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| Author | : Donald David Stone |
| Publisher | : |
| Total Pages | : 416 |
| Release | : 1980 |
| Genre | : Literary Criticism |
| ISBN | : |
Mr. Stone takes an innovative approach to the Victorian novelists, examining their debt to the writers of the previous generation. Confronting the diversity of the Romantic movement and of the Victorians' responses to it, he discovers strong and unexpected affinities between the novelists and the Romantics.
| Author | : Donald David Stone |
| Publisher | : |
| Total Pages | : 404 |
| Release | : 2013-10-01 |
| Genre | : |
| ISBN | : 9780674594296 |
| Author | : Andrew Radford |
| Publisher | : Routledge |
| Total Pages | : 268 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351902474 |
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
| Author | : Petru Golban |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 373 |
| Release | : 2019-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 1527540790 |
Metaphorically speaking, the nineteenth-century English Bildungsroman, dealing with the principle of identity formation, parallels Victorian fiction as a whole, revealing the completion of its own formation, which began in the eighteenth century. Significantly, the most important and popular Victorian novels are Bildungsromane, in which authors construct or rather reconstruct their own life experiences as formative processes. This book shows that the Bildungsroman has a development history, is a specific literary system, and consists of a thematic and narrative pattern. It details the entrance of this newly established fictional tradition into Victorian culture and literature through Carlyle’s threefold literary reception of the novel of formation and its subsequent flourishing and complexity. In this respect, a number of novelistic works are scrutinized, and each faces the question as to whether its thematic and narrative perspectives fit the pattern and shape of the Bildungsroman.
| Author | : Caroline Franklin |
| Publisher | : Routledge |
| Total Pages | : 263 |
| Release | : 2012-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 1136245510 |
Awarded the Elma Dangerfield Prize by the International Byron Society in 2013 The nineteenth century is sometimes seen as a lacuna between two literary periods. In terms of women’s writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist movement produced a coherent body of major works, impelled by an ongoing dialogue between Enlightenment ‘feminism’ and late Romanticism. This study focuses on the dynamic interaction between Lord Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen, challenging previous critics’ segregation of the male Romantic writers from their female peers. The Romantic movement in general unleashed the creative ambitions of nineteenth-century female novelists, and the public voice of Byron in particular engaged them in transnational issues of political, national and sexual freedom. Byronism had itself been shaped by the poet’s incursion onto a literary scene where women readers were dominant and formidable intellectuals such as Madame de Staël were lionized. Byron engaged in rivalrous dialogue with the novels of his female friends and contemporaries, such as Caroline Lamb, Mary Shelley and Jane Austen, whose critiques of Romantic egotism helped prompt his own self-parody in Don Juan. Later Victorian novelists, such as George Sand, the Brontë sisters and Harriet Beecher Stowe, wove their rejection of their childhood attraction to Byronism, and their dawning awareness of the significance for women of Lady Byron’s actions, into the feminist fabric of their art.
| Author | : Michael Wheeler |
| Publisher | : Routledge |
| Total Pages | : 305 |
| Release | : 2014-01-14 |
| Genre | : Literary Criticism |
| ISBN | : 1317896084 |
Professor Wheeler's widely-acclaimed survey of the nineteenth-century fiction covers both the major writers and their works and encompasses the genres and "minor" fiction of the period. This excellent introduction and reference source has been revised for this second edition to include new material on lesser-known writers and a comprehensively updated bibliography.
| Author | : Rosemarie Bodenheimer |
| Publisher | : Cornell University Press |
| Total Pages | : 271 |
| Release | : 2019-01-24 |
| Genre | : Literary Criticism |
| ISBN | : 1501733443 |
The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.
| Author | : M. A. R. Habib |
| Publisher | : Cambridge University Press |
| Total Pages | : 796 |
| Release | : 2013-02-07 |
| Genre | : Literary Criticism |
| ISBN | : 1316175170 |
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
| Author | : Sarah Wootton |
| Publisher | : Springer |
| Total Pages | : 262 |
| Release | : 2017-01-26 |
| Genre | : Literary Criticism |
| ISBN | : 113757934X |
Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades.
| Author | : Louis James |
| Publisher | : John Wiley & Sons |
| Total Pages | : 274 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1405152281 |
This inspiring survey challenges conventional ways of viewing the Victorian novel. Provides time maps and overviews of historical and social contexts. Considers the relationship between the Victorian novel and historical, religious and bibliographic writing. Features short biographies of over forty Victorian authors, including Wilkie Collins, Charles Dickens, George Eliot, and Robert Louis Stevenson. Offers close readings of over 30 key texts, among them Charlotte Brontë’s Jane Eyre (1847) and Bram Stoker’s Dracula (1897), as well as key presences, such as John Bunyan’s Pilgrim’s Progress (Pt 1, 1676, Pt 2, 1684). Also covers topics such as colonialism, scientific speculation, the psychic and the supernatural, and working class reading.
