The Singer of Tales

The Singer of Tales
Author: Albert Bates Lord
Publisher: Harvard University Press
Total Pages: 356
Release: 2000
Genre: Biography & Autobiography
ISBN: 9780674002838

Discusses the oral tradition as a theory of literary composition and its applications to Homeric and medieval epic.

The Singer of Tales in Performance

The Singer of Tales in Performance
Author: John Miles Foley
Publisher: Indiana University Press
Total Pages: 264
Release: 1995
Genre: History
ISBN: 9780253322258

Building on his work in Traditional Oral Epic and Immanent Art, the author aims to dissolve the perceived barrier between oral and written, creating a theory from oral-formulaic theory and the ethnography of speaking and ethnopoetics. He argues that a work's word-power derives from its performance and its implied traditional context.

Epic Singers and Oral Tradition

Epic Singers and Oral Tradition
Author: Albert Bates Lord
Publisher: Cornell University Press
Total Pages: 281
Release: 2018-08-06
Genre: Literary Criticism
ISBN: 1501731920

Albert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century. Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic. The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.

The Korean Singer of Tales

The Korean Singer of Tales
Author: Marshall R. Pihl
Publisher: Belknap Press
Total Pages: 0
Release: 2003-10-30
Genre: Ballads, Korean
ISBN: 9780674012745

P'ansori, the traditional oral narrative of Korea, is sung by a highly trained soloist to the accompaniment of complex drumming. In the first book-length treatment in English of this art form, Pihl traces its history from roots in shamanism and folktales through its 19th-century heyday and discusses its evolution in the 20th century.

Hearing Homer's Song

Hearing Homer's Song
Author: Robert Kanigel
Publisher: Knopf
Total Pages: 337
Release: 2021-04-27
Genre: Literary Criticism
ISBN: 0525520945

From the acclaimed biographer of Jane Jacobs and Srinivasa Ramanujan comes the first full life and work of arguably the most influential classical scholar of the twentieth century, who overturned long-entrenched notions of ancient epic poetry and enlarged the very idea of literature. In this literary detective story, Robert Kanigel gives us a long overdue portrait of an Oakland druggist's son who became known as the "Darwin of Homeric studies." So thoroughly did Milman Parry change our thinking about the origins of Homer's Iliad and Odyssey that scholars today refer to a "before" Parry and an "after." Kanigel describes the "before," when centuries of readers, all the way up until Parry's trailblazing work in the 1930's, assumed that the Homeric epics were "written" texts, the way we think of most literature; and the "after" that we now live in, where we take it for granted that they are the result of a long and winding oral tradition. Parry made it his life's work to develop and prove this revolutionary theory, and Kanigel brilliantly tells his remarkable story--cut short by Parry's mysterious death by gunshot wound at the age of thirty-three. From UC Berkeley to the Sorbonne to Harvard to Yugoslavia--where he traveled to prove his idea definitively by studying its traditional singers of heroic poetry--we follow Parry on his idiosyncratic journey, observing just how his early notions blossomed into a full-fledged theory. Kanigel gives us an intimate portrait of Parry's marriage to Marian Thanhouser and their struggles as young parents in Paris, and explores the mystery surrounding Parry's tragic death at the Palms Hotel in Los Angeles. Tracing Parry's legacy to the modern day, Kanigel explores how what began as a way to understand the Homeric epics became the new field of "oral theory," which today illuminates everything from Beowulf to jazz improvisation, from the Old Testament to hip-hop.

The Singer Resumes the Tale

The Singer Resumes the Tale
Author: Albert Bates Lord
Publisher: Cornell University Press
Total Pages: 290
Release: 1995
Genre: Literary Collections
ISBN: 9780801431036

Edited by Mary Louise Lord after the author's death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral literature in this book, responds systematically for the first time to criticisms of oral theory, and extends his methods to the analysis of lyric poems. He also considers the implications of the transitional text - a work made up of both oral and literary components. Elements of the oral tradition - the practice of storytelling in prose or verse, the art of composing and transmitting songs, the content of these texts, the kinds of songs composed, and the poetics of oral literature - are discussed in the light of several traditions, beginning in the ancient world, through the Middle Ages, to the present. Throughout, the central figure is always the singer. Homer, the Beowulf poet, women who perform lyric songs, tellers of folktales, singers of such ballads as "Barbara Allen", bards of the Balkans: all play prominent roles in Lord's book, as they have played central roles in the creation of this fundamental literature.

