The Silentiary
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| Author | : Antonio Di Benedetto |
| Publisher | : New York Review of Books |
| Total Pages | : 177 |
| Release | : 2022-02-01 |
| Genre | : Fiction |
| ISBN | : 168137563X |
In post-WWII South America, a struggling writer embarks on a murderous thought experiment to help kickstart his career in this next tale of longing from the author of Zama. The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choos- ing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape. The Silentiary, along with Zama and The Suicides, is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication “To the victims of expectation” in Zama. Together they constitute, in Juan José Saer’s words, “one of the culminating moments of twentieth-century narrative fiction in Spanish.”
| Author | : Antonio Di Benedetto |
| Publisher | : New York Review of Books |
| Total Pages | : 177 |
| Release | : 2022-02-01 |
| Genre | : Fiction |
| ISBN | : 1681375621 |
In post-WWII South America, a struggling writer embarks on a murderous thought experiment to help kickstart his career in this next tale of longing from the author of Zama. The Silentiary takes place in a nameless Latin American city during the early 1950s. A young man employed in middle management entertains an ambition to write a book of some sort. But first he must establish the necessary precondition, which the crowded and noisily industrialized city always denies him, however often he and his mother and wife move in search of it. He thinks of embarking on his writing career with something simple, a detective novel, and ponders the possibility of choos- ing a victim among the people he knows and planning a crime as if he himself were the killer. That way, he hopes, his book might finally begin to take shape. The Silentiary, along with Zama and The Suicides, is one of the three thematically linked novels by Di Benedetto that have come to be known as the Trilogy of Expectation, after the dedication “To the victims of expectation” in Zama. Together they constitute, in Juan José Saer’s words, “one of the culminating moments of twentieth-century narrative fiction in Spanish.”
| Author | : Agapetus (diacono.) |
| Publisher | : Liverpool University Press |
| Total Pages | : 260 |
| Release | : 2009-01-01 |
| Genre | : History |
| ISBN | : 1846312094 |
This one-volume translation, with commentary and introduction brings together three important works. All three texts cast great, if generally neglected light on politics and ideology in early Byzantium. Agapetus wrote, c. 527-30CE, from a position sympathetic to Justinian, when he had still to consolidate his authority. He sets out what an emperor must do to acquire legitimacy, in terms of government's being the imitation of God. Read in context, his work is much more than a list of pious commonplaces. The Dialogue, written anonymously towards the end the same reign, comprises fragments from Books 4-5 of a philosophically sophisticated (lost) longer work, setting out requirements for the ideal polity, based on a similar concept of imperial rule, with extensive comment on matters of current political salience but from an implicitly hostile standpoint. Not only does the text reflect the nature of Neoplatonic political philosophy but it also penetrates with its ideas deep into the inner realities of the time, into the political problems of Constantinople during the first half of the sixth century. The third text was written by Paul the Silentiary to mark the rededication of the basilica Hagia Sophia, built thirty years earlier under the orders of Emperor Justinian I. Together the translations provide an important insight into the early Byzantine period.
| Author | : Antonio Di Benedetto |
| Publisher | : New York Review of Books |
| Total Pages | : 225 |
| Release | : 2016-08-23 |
| Genre | : Fiction |
| ISBN | : 1590177355 |
An NYRB Classics Original First published in 1956, Zama is now universally recognized as one of the masterpieces of modern Argentine and Spanish-language literature. Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the eighteenth century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires, where everything about his hopeless existence will, he is confident, be miraculously transformed and made good. Don Diego’s slow, nightmarish slide into the abyss is not just a tale of one man’s perdition but an exploration of existential, and very American, loneliness. Zama, with its stark dreamlike prose and spare imagery, is at once dense and unforeseen, terse and fateful, marked throughout by a haunting movement between sentences, paragraphs, and sections, so that every word seems to emerge from an ocean of things left unsaid. The philosophical depths of this great book spring directly from its dazzling prose.
