The Sixteenth and Seventeenth-Century Miniatures

The Sixteenth and Seventeenth-Century Miniatures
Author: Graham Reynolds
Publisher:
Total Pages: 319
Release: 1999
Genre: Art
ISBN: 9780500974827

The Royal Collection contains one of the largest and most comprehensive groups of miniatures in existence. This catalogue describes portraits dating from the origins of the art in the 1520s up to the end of the seventeenth century, and includes more than 400 examples, all reproduced in color and most shown at actual size. Artists painting miniatures during the Tudor and Stuart period are particularly well represented, and the illustrations include outstanding works by Lucas Horenbout, Hans Holbein the Younger, Nicholas Hilliard, and others.Portraits of virtually every British sovereign from Henry VII to Queen Anne are included, as are Louis XIV and his court. There are likenesses of literary and religious figures as well as people associated with major historical events, making the catalogue a valuable resource for historians and specialists in the fields of costume, arms and armor, and insignia.

The Sixteenth and Seventeenth-century Miniatures in the Collection of Her Majesty the Queen

The Sixteenth and Seventeenth-century Miniatures in the Collection of Her Majesty the Queen
Author: Graham Reynolds
Publisher: Royal Collection Trust
Total Pages: 328
Release: 1999
Genre: Antiques & Collectibles
ISBN:

The Royal Collection contains a comprehensive group of miniatures. This catalogue describes the portrait miniatures dating from the origins of the art in the 1520s up to the end of the 17th century. Over 450 examples are included, and each is reproduced in colour, and most are actual size. The catalogue contains work by Lucas Horenbout, Hans Holbein the Younger, Nicholas Hilliard, Isaac Oliver, John Hoskins, Jean Petitot, Samuel Cooper and Charles Boit. There are portraits of virtually every sovereign from Henry VII to Queen Anne; Louis XIV and his court are well-represented, as is the house of Brunswick-Luneberg. There are likenesses too of major literary and religious figures of the period, as well as people associated with major historical events.

Perfect Likeness

Perfect Likeness
Author: Cincinnati Art Museum
Publisher: Yale University Press
Total Pages: 356
Release: 2006-01-01
Genre: Art
ISBN: 0300115806

Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.

Elizabeth's Rival

Elizabeth's Rival
Author: Nicola Tallis
Publisher: Simon and Schuster
Total Pages: 393
Release: 2018-03-06
Genre: History
ISBN: 1681777142

A kinswoman to Elizabeth I, Lettice Knollys had begun the Queen’s glittering reign basking in favor and success. It was an honor that she would enjoy for two decades. However, on the morning of September 21st, 1578, Lettice made a fateful decision. When the Queen learned of it, the consequences were swift. Lettice had dared to marry without the Queen’s consent. But worse, her new husband was Robert Dudley, Earl of Leicester, the Queen’s favorite and one-time suitor.Though she would not marry him herself, Elizabeth was fiercely jealous of any woman who showed an interest in Leicester. Knowing that she would likely earn the Queen’s enmity, Lettice married Leicester in secret, leading to her permanent banishment from court. Elizabeth never forgave the new Countess for what she perceived to be a devastating betrayal, and Lettice permanently forfeited her favor. She had become not just Queen Elizabeth’s adversary. She was her rival. But the Countess’ story does not end there. Surviving the death of two husbands and navigating the courts of three very different monarchs: Henry VIII, Elizabeth I, and Charles I, Lettice’s story offers an extraordinary and intimate perspective on the world she lived in.

All the Queen’s Jewels, 1445–1548

All the Queen’s Jewels, 1445–1548
Author: Nicola Tallis
Publisher: Taylor & Francis
Total Pages: 272
Release: 2022-11-29
Genre: History
ISBN: 1000787087

From Margaret of Anjou to Katherine Parr, All the Queen’s Jewels examines the jewellery collections of the ten queen consorts of England between 1445–1548 and investigates the collections of jewels a queen had access to, as well as the varying contexts in which queens used and wore jewels. The jewellery worn by queens reflected both their gender and their status as the first lady of the realm. Jewels were more than decorative adornments; they were an explicit display of wealth, majesty and authority. They were often given to queens by those who wished to seek her favour or influence and were also associated with key moments in their lifecycle. These included courtship and marriage, successfully negotiating childbirth (and thus providing dynastic continuity), and their elevation to queenly status or coronation. This book explores the way that queens acquired jewels, whether via their predecessor, their own commission or through gift giving. It underscores that jewels were a vital tool that enabled queens to shape their identities as consort, and to fashion images of power that could be seen by their households, court and contemporaries. This book is perfect for anyone interested in medieval and Tudor history, queenship, jewellery and the history of material culture.

