The Rothko Chapel
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| Author | : Frauke V. Josenhans |
| Publisher | : Other Distribution |
| Total Pages | : 160 |
| Release | : 2021-05-11 |
| Genre | : |
| ISBN | : 9780300257885 |
A celebration of Houston's Rothko Chapel on its fiftieth anniversary, featuring work by contemporary artists responding to its continuing impact Artists and the Rothko Chapel celebrates the legacy of the Rothko Chapel in Houston and globally since its founding in 1971. It features recent work by four contemporary artists who have drawn inspiration from the Chapel--Sam Gilliam, Sheila Hicks, Shirazeh Houshiary, and Byron Kim--and illustrates the 1975 exhibition Marden, Novros, Rothko: Painting in the Age of Actuality shown at Rice University. The volume includes interviews with Brice Marden and David Novros, statements from the artists about their work's relationship to the Chapel, and reflections from local figures on spirituality, identity, and equality. With new photography of the installations and of the recently restored Chapel, this book is a testament to the enduring impact of the non-denominational space Rothko created.
| Author | : Annie Cohen-Solal |
| Publisher | : Yale University Press |
| Total Pages | : 304 |
| Release | : 2015-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300185537 |
Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
| Author | : Christopher Rothko |
| Publisher | : Yale University Press |
| Total Pages | : 312 |
| Release | : 2015-11-24 |
| Genre | : Art |
| ISBN | : 030021281X |
Mark Rothko (1903–1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist’s two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser-known and underappreciated aspects of Rothko’s oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper. The author also discusses the artist’s writings of the 1930s and 1940s, the significance of music to the artist, and our enduring struggles with visual abstraction in the contemporary era. Finally, Christopher Rothko writes movingly about his role as the artist’s son, his commonalities with his father, and the terms of the relationship they forged during the writer’s childhood. Mark Rothko: From the Inside Out is a thoughtful reexamination of the legendary artist, serving as a passionate introduction for readers new to his work and offering a fresh perspective to those who know it well.
| Author | : Ryan Dohoney |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2019-10-25 |
| Genre | : Music |
| ISBN | : 0190948590 |
Saving Abstraction: Morton Feldman, the de Menils, and the Rothko Chapel tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston. Built in 1971 for "people of all faiths or none," the chapel houses 14 monumental paintings by famed abstract expressionist Mark Rothko, who had committed suicide only one year earlier. Upon its opening, visitors' responses to the chapel ranged from spiritual succor to abject tragedy--the latter being closest to Rothko's intentions. However the chapel's founders--art collectors and philanthropists Dominique and John de Menil--opened the space to provide an ecumenically and spiritually affirming environment that spoke to their avant-garde approach to Catholicism. A year after the chapel opened, Morton Feldman's musical work Rothko Chapel proved essential to correcting the unintentionally grave atmosphere of the de Menil's chapel, translating Rothko's existential dread into sacred ecumenism for visitors. Author Ryan Dohoney reconstructs the network of artists, musicians, and patrons who collaborated on the premier of Feldman's music for the space, and documents the ways collaborators struggled over fundamental questions about the emotional efficacy of art and its potential translation into religious feeling. Rather than frame the debate as a conflict of art versus religion, Dohoney argues that the popular claim of modernism's autonomy from religion has been overstated and that the two have been continually intertwined in an agonistic tension that animates many 20th-century artistic collaborations.
