The Sense of Beauty

The Sense of Beauty
Author: George Santayana
Publisher: Transaction Publishers
Total Pages: 302
Release: 2002-01-01
Genre: Health & Fitness
ISBN: 9781412838900

The author of the introduction to this new edition, John McCormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather, beauty is an emotion, a value, and a sense of the good. In this aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that residues in the sense of self. The work is divided into chapters on the materials of beauty, form, and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.

Beauty: A Very Short Introduction

Beauty: A Very Short Introduction
Author: Roger Scruton
Publisher: Oxford University Press, USA
Total Pages: 209
Release: 2011-03-24
Genre: Art
ISBN: 0199229759

In a book that is itself beautifully written, renowned philosopher Roger Scruton explores this timeless concept, asking what makes an object--either in art, in nature, or the human form--beautiful.--From publisher description.

The Sense of Beauty (Being the Outline of Aesthetic Theory)

The Sense of Beauty (Being the Outline of Aesthetic Theory)
Author: George Santayana
Publisher:
Total Pages: 150
Release: 2010-11-01
Genre: Art
ISBN: 9781611042719

George Santayana is remembered mostly by his theory of aesthetics, which is discussed in detail "The Sense of Beauty or Aesthetics." Santanyana's aesthetic theory is basically subjective, or "psychological," and if viewed from a contemporary standpoint, somewhat at odds with current developments in neuroscience, but closer than most schools of Western philosophy. All philosophical theories of aesthetics are interesting to investigate from the standpoint of comparing them to what is said about the human aesthetic faculty in modern research in neuroscience. As in ethics, Santayana approaches aesthetics in three different ways, namely as the exercise of the aesthetic faculty, the history of art, and the psychological. The first two do not concern the author in "The Sense of Beauty or Aesthetics." Hhis attention devoted entirely to the third. His intention is to remove himself from the influence of the poets and of Plato, and find the out how ideals are formed in the mind, how objects may be compared with them, what properties are shared in beautiful things, and the process by which humans become sensitive to beauty and in turn value it. George Santanyana is after a definition of beauty that explains its origin in human experience, and one that explains the human capacity to be sensible of beauty and the relation between a beautiful object and its ability to excite the human senses.

Beauty and the End of Art

Beauty and the End of Art
Author: Sonia Sedivy
Publisher: Bloomsbury Publishing
Total Pages: 271
Release: 2016-04-21
Genre: Philosophy
ISBN: 1474255760

Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.

The Sense of Beauty

The Sense of Beauty
Author: George Santayana
Publisher: Routledge
Total Pages: 229
Release: 2019-07-25
Genre: Social Science
ISBN: 1351302787

From antiquity to the present, many have written on the subject of beauty, but precious few have done so with the capacity themselves to write beautifully. The Sense of Beauty is that rare exception. This remarkable early work of the great American philosopher, George Santayana, features a quality of prose that is as wondrous as what he had to say. Indeed, his summation remains a flawless classical statement. "Beauty seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Be'auty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good." The editor of this new edition, John McGormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather beauty is an emotion, a value, and a sense of the good. In this, aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that resides in the sense of self. The work is divided into chapters on the materials of beauty, form and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life. The work is written without posturing, without hectoring. Santayana is nonetheless able to give expression to strong views. His preferences are made perfectly plain. Perhaps the key is a powerful belief that beauty is an adornment not a material necessity. But that does mean art is trivial. Quite the contrary, the good life is precisely the extent to which such "adornments" as painting, poetry or music come to define the lives of individuals and civilizations alike. This is, in short, a major work that can still inform and move us a century after its first composition.

The Beauty of Everyday Things

The Beauty of Everyday Things
Author: Soetsu Yanagi
Publisher: Penguin UK
Total Pages: 204
Release: 2019-01-31
Genre: Art
ISBN: 0241366364

The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty. In an age of feeble and ugly machine-made things, these essays call for us to deepen and transform our relationship with the objects that surround us. Inspired by the work of the simple, humble craftsmen Yanagi encountered during his lifelong travels through Japan and Korea, they are an earnest defence of modest, honest, handcrafted things - from traditional teacups to jars to cloth and paper. Objects like these exemplify the enduring appeal of simplicity and function: the beauty of everyday things.