The Seance and Other Stories

The Seance and Other Stories
Author: Isaac Bashevis Singer
Publisher: Macmillan
Total Pages: 294
Release: 1980-11
Genre: Fiction
ISBN: 0374508321

Translated by from Yiddish by Roger H. Klein and others.

Follow Follow

Follow Follow
Author: Marilyn Singer
Publisher: Penguin
Total Pages: 34
Release: 2013-02-07
Genre: Juvenile Fiction
ISBN: 0803737696

Now one of Booklist's 30 Best Books of the Year! "Genius!" – Wired.com “Marilyn Singer's verse in Follow Follow practically dances down each page . . . the effect is miraculous and pithy.” – The Wall Street Journal Once upon a time, Mirror Mirror, a brilliant book of fairy tale themed reversos–a poetic form in which the poem is presented forward and then backward–became a smashing success. Now a second book is here with more witty double takes on well-loved fairy tales such as Thumbelina and The Little Mermaid. Read these clever poems from top to bottom and they mean one thing. Then reverse the lines and read from bottom to top and they mean something else–it is almost like magic! A celebration of sight, sound, and story, this book is a marvel to read again and again.

The Theory of Oral Composition

The Theory of Oral Composition
Author: John Miles Foley
Publisher: Indiana University Press
Total Pages: 198
Release: 1988-06-22
Genre: Social Science
ISBN: 9780253204653

" . . . excellent book . . . " —The Classical Outlook " . . . brief and readable . . . There is good tonic in these pages for the serious student of oral tradition . . . a remarkable book." —Asian Folklore Studies "The bibliography is a boon for students and faculty at any level who are curious about the nature, composition, and performance of oral poetry." —Choice " . . . concise, evolutionary account . . . " —Religious Studies Review "As ever, Professor Foley's conscientious scholarship and sound judgements combine to make a further substantial contribution to the field." —E. C. Hawkesworth, School of Slavonic and East European Studies, University of London, The Slavonic Review "Foley is probably the only scholar who is in a position even to suggest the extent of what we should know to work in this area." —Speculum "Foley's survey stands as a fitting tribute to the achievements of Parry and Lord and as a sure guide to future productive work in the field." —Journal of American Folklore " . . . detailed and informative study . . . We are fortunate that John Foley chose to write this book." —Motif " . . . Theory of Oral Composition . . . detailed account written in an elegant style which could serve equally as a textbook for college and graduate students and as a reference tool for scholars already in the field." —Olifant "As an 'introductory history,' The Theory of Oral Composition accomplishes its purpose admirably. It has the capacity to arouse interest on the part of the uninitiated." —Anthropologica Presents the first history of the new field of oral-formulaic theory, which arose from the pioneering research of Milman Parry and Albert Lord on the Homeric poems.

Oral Tradition in Ancient Israel

Oral Tradition in Ancient Israel
Author: Robert D. Miller
Publisher: Wipf and Stock Publishers
Total Pages: 171
Release: 2011-09-08
Genre: Religion
ISBN: 1610972716

Providing a comprehensive study of "oral tradition" in Israel, this volume unpacks the nature of oral tradition, the form it would have taken in ancient Israel, and the remains of it in the narrative books of the Hebrew Bible. The author presents cases of oral/written interaction that provide the best ethnographic analogies for ancient Israel and insights from these suggest a model of transmission in oral-written societies valid for ancient Israel. Miller reconstructs what ancient Israelite oral literature would have been and considers criteria for identifying orally derived material in the narrative books of the Old Testament, marking several passages as highly probable oral derivations. Using ethnographic data and ancient Near Eastern examples, he proposes performance settings for this material. The epilogue treats the contentious topic of historicity and shows that orally derived texts are not more historically reliable than other texts in the Bible.