The Satires Epistles And Art Of Poetry Ars Poetica
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Ars Poetica
Author | : Quintus Horatius Flaccus |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2022-10-27 |
Genre | : |
ISBN | : 9781016051866 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
De arte poetica
Author | : Horace |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 1989-12-07 |
Genre | : History |
ISBN | : 9780521312929 |
This volume fulfills the need for a student edition of Horace's literary epistles, which have recently been the subject of renewed scholarly interest. Professor Rudd provides a clear introduction to each of the three poems: the Epistles to Augustus, to Florus, and to the Pisones (the so-called "Ars Poetica"). He sketches the historical context in which the poems were written and comments on their structure and purpose. He also discusses their literary preoccupations: the relations of poet and patron and the role of poetry in the state (Augustus), the problems of a professedly tiring poet (Florus), and the presentation of classical poetic theory ("Ars Poetica"). He notes Horace's influence on later criticism, drawing attention in one section to one of Alexander Pope's Imitations. He also addresses problems of grammar and style, focusing on linguistic difficulties and the subtle movement of the poet's thought.
Horace: Satires and Epistles
Author | : Kirk Freudenburg |
Publisher | : OUP Oxford |
Total Pages | : 0 |
Release | : 2009-05-14 |
Genre | : Literary Criticism |
ISBN | : 9780199203543 |
A collection of articles representing some of the finest writing on Horace's satires (Sermones) and epistles (Epistulae) over the past fifty years. Several have previously only been accessible in specialist journals, while five appear here for the first time in English translation.
The Cambridge Companion to Horace
Author | : Stephen Harrison |
Publisher | : Cambridge University Press |
Total Pages | : 31 |
Release | : 2007-02-08 |
Genre | : History |
ISBN | : 1139827162 |
Horace is a central author in Latin literature. His work spans a wide range of genres, from iambus to satire, and odes to literary epistle, and he is just as much at home writing about love and wine as he is about philosophy and literary criticism. He also became a key literary figure in the regime of the Emperor Augustus. In this 2007 volume a superb international cast of contributors present a stimulating and accessible assessment of the poet, his work, its themes and its reception. This provides the orientation and coverage needed by non-specialists and students, but also suggests provoking perspectives from which specialists may benefit. Since the last general book on Horace was published half a century ago, there has been a sea-change in perceptions of his work and in the literary analysis of classical literature in general, and this territory is fully charted in this Companion.
Horace and the Rhetoric of Authority
Author | : Ellen Oliensis |
Publisher | : Cambridge University Press |
Total Pages | : 255 |
Release | : 1998-05-28 |
Genre | : Foreign Language Study |
ISBN | : 0521573157 |
This book explores how Horace's poems construct the literary and social authority of their author. Bridging the traditional distinction between 'persona' and 'author', Ellen Oliensis considers Horace's poetry as one dimension of his 'face' - the projected self-image that is the basic currency of social interactions. She reads Horace's poems not only as works of art but also as social acts of face-saving, face-making and self-effacement. These acts are responsive, she suggests, to the pressure of several audiences: Horace shapes his poetry to promote his authority and to pay deference to his patrons while taking account of the envy of contemporaries and the judgement of posterity. Drawing on the insights of sociolinguistics, deconstruction and new historicism Dr Oliensis charts the poet's shifting strategies of authority and deference across his entire literary career.