The Sixteen Concerti
Author | : George Frideric Handel |
Publisher | : |
Total Pages | : 120 |
Release | : 1962 |
Genre | : Concertos (Organ) |
ISBN | : |
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Author | : George Frideric Handel |
Publisher | : |
Total Pages | : 120 |
Release | : 1962 |
Genre | : Concertos (Organ) |
ISBN | : |
Author | : George Frideric Handel |
Publisher | : |
Total Pages | : 118 |
Release | : 1962 |
Genre | : Concertos (Organ) |
ISBN | : |
Author | : George Frideric Handel |
Publisher | : |
Total Pages | : 124 |
Release | : 1962 |
Genre | : Concertos (Organ) |
ISBN | : |
Author | : Johann Sebastian Bach |
Publisher | : |
Total Pages | : 136 |
Release | : 1955 |
Genre | : Concertos (Harpsichord with string orchestra) |
ISBN | : |
Author | : Stephan D. Lindeman |
Publisher | : Taylor & Francis |
Total Pages | : 666 |
Release | : 2006 |
Genre | : Music |
ISBN | : 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author | : David Itkin |
Publisher | : University of North Texas Press |
Total Pages | : 417 |
Release | : 2014-09-15 |
Genre | : Music |
ISBN | : 1574415700 |
This book examines 43 great concerti and discusses, in detail, the technical, aural, rehearsal, and intra-personal skills that are required for "effortless excellence." Maestro Itkin wrote this book for conductors first encountering the concerto repertoire and for those wishing to improve their skills about this important, and often understudied, literature. Often misunderstood is the fact that both the physical technique and the score study process require a substantially different and more nuanced approach than with the major symphonic repertoire. In short, this is the book that Itkin wished had been available when he was a student and young professional. "This book is truly wonderful, lucid and intelligent. Would that many of Maestro Itkin’s colleagues devoted such attention to mere concerti!"--Misha Dichter "This is a 'must own' book for any conductor or conducting student."--Samuel Adler, Professor of Composition, the Juilliard School "By concentrating on familiar pieces, David Itkin is offering a valuable textbook for the aspiring maestro. He gets right to the heart of this important facet of the conductor's art. Highly recomended."--Leonard Slatkin
Author | : Abraham Veinus |
Publisher | : Courier Corporation |
Total Pages | : 337 |
Release | : 1964-01-01 |
Genre | : Music |
ISBN | : 0486211789 |
The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author | : Silvius Leopold Weiss |
Publisher | : A-R Editions, Inc. |
Total Pages | : 138 |
Release | : 2004-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 0895795515 |
xxii + 102 pp.Performance part (lute) available from publisher.
Author | : Richard Taruskin |
Publisher | : Oxford University Press |
Total Pages | : 930 |
Release | : 2006-08-14 |
Genre | : Music |
ISBN | : 0199796041 |
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author | : C. R. F. Maunder |
Publisher | : Boydell Press |
Total Pages | : 304 |
Release | : 2004 |
Genre | : Music |
ISBN | : 9781843830719 |
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.