The Wrightsman Pictures

The Wrightsman Pictures
Author: Jayne Wrightsman
Publisher: Metropolitan Museum of Art
Total Pages: 454
Release: 2005
Genre: Art
ISBN: 1588391442

This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.

Monarchy, Print Culture, and Reverence in Early Modern England

Monarchy, Print Culture, and Reverence in Early Modern England
Author: Stephanie E. Koscak
Publisher: Routledge
Total Pages: 384
Release: 2020-06-11
Genre: History
ISBN: 1000038548

This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.

Elizabeth of York

Elizabeth of York
Author: Alison Weir
Publisher: Ballantine Books
Total Pages: 702
Release: 2013-12-03
Genre: History
ISBN: 0345521382

NEW YORK TIMES BESTSELLER • Bestselling historian Alison Weir tells the poignant, suspenseful and sometimes tragic story of Elizabeth, eldest daughter of the Yorkist King Edward IV and sister of the Princes in the Tower, a woman whose life was inextricably caught up in the turmoil of the Wars of the Roses and the establishment of the usurping Tudor dynasty. She was the wife of Henry VII and mother of Henry VIII. Many are familiar with the story of the much-married King Henry VIII of England and the celebrated reign of his daughter, Elizabeth I. But it is often forgotten that the life of the first Tudor queen, Elizabeth of York, Henry’s mother and Elizabeth’s grandmother, spanned one of England’s most dramatic and perilous periods. Now New York Times bestselling author and acclaimed historian Alison Weir presents the first modern biography of this extraordinary woman, whose very existence united the realm and ensured the survival of the Plantagenet bloodline. Her birth was greeted with as much pomp and ceremony as that of a male heir. The first child of King Edward IV, Elizabeth enjoyed all the glittering trappings of royalty. But after the death of her father; the disappearance and probable murder of her brothers—the Princes in the Tower; and the usurpation of the throne by her calculating uncle Richard III, Elizabeth found her world turned upside-down: She and her siblings were declared bastards. As Richard’s wife, Anne Neville, was dying, there were murmurs that the king sought to marry his niece Elizabeth, knowing that most people believed her to be England’s rightful queen. Weir addresses Elizabeth’s possible role in this and her covert support for Henry Tudor, the exiled pretender who defeated Richard at the Battle of Bosworth and was crowned Henry VII, first sovereign of the House of Tudor. Elizabeth’s subsequent marriage to Henry united the houses of York and Lancaster and signaled the end of the Wars of the Roses. For centuries historians have asserted that, as queen, she was kept under Henry’s firm grasp, but Weir shows that Elizabeth proved to be a model consort—pious and generous—who enjoyed the confidence of her husband, exerted a tangible and beneficial influence, and was revered by her son, the future King Henry VIII. Drawing from a rich trove of historical records, Weir gives a long overdue and much-deserved look at this unforgettable princess whose line descends to today’s British monarch—a woman who overcame tragedy and danger to become one of England’s most beloved consorts. Praise for Elizabeth of York “Weir tells Elizabeth’s story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.”—The New York Times Book Review “In [Alison] Weir’s skillful hands, Elizabeth of York returns to us, full-bodied and three-dimensional. This is a must-read for Tudor fans!”—Historical Novels Review “This bracing biography reveals a woman of integrity, who . . . helped [her husband] lay strong groundwork for the success of the new Tudor dynasty. As always in a Weir book, the tenor of the times is drawn with great color and authenticity.”—Booklist “Weir once again demonstrates that she is an outstanding portrayer of the Tudor era, giving us a fully realized biography of a remarkable woman.”—Huntington News

Material Selves

Material Selves
Author: Alex Burchmore
Publisher: Bloomsbury Publishing
Total Pages: 233
Release: 2024-10-31
Genre: Art
ISBN: 1350416460

What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questions of cultural identity, belonging and selfhood, Material Selves is the first book of its kind to consider the relationship between people and things across transcultural and transhistorical contexts. It employs innovative methodologies across ten chapters and critically expands on current models for understanding the dynamic relationship between people and things by tracing the central role objects have played in the construction, creation and performance of identity throughout history. Structured around four key sections exploring biography and narrative; adornment and ornament; reclamation and intervention; and subjects and objects, the volume presents a global selection of case studies that explore, amongst other things, Margaret Olley's enduring fame, the significance of the Khil'a in Safavid Persia and early modern Europe, and 17th-century French painter Charles LeBrun's royal portraiture. Fusing these with contemporary theories of identity, the contributors provide analyses informed by posthumanism, the environmental humanities, race and gender. At the same time, they confront vital questions of identity, agency, and materiality, and highlight the way in which we use objects to tell stories, construct myths and make sense of our place in the world. In doing so, the book illuminates a wide range of cultural and chronological settings whilst giving close attention to the mobility of people and things between, across, and through time and place.