Royal Arts of Africa
Author | : Suzanne Preston Blier |
Publisher | : Laurence King |
Total Pages | : 282 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
"First published in Great Britain 1998 by Calmann and King Ltd."-- T.p.
Download The Royal Arts Of Africa full books in PDF, epub, and Kindle. Read online free The Royal Arts Of Africa ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Suzanne Preston Blier |
Publisher | : Laurence King |
Total Pages | : 282 |
Release | : 1998 |
Genre | : Art |
ISBN | : |
"First published in Great Britain 1998 by Calmann and King Ltd."-- T.p.
Author | : Michèle Coquet |
Publisher | : University of Chicago Press |
Total Pages | : 189 |
Release | : 1998-12-01 |
Genre | : Art |
ISBN | : 9780226115757 |
In this visually stunning work, anthropologist Michèle Coquet presents the power and the brilliance of African court arts. Grounding her analysis in the social and historical context of traditional royalty systems, Coquet examines the diverse roles played by artisans, nobles, and kings in the production and use of royal objects. From the precolonial kingdoms of the Edo and the Yoruba, the Ashanti and the Igbo, Coquet reconstructs from a comparativist view the essential cultural connections between art, representation, and the king. More than ornamentation, royal objects embodied the strength and status of African rulers. The gold-plated stools of the Ashanti, the delicately carved ivory bracelets of the Edo-these objects were meant not simply to adorn but to affirm and enhance the power and prestige of the wearer. Unlike the abstract style frequently seen in African ritual art, realism became manifest in courtly arts. Realism directly linked the symbolic value of the object-a portrait or relief-with the physical person of the king. The contours of the monarch's face, his political and military exploits rendered on palace walls, became visual histories, the work of art in essence corroborating the ruler's sovereign might. Richly illustrated and wonderfully detailed, Coquet's influential volume offers both a splendid visual presentation and an authoritative analysis of African royal arts. "[This] beautiful and exciting book emphasizes the skillful court art of the Benin, Dahomey, and the Kongo. A very interesting and unusual approach to the art of the continent that has been too easily situated 'outside of history.'"—Le Figaro
Author | : Kate Ezra |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 346 |
Release | : 1992 |
Genre | : Art |
ISBN | : 0870996339 |
Tantalizing trivia. this Hitler, spoiling everything?"
Author | : Peter S. Garlake |
Publisher | : Oxford University Press, USA |
Total Pages | : 214 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780192842619 |
This new history of over 5,000 years of African art reveals its true diversity for the first time. Challenging centuries of misconceptions that have obscured the sophisticated nature of African art, Garlake focuses on seven key regions--southern Africa, Nubia, Aksum, the Niger River, West Africa, Great Zimbabwe, and the East African coast--treating each in detail and setting them in their social and historical context. Garlake is long familiar with and has extensive practical experience of both the archaeology and the art history of Africa. Using the latest research and archaeological findings, he offers exciting new insights into the works native to these areas, and he also puts forth new interpretations of several key cultures and monuments. Acknowledging the universal allure of the African art object, this stunning book helps us to understand more about the ways in which this art was produced, used, and received.
Author | : Christa Clarke |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 218 |
Release | : 2006 |
Genre | : Art |
ISBN | : 1588391906 |
A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
Author | : Suzanne Preston Blier |
Publisher | : University of Chicago Press |
Total Pages | : 335 |
Release | : 1994 |
Genre | : Architecture |
ISBN | : 0226058611 |
Blier illuminates the extraordinary architecture of the Batammaliba people of Western Africa, revealing these buildings as texts through which we can read the beliefs, psychology, traditions, and social concerns of their inhabitants. In doing so, she explores the role of vernacular architecture as an expression of culture. "A splendid analysis of the centrality of architecture in the daily lives of the Batammaliba and its integral role in articulating social values....The story is beautifully told in the best of anthropological traditions."—Judith R. Blau, Contemporary Society "A remarkable study....Blier's volume carries the study of African architecture to a qualitatively new level of scholarship. It introduces a new dimension whereby the architectural medium can be used to illuminate much of the entire belief system of any culture."—Labelle Prussin, African Arts "In this excellent book Blier provides a richly detailed and searching account of what architecture means to the Batammaliba of northern Togo and Benin....The finest account I have yet read of the relations between systems of beliefs, ritual practices, and African aesthetics and plastic arts....The ethnography and basic insight should be the envy of any social anthropologist."—T.O. Beidelman, Man
Author | : Pamela McClusky |
Publisher | : Princeton University Press |
Total Pages | : 302 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780691092751 |
"The authors draw on personal memories, interviews, and oral narratives to present twelve "case histories" of objects--or clusters of objects-- in the Seatle Art Museum's renowned collection of African art."
Author | : Monica Blackmun Visonà |
Publisher | : Prentice Hall |
Total Pages | : 560 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780136128724 |
"Informed by the latest scholarship yet written for the general reader, this has been the first comprehensive study to present the arts of Africa in art historical terms. A History of Art in Africa covers all parts of the continent, including Egypt, from prehistory to the present day and includes the art of the African Diaspora. Many aspects of visual culture are given detailed consideration, including sculpture, architecture, and such quintessentially African forms as masquerades, festivals, and personal adornment. The arts of daily life, of royal ceremony, and of state cosmology receive compelling discussions. Throughout, the authors emphasize the cultural contexts in which art is produced and imbued with meanings." "Among the ancient works illustrated are masterpieces in brass, gold, ivory, stone and terracotta. Religious arts serving Islamic and Christian communities are presented, as are fascinating hybrid arts that periodically arose from African interactions with Europe, Asia and the Americas. Twentieth-century arts are explored as part of the vibrancy of modern Africa and as ingenious responses to historical change. 'Twenty-first-century African artists, and artists of the African Diaspora, are presented in the context of changing global economies and new theoretical positions." "This expanded and revised second edition provides a new chapter on African artists working abroad, and five new short essays on cross-cultural topics such as tourist arts, dating methods, and the illicit trade in archaeological artifacts. The illustrations - featuring a vast and rich array of images of artworks, archival and contemporary field photographs, explanatory drawings and plans, and individual objects displayed in museums and in use - have likewise been greatly extended, with many more pictures now shown in color."--BOOK JACKET.
Author | : Christraud Geary |
Publisher | : 5Continents |
Total Pages | : 0 |
Release | : 2011-09-01 |
Genre | : Art |
ISBN | : 9788874395736 |
In the late 19th and early 20th centuries, artists working for the royal court of Bamum, in Cameroon, created elaborate bead-covered thrones and stools, wooden sculptures, masks in human and animal form, architectural carvings, and fine objects in bronze, ivory, and clay. This book focuses on the history, iconography, and meaning of these royal arts and looks at Western collectors who were fascinated by King Ibrahim Njoya (ruled 1886/7 to 1931) and the splendor of the royal court. Visual and written sources--including testimony by King Njoya and his courtiers, and extensive archival records--cast light on the strategies of a monarch who allowed visitors to acquire these arts to enhance the kingdom's reputation in distant Europe. The history of Bamum arts thus offers unique perspectives on African creativity and ingenuity, and European ways of collecting.
Author | : Suzanne Preston Blier |
Publisher | : Duke University Press |
Total Pages | : 633 |
Release | : 2019-12-13 |
Genre | : Art |
ISBN | : 1478002042 |
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.