duke University Press |
| Total Pages | : 232 |
| Release | : 2022-07-29 |
| Genre | : Social Science |
| ISBN | : 147802299X |
In King’s Vibrato Maurice O. Wallace explores the sonic character of Martin Luther King Jr.’s voice and its power to move the world. Providing a cultural history and critical theory of the black modernist soundscapes that helped inform King’s vocal timbre, Wallace shows how the qualities of King’s voice depended on a mix of ecclesial architecture and acoustics, musical instrumentation and sound technology, audience and song. He examines the acoustical architectures of the African American churches where King spoke and the centrality of the pipe organ in these churches, offers a black feminist critique of the influence of gospel on King, and outlines how variations in natural environments and sound amplifications made each of King’s three deliveries of the “I Have a Dream” speech unique. By mapping the vocal timbre of one of the most important figures of black hope and protest in American history, Wallace presents King as the embodiment of the sound of modern black thought.