| Author | : Stephen Cassell |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 206 |
| Release | : 2003-02-28 |
| Genre | : Architecture |
| ISBN | : 9781568983677 |
"The process of investigation, analysis, and testing makes Architecture Research Office (ARO) as much a laboratory as a design firm. For Stephen Cassell, Adam Yarinsky, and their team, the starting point of each commission is not the development of an abstract "idea" for the project, but an intensive, hands-on occupation with a project's conditions, with its physical, economic, and social contexts. This practical approach to making architecture, to shrinking the distance between thinking and building, is much evident in their work, which manages to be simultaneously thoughtful and sensual." "The seven projects featured in this, the first monograph on the work of this firm, range from self-directed research (ARO's paper wall project), to private living spaces (the SoHo Loft), to commercial interiors (the Qiora Store and Spa), to the popular U.S. Armed Services Recruiting Station in Times Square, to the stunning Colorado House in Telluride. All of these projects challenge design conventions, while delighting the senses with their unusual materials, careful detailing, and unexpected spatial discoveries." "With essays by Stan Allen, Philip Nobel, Guy Nordenson, and Sarah Whiting."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : James Elkins |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2005-08-02 |
| Genre | : Art |
| ISBN | : 113595013X |
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
| Author | : Sheldon Nodelman |
| Publisher | : |
| Total Pages | : 360 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : |
The paintings executed in 1964-1967 by American artist Mark Rothko for the Rothko Chapel in Houston represent the fulfillment of the artist's lifelong ambition and a breakthrough in twentieth-century art. Unlike previous sets of paintings commissioned for the Seagram Building and Harvard University, the Chapel commission allowed Rothko to determine the architectural setting and lighting in which the paintings would appear. This proved to be the catalyst for a new mode of pictorial dynamics based on a kind of interaction of paintings, architecture, and light previously unknown. No painting in the set could be understood in isolation from the rest or apart from its place in the architectural setting. The Rothko Chapel Paintingsexplores this interdependence of paintings and place. As viewers move about the Chapel's octagonal enclosure, over whose walls the fourteen panels are continuously distributed, they discover systems of pictorial interactions which become the terms or characters of a cosmological drama in which the viewer is a necessary participant. In the act of vision, the embodied viewer is prompted not merely to witness but also to reenact that questioning of human destiny which has preoccupied the Western spiritual tradition.
| Author | : William Middleton |
| Publisher | : Knopf |
| Total Pages | : 817 |
| Release | : 2018-03-27 |
| Genre | : Biography & Autobiography |
| ISBN | : 152473294X |
**NAMED ONE OF THE BEST ART BOOKS OF THE DECADE BY ARTNEWS** The first and definitive biography of the celebrated collectors Dominique and John de Menil, who became one of the greatest cultural forces of the twentieth century through groundbreaking exhibits of art, artistic scholarship, the creation of innovative galleries and museums, and work with civil rights. Dominique and John de Menil created an oasis of culture in their Philip Johnson-designed house with everyone from Marlene Dietrich and René Magritte to Andy Warhol and Jasper Johns. In Houston, they built the Menil Collection, the Rothko Chapel, the Byzantine Fresco Chapel, the Cy Twombly Gallery, and underwrote the Contemporary Arts Museum. Now, with unprecedented access to family archives, William Middleton has written a sweeping biography of this unique couple. From their ancestors in Normandy and Alsace, to their own early years in France, and their travels in South America before settling in Houston. We see them introduced to the artists in Europe and America whose works they would collect, and we see how, by the 1960s, their collection had grown to include 17,000 paintings, sculptures, drawings, photographs, rare books, and decorative objects. And here is, as well, a vivid behind-the-scenes look at the art world of the twentieth century and the enormous influence the de Menils wielded through what they collected and built and through the causes they believed in.
| Author | : Susan J. Barnes |
| Publisher | : |
| Total Pages | : 132 |
| Release | : 1989 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Glenn Phillips |
| Publisher | : Getty Publications |
| Total Pages | : 326 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780892367344 |
I am interested only in expressing basic human emotions - tragedy, ecstasy, doom, - Mark Rothko (1903 - 1970) said of his paintings. If you are moved only by their colour relationships, then you miss the point. Throughout his career, Rothko was concerned with what other people experienced when they looked at his canvases. As his work shifted from figurative imagery to luminous fields of colour, his concern expanded to the setting in which his paintings were exhibited.
