The Saint Plays
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| Author | : Erik Ehn |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2000 |
| Genre | : Drama |
| ISBN | : |
This collection of fifteen plays by Erik Ehn is part of an ongoing cycle of plays loosely based on the lives of saints and biblical characters ranging from John the Baptist to Joan of Arc. Placing the protagonists and their suffering in a modern context, Ehn produces what he calls "contemporary fairy tales for the stage." The subject matter, he explains in the Preface, is "exploded biography," or "the means by which the self is overmastered by acts of the imagination, by acts of faith." An important contribution to current explorations of the poetic and spiritual in the theater, these surprising dramas create their own language, interrogating the limits of empathy and faith. "The plays grow out of [Ehn's] deep Catholic faith which reveals a specifically Franciscan spiritual energy in its community-based ethos and hallowed desire to infuse contemporary life with a feeling for the divine... Ehn's saint plays partake of the century-long Judeo-Christian tradition of modern writers dramatizing the great themes of faith, evil, spiritual longing and soul states in plays that include saints, angels or biblical characters... His joyful drama sings the praises of the poetic voice and image in portraits of people crafted like beautiful holy cards."--Bonnie Marranca, Plays for the End of the Century
| Author | : Saint Thérèse of Lisieux |
| Publisher | : ICS Publications |
| Total Pages | : 378 |
| Release | : 2008 |
| Genre | : Performing Arts |
| ISBN | : 0935216472 |
Over a period of about three years toward the end of her life, St. Therese of Lisieux (1873-1897) was asked by her Carmelite superiors to compose eight theatrical pieces for special occasions in her convent. She did not consider them mere trivial amusements. On the contrary, Therese invested herself wholeheartedly in the writing and performance of these little dramas, which provided a welcome opportunity to articulate her growing spiritual insights and share them with her religious community. Here we find echoes of her great themes, some where developed at greater length than anywhere else in her writings: Mary of Nazareth and Joan of Arc, humility and the little way, confidence and love, and so much more. In the present volume, for the first time, all eight of her plays (or pious recreations, as they are sometimes called in the French) are published together in their entirety for English-speaking readers. They open a new window onto the message of the church's youngest Doctor. Also included is a masterful general introduction by the noted Theresian expert, Bishop Guy Gaucher, O.C.D., as well as individual introductions to each play explaining it in context and significance. Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin;} Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;}
| Author | : Kate Fodor |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 68 |
| Release | : 2008 |
| Genre | : Faith |
| ISBN | : 9780822222705 |
THE STORY: Theresa is estranged from her family and working as a cleaning woman when she finds herself surprised by the unexpected desire to learn how to pray. Matthew, the priest whose rectory she cleans, is stunned and heartbroken by the realizat
| Author | : Terry Eagleton |
| Publisher | : |
| Total Pages | : 90 |
| Release | : 1989 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Kevin Birmingham |
| Publisher | : Penguin |
| Total Pages | : 433 |
| Release | : 2021-11-16 |
| Genre | : History |
| ISBN | : 1594206309 |
*A New York Times Book Review Editors' Choice * One of The East Hampton Star's 10 Best Books of the Year* From the New York Times bestselling author of The Most Dangerous Book, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's Crime and Punishment. The Sinner and the Saint is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story—and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of Crime and Punishment came from the sensational story of Pierre François Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. Crime and Punishment advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. The Sinner and the Saint now gives us the thrilling and definitive story of that triumph.
| Author | : Amy Welborn |
| Publisher | : Loyola Press |
| Total Pages | : 315 |
| Release | : 2011-09-29 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0829430202 |
Book of SaintsWho are the saints, why are the lives of saints important for children, and what can children learn from lives and actions? In Loyola Kids Book of Saints, the first in the Loyola Kids series, best-selling author Amy Welborn answers these questions with exciting and inspiring stories, real-life applications, and important information about these heroes of the church. This inspiring collection of saints’ stories explains how saints become saints, why we honor them, and how they help us even today. Featuring more than sixty saints from throughout history and from all over the world, Loyola Kids Book of Saints introduces children to these wonderful role models and heroes of the church. Ages 8-12.
