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| Author | : Len Scales |
| Publisher | : Cambridge University Press |
| Total Pages | : 637 |
| Release | : 2012-04-26 |
| Genre | : History |
| ISBN | : 0521573335 |
German identity, a key force in history, took shape during the late Middle Ages. This book explains how and why.
| Author | : Celia Applegate |
| Publisher | : University of Chicago Press |
| Total Pages | : 346 |
| Release | : 2002-08 |
| Genre | : History |
| ISBN | : 9780226021300 |
Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
| Author | : Christopher B. Krebs |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 305 |
| Release | : 2011-05-02 |
| Genre | : History |
| ISBN | : 0393062651 |
Traces the five-hundred year history and wide-ranging influence of the Roman historian's unflattering book about the ancient Germans that was eventually extolled by the Nazis as a bible.
| Author | : Barbara Eichner |
| Publisher | : Boydell Press |
| Total Pages | : 312 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 1843837544 |
An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
| Author | : Harold Mah |
| Publisher | : Cornell University Press |
| Total Pages | : 244 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780801488955 |
For centuries the histories of France and Germany have been linked in ways productive and destructive, and each nation's sense of itself has often been shaped by admiration of or hostility toward the other. Harold Mah explores the interweaving paths of German and French cultural identity that emerged in the Enlightenment and continued through the nineteenth century and into the twentieth. Mah argues that the efforts of German and French intellectuals and artists to formulate stable cultural identities constantly collapsed in the face of other powerful images and the rush of history. In Mah's view, these shifting conceptions of cultural identity are problematic phantasies, internally unstable and prone to falling apart under the pressure of events, only to be replaced by new, equally problematic constructions. Mah offers fresh analyses of a wide range of iconic texts and artworks, including those of Jacques-Louis David, de Staël, Diderot, and Rousseau in France and Goethe, Hegel, Herder, Mann, Marx, and Nietzsche in Germany. Mah's book examines how attempts to define cultural identities were caught up in issues of language, gender, classical revival, politics, and modernity. Enlightenment Phantasies presents the shaping of cultural identity in narratives accessible not only to specialists but also to students and all readers concerned with the history of Western culture.
| Author | : Jonathan Hess |
| Publisher | : Stanford University Press |
| Total Pages | : 0 |
| Release | : 2010-03-12 |
| Genre | : Literary Criticism |
| ISBN | : 9780804761222 |
For generations of German-speaking Jews, the works of Goethe and Schiller epitomized the world of European high culture, a realm that Jews actively participated in as both readers and consumers. Yet from the 1830s on, Jews writing in German also produced a vast corpus of popular fiction that was explicitly Jewish in content, audience, and function. Middlebrow Literature and the Making of German-Jewish Identity offers the first comprehensive investigation in English of this literature, which sought to navigate between tradition and modernity, between Jewish history and the German present, and between the fading walls of the ghetto and the promise of a new identity as members of a German bourgeoisie. This study examines the ways in which popular fiction assumed an unprecedented role in shaping Jewish identity during this period. It locates in nineteenth-century Germany a defining moment of the modern Jewish experience and the beginnings of a tradition of Jewish belles lettres that is in many ways still with us today.
| Author | : Daniel Marwecki |
| Publisher | : Hurst & Company |
| Total Pages | : 284 |
| Release | : 2020 |
| Genre | : Germany (West) |
| ISBN | : 1787383180 |
According to common perception, the Federal Republic of Germany supported the formation of the Israeli state for moral reasons--to atone for its Nazi past--but did not play a significant role in the Arab-Israeli conflict. However, the historical record does not sustain this narrative. Daniel Marwecki's pathbreaking analysis deconstructs the myths surrounding the odd alliance between Israel and post-war democratic Germany. Thorough archival research shows how German policymakers often had disingenuous, cynical or even partly antisemitic motivations, seeking to whitewash their Nazi past by supporting the new Israeli state. This is the true context of West Germany's crucial backing of Israel in the 1950s and '60s. German economic and military support greatly contributed to Israel's early consolidation and eventual regional hegemony. This initial alliance has affected Germany's role in the Israeli-Palestinian conflict to the present day. Marwecki reassesses German foreign policymaking and identity-shaping, and raises difficult questions about German responsibility after the Holocaust, exploring the many ways in which the genocide of European Jews and the dispossession of the Palestinians have become tragically intertwined in the Middle East's international politics. This long overdue investigation sheds new light on a major episode in the history of the modern Middle East.
| Author | : Hagen Schulze |
| Publisher | : Cambridge University Press |
| Total Pages | : 192 |
| Release | : 1991-03-21 |
| Genre | : History |
| ISBN | : 9780521377591 |
The arduous path from the colourful diversity of the Holy Roman Empire to the Prussian-dominated German nation-state, Bismarck's German Empire of 1871, led through revolutions, wars and economic upheavals, but also through the cultural splendour of German Classicism and Romanticism. Hagen Schulze takes a fresh look at late eighteenth- and nineteenth-century German history, explaining it as the interaction of revolutionary forces from below and from above, of economics, politics, and culture. None of the results were predetermined, and yet their outcome was of momentous significance for all of Europe, if not the world.
| Author | : Tiffany N. Florvil |
| Publisher | : University of Illinois Press |
| Total Pages | : 427 |
| Release | : 2020-12-28 |
| Genre | : Social Science |
| ISBN | : 0252052390 |
In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.
| Author | : Cora Sol Goldstein |
| Publisher | : University of Chicago Press |
| Total Pages | : 240 |
| Release | : 2009-08-01 |
| Genre | : Political Science |
| ISBN | : 0226301710 |
Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation. Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.
