The Satirical Etchings of James Gillray

The Satirical Etchings of James Gillray
Author: James Gillray
Publisher:
Total Pages: 194
Release: 1976
Genre: Humor
ISBN:

"Gillray's cast of characters include Napoleon, the younger Pitt, Edmund Burke, Admiral Nelson, Lady Hamilton, the Duke of Belford, King George III and Queen Charlotte, Josephy Priestly, Charles James Fox and other dignitaries ..."--Back cover."

The Age of Caricature

The Age of Caricature
Author: Diana Donald
Publisher: Paul Mellon Ctr for Studies
Total Pages: 248
Release: 1996
Genre: Art
ISBN: 9780300071788

A study of history and satire in cartoons of the late eighteenth century.

City of Laughter

City of Laughter
Author: Vic Gatrell
Publisher: Bloomsbury Publishing USA
Total Pages: 720
Release: 2007-01-01
Genre: History
ISBN: 0802716024

Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.

James Gillray

James Gillray
Author: Katherine W. Hart
Publisher: Dartmouth College
Total Pages: 54
Release: 1994
Genre: Art
ISBN:

The Satirical Gaze

The Satirical Gaze
Author: Cindy McCreery
Publisher: Oxford University Press
Total Pages: 316
Release: 2004
Genre: Art
ISBN: 9780199267569

This is the first scholarly study to focus on satirical prints of women in the late eighteenth century. This was the golden age of graphic satire: thousands of prints were published, and they were viewed by nearly all sections of the population. These prints both reflected and sought to shape contemporary debate about the role of women in society. Cindy McCreery's study examines the beliefs and prejudices of Georgian England which they revealed.

The Oxford Handbook of Eighteenth-Century Satire

The Oxford Handbook of Eighteenth-Century Satire
Author: Paddy Bullard
Publisher: Oxford University Press
Total Pages: 744
Release: 2019-07-30
Genre: Literary Criticism
ISBN: 0191043702

Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.

Doomed by Cartoon

Doomed by Cartoon
Author: John Adler
Publisher: Morgan James Publishing
Total Pages: 332
Release: 2008-08-01
Genre: Biography & Autobiography
ISBN: 1600374433

This volume is a collection of political cartoons by Thomas Nast that brought Boss Tweed to justice. The legendary Boss Tweed effectively controlled New York City from after the Civil War until his downfall in November 1871. A huge man, he and his Ring of Thieves appeared to be invincible as they stole an estimated $2 billion in today's dollars. In addition to the New York City and state governments, the Tweed Ring controlled the press except for Harper's Weekly. Short and slight Thomas Nast was the most dominant American political cartoonist of all time; using his pen as his sling in Harper's Weekly, he attacked Tweed almost single-handily, before The New-York Times joined the battle in 1870. The author focuses on the circumstances and events as Thomas Nast visualized them in his 160-plus cartoons, almost like a serialized but intermittent comic book covering 1866 through 1878.

Character and Satire in Post War Fiction

Character and Satire in Post War Fiction
Author: Ian Gregson
Publisher: A&C Black
Total Pages: 190
Release: 2008-04-01
Genre: Literary Criticism
ISBN: 1441130004

This monograph analyses the use of caricature as one of the key strategies in narrative fiction since the war. Close analysis of some of the best known postwar novelists including Toni Morrison, Philip Roth, Joyce Carol Oates, Angela Carter and Will Self, reveals how they use caricature to express postmodern conceptions of the self. In the process of moving away from the modernist focus on subjectivity, postmodern characterisation has often drawn on a much older satirical tradition which includes Hogarth and Gillray in the visual arts, and Dryden, Pope, Swift and Dickens in literature. Its key images depict the human as reduced to the status of an object, an animal or a machine, or the human body as dismembered to represent the fragmentation of the human spirit. Gregson argues that this return to caricature is symptomatic of a satirical attitude to the self which is particularly characteristic of contemporary culture.

The Oxford Handbook of Eighteenth-century Satire

The Oxford Handbook of Eighteenth-century Satire
Author: Paddy Bullard
Publisher:
Total Pages: 744
Release: 2019
Genre: Literary Criticism
ISBN: 0198727836

This handbook is a guide to the kinds of satire written in English during the 'long' eighteenth century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.