| Author | : Monica McCarty |
| Publisher | : Ballantine Books |
| Total Pages | : 450 |
| Release | : 2012-03-27 |
| Genre | : Fiction |
| ISBN | : 0345532112 |
Robert the Bruce consolidates lands and loyalty in a bold war for Scotland’s independence, as his elite team of warriors, the Highland Guard, fight for king, country . . . and love. Magnus MacKay is the ultimate Highlander: tough, proud, able to master any terrain and to best his enemies. Called “the Saint” for his refusal to discuss women, as well as for his cool and steady leadership, Magnus hides a painful truth. It isn’t virtue or piety that keeps him silent, but a wound of love and loss that cuts so deep he cannot bear to speak of it. But when the woman who refused him is betrothed to his friend and fellow Guardsman, Magnus is tested by love’s battle cry. A wild and innocent beauty, Helen chose family duty over her desire for Magnus. Now the anger in his eyes mirrors the tormented regret in her heart. But as deadly subterfuge stalks the King and his Guard, Helen vows to right her youthful mistakes with a woman’s determined spirit. Still, Magnus harbors secrets and an iron will not to weaken to temptation—or heartache—again. But as danger looms, it’s the kiss not of a saint, but of a sinner, that can save them.
| Author | : Tiffany Reisz |
| Publisher | : MIRA |
| Total Pages | : 288 |
| Release | : 2018-03-12 |
| Genre | : Fiction |
| ISBN | : 1488098379 |
A notorious dominatrix tells how she met the two men in her life in this prequel to the favorite dark erotic romance series by a USA Today bestseller. Rebellious, green-eyed Eleanor never met a rule she didn’t want to break. She’s sick of her mother’s zealotry and the confines of Catholic school, and declares she’ll never go to church again. But her first glimpse of beautiful, magnetic Father Marcus Stearns—Søren to her and only her—and his lust-worthy Italian motorcycle is an epiphany. Eleanor is consumed—yet even she knows being in love with a priest can’t be right. But when one desperate mistake nearly costs Eleanor everything, it is Søren who steps in to save her. When she vows to repay him with complete obedience, a whole world opens before her as he reveals to her his deepest secrets that will change everything. Danger can be managed—pain, welcomed. Everything is about to begin. Praise for the Original Sinners series “I loved the Original Sinners series . . . Her prose is quite beautiful, and she can weave a wonderful tight story.” —New York Times– and USA Today–bestseller Jennifer Probst “Tiffany Reisz’s The Original Sinners series is painful, prideful, brilliant, beautiful, hopeful, and heart-breaking. And that’s just the first hundred pages.” —New York Times–bestselling author Courtney Milan “Required reading . . . . Stunning . . . . Transcends genres and will leave readers absolutely breathless.” —RT Book Reviews “I worship at the altar of Tiffany Reisz! Whip smart, sexy as hell—The Original Sinners series knocked me to my knees.” —New York Times–bestselling author Lorelei James
| Author | : Leslie Charteris |
| Publisher | : Thomas & Mercer |
| Total Pages | : 0 |
| Release | : 2014-06-24 |
| Genre | : Fiction |
| ISBN | : 9781477842614 |
He may not always be on the right side of the law, but with his charm and Robin Hood morality, he is clearly on the side of angels: he is the Saint.
| Author | : Gina M. Di Salvo |
| Publisher | : Oxford University Press |
| Total Pages | : 273 |
| Release | : 2023-09-28 |
| Genre | : |
| ISBN | : 0192865919 |
The age of miracles was not yet past on the Shakespearean stage. In the first book-length study of the English saint play across the Reformation divide, The Renaissance of the Saints after Reform recovers the surprisingly long theatrical life of the saints from a tenth-century monastery to the Restoration stage. Through a reassessment of archival records of performance and religious change, this book challenges the established history of the saint play as a product of medieval devotional culture that ended with the national conversion to Protestantism during the Reformation. Not only did saints in performance frequently diverge from the narratives of devotional literature during the Middle Ages but also saints made a spectacular reappearance in the theatre of the early modern era. In the rupture between those two eras, the English church separated itself from the Cult of the Saints, and saints disappeared from public view until sainthood transformed from a matter of theology into a matter of theatricality. Early modern saint plays document a post-Reformation culture committed to saints-but not all saints. Certain ancient martyrs and British saints returned to the liturgical calendar in the Elizabethan Book of Common Prayer. This limited inventory performed an initial de-Catholicization of these saints, but it did not recover their lives. Instead, the theatre produced new lives of the saints for the English public. A period of experimentation with saints and devils in the 1590s was followed by unprecedented innovation throughout the Stuart era. This book traces the transformation of sainthood in early modern drama from ambiguous supernatural association and negotiated patronage to a renaissance of miraculous theatricality and sacred place-making. By excavating saints in plays by Shakespeare, Heywood, Dekker, Massinger, and Rowley as well as plays authored by relatively unknown dramatists, this book reconfigures how we think about the legacy of late medieval religious culture, the impact of Reformation change on literary texts and social practices, and the development of English theatre and drama.
