The Seventy Prepositions
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| Author | : Carol Snow |
| Publisher | : Univ of California Press |
| Total Pages | : 138 |
| Release | : 2004-04-19 |
| Genre | : Poetry |
| ISBN | : 9780520937697 |
Carol Snow's award-winning poetry has been admired and celebrated as "work of difficult beauty" (Robert Hass), "ever restless, ever re-framing the frame of reference" (Boston Review), teaching us "how brutally self-transforming a verbal action can be when undertaken in good faith" (Jorie Graham). In this, her third volume, Snow continues to mine the language to its most mysterious depths and to explore the possibilities its meanings and mechanics hold for definition, transformation, and emotional truth. These poems place us before, and in, language--as we stand before, and in, the world. The Seventy Prepositions comprises three suites of poems. The first, "Vocabulary Sentences," reflects on words and reality by taking as a formal motif the sort of sentences used to test vocabulary skills in elementary school. The poems of the second suite, "Vantage," gather loosely around questions of perspective and perception. The closing suite finds its inspiration in the Japanese dry-landscape gardens known as karesansui, such as the famous rock garden at Ryoan-ji Temple in Kyoto. Here the poet approaches composition as one faces a "miniature Zen garden," choosing and positioning words rather than stones, formally, precisely, evocatively.
| Author | : Cole Swensen |
| Publisher | : Univ of California Press |
| Total Pages | : 116 |
| Release | : 2008-04-08 |
| Genre | : Poetry |
| ISBN | : 9780520941564 |
These poems are about gardens, particularly the seventeenth-century French baroque gardens designed by the father of the form, André Le Nôtre. While the poems focus on such examples as Versailles, which Le Nôtre created for Louis XIV, they also explore the garden as metaphor. Using the imagery of the garden, Cole Swensen considers everything from human society to the formal structure of poetry. She looks in particular at the concept of public versus private property, asking who actually owns a garden? A gentle irony accompanies the question because in French, the phrase "le nôtre" means "ours." Whereas all of Le Nôtre's gardens were designed and built for the aristocracy, today most are public parks. Swensen probes the two senses of "le nôtre" to discover where they intersect, overlap, or blur.
| Author | : Geoffrey G. O'Brien |
| Publisher | : Univ of California Press |
| Total Pages | : 102 |
| Release | : 2007-04-09 |
| Genre | : Poetry |
| ISBN | : 9780520940437 |
Geoffrey G. O’Brien’s second collection documents the "remorse of the senses" that attends each moment of experience, the pain and pleasure of not exiting a world in which injustice and distraction secure every sensual event. Attempting to reestablish experience as something other than complicity, these poems insist on "desiring that which is as if it were not," making poetry out of neighborhood flyers, the Patriot Act, and the poverty of presidential speech. Given this mandate to stay within limited resources, Green and Gray makes a virtue of refusing to abandon them, often relying on an emphatic recirculation of words and phrases to generate its own system complexities. These are poems whose materials remember their former use: the gray of the city and the green it used to be.
| Author | : Brian Teare |
| Publisher | : Univ of California Press |
| Total Pages | : 192 |
| Release | : 2009-03-02 |
| Genre | : Poetry |
| ISBN | : 0520943287 |
In Sight Map Brian Teare blends the speculative poetics of the San Francisco Renaissance with a postconfessional candor to embody the "open field" tradition of such poets as Robin Blaser and Robert Duncan. Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.