The Revolt Against the Masses

The Revolt Against the Masses
Author:
Publisher:
Total Pages:
Release: 2017
Genre: Electronic books
ISBN: 9781351302920

"The author of this stunning set of essays on politics and public policy makes crystal clear the meaning of the title. "The revolutionaries of contemporary America do not seek to redistribute privilege from those who have it to those who do not. These radicals wish to arrange a transfer of power from those elites who now exercise it to another elite, namely themselves, who do not. This aspiring elite is of the same race (white), the same class (upper middle and upper), and the same educational background (the best colleges and universities) as those they wish to displace." Wildavsky's bracing work takes a close look at these elites, who probably make up little more than one percent of the population. He sees their common denominator as hostility toward the masses, anti-American attitudes, derision of authority, and a belief in participatory rather than representative politics. The author carries through these themes in a variety of essays on black-white racial relations, social work orientations and black militancy, the politics of budgetary reform, elite and mass trends in the political party system, and the substitution of bureaucratic for democratic modes of advancing the policy process. This work is, in short, vintage Wildavsky: tough minded, spirited, and plain-spoken political analysis. In his new Introduction, Irving Louis Horowitz examines what has changed and what continues to be salient in Wildavsky's line of analysis. Essentially, the report card on The Revolt Against the Masses is that the situation described in these essays has changed somewhat in style but hardly at all in substance. The nuclear shield replaces the ABM treaty, and Afghanistan replaces Vietnam as centers of political gravity-but the same coalition of forces across party and economy still dominate the American political process. The justifiably famous essay on "The Two Presidencies" shows how persistent is the gap between the conflict over domestic priorities and the consensus on foreign policy-and why. This is, in short, a classic text that continues to merit careful study by all those interested in political life. Aaron Wildavsky was, until his death in 1993, professor of political science and public policy at the University of California in Berkeley. He was also director of its Survey Research Center. He served as director of the Russell-Sage Foundation, was a president of the American Political Science Association, and held a number of visiting professorships during his lifetime. Most recently, Transaction has posthumously published Wildavsky's complete essays and papers in five volumes. Irving Louis Horowitz is Hannah Arendt distinguished university professor emeritus at Rutgers, The State University, and longtime friend and associate of Aaron Wildavsky."--Provided by publisher.

The Sense of Beauty

The Sense of Beauty
Author: George Santayana
Publisher:
Total Pages: 138
Release: 2017-05-03
Genre:
ISBN: 9781546458418

The Sense of Beauty is a book on aesthetics by George Santayana. The book was published in 1896 by Charles Scribner's Sons, and is based on the lectures Santayana gave on aesthetics while teaching at Harvard University. Santayana published the book out of necessity, for tenure, rather than inspiration. In an anecdote retold by art critic Arthur Danto of a meeting with Santayana in 1950, Santayana was reported to have said that "they let me know through the ladies that I had better publish a book... on art, of course. So I wrote this wretched potboiler."The book is divided into four parts: "The Nature of Beauty", "The Materials of Beauty", "Form", and "Expression". Beauty, as defined by Santayana, is an "objectified pleasure." It does not originate from divine inspiration, as was commonly described by philosophers, but from a naturalistic psychology. Santayana objects to the role of God in aesthetics in the metaphysical sense, but accepts the use of God as metaphor. His argument that beauty is a human experience, based on the senses, is influential in the field of aesthetics. However, Santayana would reject this approach, which he called "skirt[ing] psychologism," later on in life.According to Santayana, beauty is linked to pleasure, and is fundamental to human purpose and experience. Beauty does not originate from pleasurable experiences, by itself, or from the objects that bring about pleasure. It is when the experience and emotion of pleasure intertwines with the qualities of the object that beauty arises. Beauty is a "manifestation of perfection", and as Santayana writes, "the sense of beauty has a more important place in life than aesthetic theory has ever taken in philosophy."