The Social Psychological And Cultural Significance Of Westerns
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| Author | : Arthur Asa Berger |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 131 |
| Release | : 2023-04-26 |
| Genre | : Fiction |
| ISBN | : 1527502546 |
This book is about cowboy Western books and two important Western films, Shane and High Noon. Its focus is on the psychological, social, and cultural significance of Westerns, a narrative genre of major importance in American popular culture. What you will find, as you read this book, is that while the stories may have relatively simple plot lines, compared to classic novels, and are based on certain formulas, their psychological significance and cultural importance is a very complicated matter. Fans of Westerns read them to entertain themselves but, as will be shown—in considerable detail—there’s more to reading Westerns, or any novel, than meets the eye. This text presents the idea that people read Westerns because these stories provide certain psychological and social pleasures, payoffs, and benefits.
| Author | : Robert B. Pippin |
| Publisher | : Yale University Press |
| Total Pages | : 188 |
| Release | : 2010-06-22 |
| Genre | : Political Science |
| ISBN | : 0300145780 |
In this pathbreaking book one of America’s most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks’ Red River and John Ford’s The Man Who Shot Liberty Valance and The Searchers.Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its “second founding,” or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state’s claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected.Pippin’s account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy.
| Author | : Barry Keith Grant |
| Publisher | : University of Texas Press |
| Total Pages | : 305 |
| Release | : 2016-11-08 |
| Genre | : Performing Arts |
| ISBN | : 1477311084 |
Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, Andr� Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture.
| Author | : Janet Walker |
| Publisher | : Routledge |
| Total Pages | : 273 |
| Release | : 2013-11-26 |
| Genre | : Social Science |
| ISBN | : 1135204705 |
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : R. Philip Loy |
| Publisher | : McFarland |
| Total Pages | : 281 |
| Release | : 2015-10-05 |
| Genre | : Performing Arts |
| ISBN | : 0786481153 |
Many people have fond memories of Friday nights and Saturday afternoons spent in theatres watching cowboy stars of the 1930s, 1940s, and 1950s chase villains across the silver screen or help a heroine out of harm's way. Over 2,600 Westerns were produced between 1930 and 1955 and they became a defining part of American culture. This work focuses on the idea that Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior, and thus examines the ways in which Western movies reflected American life and culture during this quarter century. Chapters discuss such topics as the ways that Westerns included current events in film plot and dialogue, reinforced the role of Christianity in American culture, reflected the emergence of a strong central government, and mirrored attitudes toward private enterprise. Also covered is how Westerns represented racial minorities, women, and Indians.
| Author | : Scott Simmon |
| Publisher | : Cambridge University Press |
| Total Pages | : 420 |
| Release | : 2003-06-30 |
| Genre | : Performing Arts |
| ISBN | : 9780521555814 |
| Author | : Christine Bold |
| Publisher | : Oxford University Press |
| Total Pages | : 319 |
| Release | : 2013-02-21 |
| Genre | : Fiction |
| ISBN | : 0199731799 |
The Frontier Club delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western.
| Author | : Hector Grad |
| Publisher | : Garland Science |
| Total Pages | : 246 |
| Release | : 2021-09-16 |
| Genre | : Technology & Engineering |
| ISBN | : 1000142574 |
These proceedings are organized into six parts, covering conceptual and methodological issues; consequences of acculturation; cognitive processes; values; social psychology; and personality, developmental psychology and health psychology.
| Author | : Karen R. Jones |
| Publisher | : Edinburgh University Press |
| Total Pages | : 352 |
| Release | : 2009-03-21 |
| Genre | : History |
| ISBN | : 0748629734 |
The American West used to be a story of gunfights, glory, wagon trails, and linear progress. Historians such as Frederick Jackson Turner and Hollywood movies such as Stagecoach (1939) and Shane (1953) cast the trans-Mississippi region as a frontier of epic proportions where 'savagery' met 'civilization' and boys became men.During the late 1980s, this old way of seeing the West came under heavy fire. Scholars such as Patricia Nelson Limerick and Richard White forged a fresh story of the region, a new vision of the West, based around the conquest of peoples and landscapes.This book explores the bipolar world of Turner's Old West and Limerick's New West and reveals the values and ambiguities associated with both historical traditions. Sections on Lewis and Clark, the frontier and the cowboy sit alongside work on Indian genocide and women's trail diaries. Images of the region as seen through the arcade Western, Hollywood film and Disney theme parks confirm the West as a symbolic and contested landscape.Tapping into popular fascination with the Cowboy, Hollywood movies, the Indian Wars, and Custer's Last Stand, the authors show the reader how to deconstruct the imagery and reality surrounding Western history.Key Features*Uses popular subjects (the Cowboy, Hollywood westerns, the Indian Wars, and Custer's Last Stand) to enliven the text*Includes 13 b+w illustrations*Interdisciplinary approach covers film, literature, art and historical artefacts
| Author | : Richard Nisbett |
| Publisher | : Hachette UK |
| Total Pages | : 295 |
| Release | : 2011-01-11 |
| Genre | : Psychology |
| ISBN | : 1857884191 |
When Richard Nisbett showed an animated underwater scene to his American students, they zeroed in on a big fish swimming among smaller fish. Japanese subjects, on the other hand, made observations about the background environment...and the different "seeings" are a clue to profound underlying cognitive differences between Westerners and East Asians. As Professor Nisbett shows in The Geography of Thought people actually think - and even see - the world differently, because of differing ecologies, social structures, philosophies, and educational systems that date back to ancient Greece and China, and that have survived into the modern world. As a result, East Asian thought is "holistic" - drawn to the perceptual field as a whole, and to relations among objects and events within that field. By comparison to Western modes of reasoning, East Asian thought relies far less on categories, or on formal logic; it is fundamentally dialectic, seeking a "middle way" between opposing thoughts. By contrast, Westerners focus on salient objects or people, use attributes to assign them to categories, and apply rules of formal logic to understand their behaviour.