| Author | : Emilie M. van Opstall |
| Publisher | : BRILL |
| Total Pages | : 390 |
| Release | : 2018-07-10 |
| Genre | : Architecture |
| ISBN | : 9004369007 |
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
| Author | : David Potter |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2015-10-07 |
| Genre | : History |
| ISBN | : 0199392390 |
Two of the most famous mosaics from the ancient world, in the church of San Vitale in Ravenna, depict the sixth-century emperor Justinian and, on the wall facing him, his wife, Theodora (497-548). This majestic portrait gives no inkling of Theodora's very humble beginnings or her improbable rise to fame and power. Raised in a family of circus performers near Constantinople's Hippodrome, she abandoned a successful acting career in her late teens to follow a lover whom she was legally forbidden to marry. When he left her, she was a single mother who built a new life for herself as a secret agent, in which role she met the heir to the throne. To the shock of the ruling elite, the two were married, and when Justinian assumed power in 527, they ruled the Eastern Roman Empire together. Their reign was the most celebrated in Byzantine history, bringing wealth, prestige, and even Rome itself back to the Empire. Theodora was one of the dominant political figures of her era, helping shape imperial foreign and domestic policy and twice saving her husband from threatened deposition. She played a central role trying to solve the religious disputes of her era and proactively assisted women who were being trafficked. An extraordinarily able politician, she excited admiration and hatred from those around her. Enemies wrote extensively and imaginatively about her presumed early career as a prostitute, while supporters elevated her, quite literally, to sainthood. Theodora's is a tale of a woman of exceptional talent who overcame immense obstacles to achieve incredible power, which she exercised without ever forgetting where she had come from. In Theodora: Actress, Empress, Saint, David Potter penetrates the highly biased accounts of her found in the writings of her contemporaries and takes advantage of the latest research on early Byzantium to craft a modern, well-rounded, and engaging narrative of Theodora's life. This fascinating portrait will intrigue all readers with an interest in ancient and women's history.
| Author | : Abby Bardi |
| Publisher | : Simon and Schuster |
| Total Pages | : 324 |
| Release | : 2002-01-27 |
| Genre | : Fiction |
| ISBN | : 0743424492 |
Filled with soulful humor and quiet pathos, Abby Bardi's boldly drawn first novel marks the debut of a joyfully talented chronicler of the quest for connection in contemporary life. Mary Fred Anderson, raised in an isolated fundamentalist sect whose primary obsessions seem to involve an imminent Apocalypse and the propagation of the name "Fred," is hardly your average fifteen-year-old. She has never watched TV, been to a supermarket, or even read much of anything beyond the inscrutable dogma laid out by the prophet Fred. But this is all before Mary Fred's whole world tilts irrevocably on its axis: before her brothers, Fred and Freddie, take sick and pass on to the place the Reverend Thigpen calls "the World Beyond"; before Mama and Papa are escorted from the Fredian Outpost in police vans; and Mary Fred herself is uprooted and placed in foster care with the Cullison family. It is here, at Alice Cullison's suburban home outside Washington, D.C., where everything really changes -- for all parties involved. Mary Fred's new guardian, Alice, is a large-hearted librarian who, several years after her divorce, can't seem to shake her grief and loneliness. Meanwhile, Alice's daughter Heather, also known as Puffin, buries any hint of her own adolescent loneliness beneath an impenetrable armor of caustic sarcasm, studied apathy, and technicolor hair. And the enigmatic Uncle Roy is Alice's perennially jobless and intensely private brother. As Mary Fred struggles to adjust to the oddities of this alien world, from sordid daytime television and processed food to aromatherapy and transsexuality, she gradually begins to have an unmistakable influence on the lives of her housemates. But when a horrifying act of violence shakes the foundations of Mary Fred's fragile new family, she finds herself forced to confront, painfully, the very nature of the way she was raised. With a knack for laying bare the absurdities of daily life, Abby Bardi captures, with grace and authority, all the ambivalence and emotional uncertainty at the heart of these quirky characters' awakenings.
| Author | : Antonio Di Benedetto |
| Publisher | : |
| Total Pages | : 148 |
| Release | : 1997 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Cyril A. Mango |
| Publisher | : University of Toronto Press |
| Total Pages | : 292 |
| Release | : 1986-01-01 |
| Genre | : Art |
| ISBN | : 9780802066275 |
Originally published by Prentice-Hall, 1972.
| Author | : Abdulrazak Gurnah |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 217 |
| Release | : 2016-12-15 |
| Genre | : Fiction |
| ISBN | : 1408883961 |
By the winner of the 2021 Nobel Prize in Literature 'There is a wonderful sardonic eloquence to this unnamed narrator's voice' Financial Times 'I don't think I've ever read a novel that is so convincingly and hauntingly sad about the loss of home' Independent on Sunday _____________________ He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that. Things do not happen quite as he imagined – the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return he spins stories of his home and keeps her a secret from his family. Twenty years later, when the barriers at last come down in Zanzibar, he is able and compelled to go back. What he discovers there, in a story potent with truth, will change the entire vision of his life.