| Author | : Joshua Clover |
| Publisher | : Univ of California Press |
| Total Pages | : 90 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9780520245990 |
"Fierce intelligence, fierce understanding of social issues, and fierce sense of the power of artifice. This is major work, haunted by a sense of totality always present in the formal intricacy and in the roles cities and architecture play. I think of these poems as crossing the cool, allusive intricacy of Quentin Tarantino with the abstract, intense social passion of Walter Benjamin."--Charles Altieri, author of The Art of Twentieth-Century American Poetry: Modernism and After "The Totality for Kids is a stunning collection that charts the 'the modern and its endnotes, ' as voiced in one Clover poem. There is no conceptual abstraction here without its color, motion, and syntax. The poems form an urban and linguistic landscape of contemporary life, in many ways, written in the shadow of Adorno who himself wrote in the shadows of the modern. In this brilliant volume, the fragmented world of a late and lost modernity has its own moving and lucid affect, its forms of aliveness. We encounter here an enormous clarity of language in the service of a poetics that brilliantly queries our historical moment in and as form."--Judith Butler, author of Precarious Life: Powers of Mourning and Violence
| Author | : Carol Snow |
| Publisher | : Counterpath |
| Total Pages | : 93 |
| Release | : 2016-05-17 |
| Genre | : Poetry |
| ISBN | : 1933996528 |
In Position Paper, Carol Snow’s project of noting the world in relation comes fully assembled. This New and Selected Poems gathers work from ArtistandModel, "a first book of singular poetic intelligence and attention" (Michael Palmer), to what Brian Teare called the "compassionately witty" karesansui—collages citing Bashö, Sappho, Picasso, Groucho—to new work in elegy to the poet’s sister consolidating a startling range of means. The art of Henri Matisse, touchstone of invention and “attention or gratitude, not madness,” is one motif attending this collection; the stone and sand arrangement of the Zen garden at Ryoan-ji another; not to mention the 70 prepositions the poet memorized in Junior High School. Snow’s work has been praised as “brilliant, funny, subtle” (Robert Hass), “delicate, masterful” (Cole Swenson), and “a new and mesmerizing way of looking at things” (Fanny Howe). Stones, art, family, elegy, error, perception, prepositions, permutations, “likening . . . like an only hope or home.” The whole, a kind of suite.
| Author | : Christina Mengert |
| Publisher | : University of Iowa Press |
| Total Pages | : 295 |
| Release | : 2009-04-16 |
| Genre | : Literary Criticism |
| ISBN | : 1587297914 |
This book includes the poetry by and interviews with : Jennifer K. Dick, Laura Mullen, Jon Woodward, Rae Armantrout, Sabrina Orah Mark, Claudia Rankine, Christina Hawkey,Tomaž Šalamun, Christine Hume, Rosemarie Waldrop, Srinkath Reddy, Mark Levine, Karen Volkman, Allen Grossman, Paul Fattaruso, Dara Wier, Mark Yakich, Mary Leader, Michelle Robinson, Paul Auster, Sawako Nakayasu, Carla Harryman, Ben Lerner, and Aaron Kunin.
| Author | : Srikanth Reddy |
| Publisher | : Univ of California Press |
| Total Pages | : 286 |
| Release | : 2011-02-07 |
| Genre | : Poetry |
| ISBN | : 0520948262 |
Srikanth Reddy’s second book of poetry probes this world’s cosmological relation to the plurality of all possible worlds. Drawing its name from the spacecraft currently departing our solar system on an embassy to the beyond, Voyager unfolds as three books within a book and culminates in a chilling Dantean allegory of leadership and its failure in the cause of humanity. At the heart of this volume lies the historical figure of Kurt Waldheim—Secretary-General of the U.N. from 1972-81 and former intelligence officer in Hitler’s Wehrmacht—who once served as a spokesman for humanity while remaining silent about his role in the collective atrocities of our era. Resurrecting this complex figure, Reddy’s universal voyager explores the garden of forking paths hidden within every totalizing dream of identity.
| Author | : Cole Swensen |
| Publisher | : Univ of California Press |
| Total Pages | : 97 |
| Release | : 2012-07-09 |
| Genre | : Poetry |
| ISBN | : 0520952405 |
"Ghosts appear in place of whatever a given people will not face" (p. 65) The poems in Gravesend explore ghosts as instances of collective grief and guilt, as cultural constructs evolved to elide or to absorb a given society’s actions, as well as, at times, to fill the gaps between such actions and the desires and intentions of its individual citizens. Tracing the changing nature of the ghostly in the western world from antiquity to today, the collection focuses particularly on the ghosts created by the European expansion of the 16th through 20th centuries, using the town of Gravesend, the seaport at the mouth of the Thames through which countless emigrants passed, as an emblem of theambiguous threshold between one life and another, in all the many meanings of that phrase.
| Author | : Mark Levine |
| Publisher | : Univ of California Press |
| Total Pages | : 78 |
| Release | : 2006-04-10 |
| Genre | : Poetry |
| ISBN | : 9780520937581 |
In his third book of poems, Mark Levine continues his exploration of the rhythms and forms of memory. The Wilds is set in the border regions between natural and cultivated states, childhood and adulthood, past and present. "We were boys," says the speaker of the opening poem, "boyish, almost girls./Left alone on the roof, we would have dwindled." Austere and lyrical, the music of these poems resonates with echoes of poetic tradition-Wyatt, Jonson, Milton, Eliot-yet is singularly modern.
